Music

Big Sean - Detroit 2

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Big Sean is back and in seemingly the biggest way possible. Coming off of a three-year hiatus after the release of his I Decided album, which is now certified RIAA Platinum, Big Sean decided that there wouldn’t be a better place to stage a comeback than back in his home of Detroit, Michigan. Detroit 2 is a sequel to Sean’s 2012 mixtape of the same title. 

What makes this a standout record for us at Nefarious Supply is the sheer hunger in Sean’s lyricism, flow, delivery, and topics tackled. We see the Detroit-born artist reach down into the Michigan earth and take tight hold of his roots. 

In this review, NS is here to tell you all our absolute favorite tracks off the album! Sean Don is back, and needless to say, we’re glad that he is. 😈

Deep Reverence (ft. Nipsey Hussle)

Deep Reverence is Big Sean’s chance for recollection and introspection. A golden track from start to finish, Nipsey Hussle deepens the meaning behind the track’s title and even Sean’s subject matter, with him looking back on his life and how far he’s come since then. On the song the two rap heavyweights trade bars about the various pressures of life, whether its pleasing fans, staying true to oneself. gang violence, personal troubles, and the rap game as a whole.

Big Sean states in February 2020: “I was working on this song with Nip and then Nip passed…”

He eventually released the song having finalized it, saying: “the world needs to hear [and] feel Nipsey presence!”

Wolves (ft. Post Malone)

Wolves establishes the first collaboration between Big Sean and Post Malone. Originally helming an A$AP Rocky verse, the track’s feature artist was soon switched to Post Malone, saving the Rocky collab for another track on the album. The wolves Big Sean is referring to in this track are his family. The two artists draw distinct parallels between their environment and community and wolves, invoking themes of dominance and loyalty to the pack.

The feature on this heavily murky production serves to only accentuate the theme behind the music, that they were raised by wolves, in a cold world, where you can be predator or prey.

ZTFO

ZTFO, short for “Zen The Fuck Out” which is a phrase the listener will become pretty familiar with, is another breakout track from the album. It features stellar adlibs by fellow rap heavyweight, Travis Scott, as well as fine-tuned production by Chase B, and sports Big Sean redistributing the various channels bad energy that comes in his direction. He never lets these bad vibes control or affect his state of mind, by the end of his infectious track, we’re pretty sure you’ll be singing the chorus too.

Guard Your Heart (ft. Anderson .Paak, Earlly Mac & Wale)

Guard Your Heart is one of our slower selections from Detroit 2. A beautiful walk through a metaphorical park with Anderson .Paak in one hand and Earlly Mac in the other, Big Sean skips along this song this introspective hit as both artists at his side lead him seamlessly to the final verse, hammered home by Wale. This is a point in the album where Big Sean reins himself in, as all four artists delve into their innermost thoughts.

Respect It (ft. Young Thug)

Respect It is the eleventh track on the album and has both Young Thug and Sean Don claiming the respect they deserve. With production handled by Detroit 2’s executive producer, Hit-Boy, the two rappers state their various accomplishments and takes inventory over their material belongings, flexing and demanding the deference and acclaim that got them to this point of their career in the first place.

The grungy trap beat fits underneath the two vocalists well, and the beat switch near the end seals the deal for us for this track.

Lithuania (ft. Travis Scott)

Probably the most popular song on the album, Lithuania features our very own Texas-made Travis Scott, who tackles a very infectious chorus with our very own Sean Don. The two trade bars on his braggadocious banger, rapping about their many travels and how fly they look at TSA and Baggage Claim, which is probably a nod to the northeast European country this song was named after. A catchy hook and even catchier bars, this is a solid track through and through.

Don Life (ft. Lil Wayne)

Don Life is the most celebratory track off of Detroit 2 for us. Featuring rap legend Lil Wayne and sampling the legendary Michael Jackson track, “Human Nature”, the two artists drop heavy verses discussing their relentless work ethic and perseverance in the face of hate and doubt. This collab was first teased in May 2019, and was the second half of a the same studio session where they released “I Do It”.

Kaash Paige - Teenage Fever

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D’kyla Paige Woolen, known professionally as Kaash Paige is a break out singer-songwriter, hailing from Dallas, Texas. Signing with Se Lavi Productions and Def Jam Recordings at just 19 years of age, Paige is also now managed by the Jay-Z helmed Roc Nation. With this and her blowing up on TikTok Paige had all the right ingredients to drop a lustrous freshman album, and solidify herself as a new addition to the game.

So, she did.

Take a look at our review for Teenage Fever, down below! 😈

London

The first track on the album, Kaash starts the album with a slow-burning production with a nice guitar progression and a complimenting 808 that slows even further to mesh with her warped vocals at points of the track. Paige speaks on topics of loyalty, her ambitions for the future, and how she peeps everything from her spot at the famous London, hence the title.

Grammy Week

Grammy Week is pretty self-explanatory in its theme. Kaash sings and raps over a watery and clouded beat which clears itself up to reveal some subtle synth-like progressions overtop a nice and staccato-sequel beat. With a fitting guest feature from Don Toliver, the two touch on the topic of success, with even Kaash predicting her Grammy night at the beginning of the track.

Lost Ones

Kaash slides over Lost Ones, her voice dances over the beat effortlessly and her vocal runs, plus the flow of her lyricism lead the listener on a nice yet compelling journey, letting them get comfortable but not complacent in actively hearing her lyrics, which touch on love and the search for the lost ones in question. 

Soul Ties (ft. ssgkobe)

With a beautiful guitar riff opener, Kaash Paige slides onto the first few seconds of Soul Ties with a fitting, soulful take on her fear of being taken for granted and played with. ssgkobe compliments this theme by reassuring that as long as they're together she’s all he’s focused on. Together they ride out the chorus. “Down for the worse or the better.” 

Fake Love (ft. 42 Dugg)

Seeming to be a recurring theme in her style of music, Kaash starts off Fake Love with a bouncy, repeating guitar riff, which is soon flavored with tasty 808s and synths. The production surrounds Paige’s vocals in a beautiful coating, as if they're both guiding each other to a satisfying finish. Her topic is very straight forward, and 42 Dugg hammers this point home with his pinpoint feature. 

Jaded

A darker and more introspective take on her new relationship with the individual in question, revealing the problems that have strained their relationship from the start. She reassures that all they need is some practice, because at this point, their love seems to have come to a halt. Paige again effortlessly conveys her message with a vibe attached. 

FRIENDS

An upbeat addition on Teenage Fever, Paige switches between beats and warped vocals, creating an almost Travis Scott-esque atmosphere for the listener as she conveys her lack of trust for the world. She can't be more than friends with anyone, and can't even imagine anything more than those car rides in a Benz.

 

Break Up Song (ft. K CAMP)

Break Up Song is Kaash Paige’s apology in advance to anyone she gets involved with. She’s a dog through and through, and wants them to know they can easily leave her be, but if they want to be apart of the world, then here’s the disclaimer. K CAMP eats his verse and rides the wave reinforcing Paige’s take before she swings back in for the infection hook once again.

Pull Up 

Kaash Paige rides yet again with an addicting acoustic opener that climbs before dropping into a deep and full 808, that Paige dwells in before surfing into the chorus of the track. Pull Up has Paige keeping things lowkey with someone, asking them to pull up (most likely in the aforementioned Benz) and getting lit in the front seat, and back. 

Problems (ft. Isaiah Rashad)

With an incredibly rare feature from TDE’s very own Isaiah Rashad, Paige pours her soul out on the track, even starting off the bat telling the listener there’s a lot on her mind. Spending habits, soul searching, inconsistency, these are all worries that Paige is completely transparent about. Rashad conveys how he deals with these perpetual problems in life, by heading to his “throne” or his crib, where his friends stay, lighting up a jay and vibing with the crew for the night. 

SOS

Paige’s acoustic intro is softer and more deliberate on SOS, and her vocals, which stay the same in intensity and tone, are focused to more lighter and colorful aftertones. Her vocals are beautiful, with the autotuned runs doing feats akin to Trippie Redd’s level raw intensity. Fake friends, failed relationships, the price of fame, political strife, even through it all Paige still has the strength to know that the sun shines on, after the darkest nights. 

Mrs. Lonely 

A synth opening this time, Paige vibes on the intro, before creatively asking what the point of friends even is if they end up leaving in the end. Paige feels mentally lost and as if her time is running out, the only thing that seems to slow this down are the drugs she consumes. At the end of the melancholy second-to-last, Paige ponders what the other side looks like. 

Karma 

The final track on Teenage Fever, Paige takes a moment to sit down and talk with the listener about this crucial stage of adolescence, and all that comes with it, depression, relationships, love, hate, drugs, and as she says, everything else. The production gradually raises with the intensity of her voice, before all coming to the momentous halt, and then Karma starts. The aforementioned other side? Yeah, this is it. And instead of wondering about it, Paige actively yearns for the deceptive mistress. 

For the last track, Paige hammers it home that she is here to stay, past TikTok, past any dance or singing challenge, or any views, Kaash Paige has made her mark.

[MYMHM 3] pinkplata & Moflo Music - SON LAS DOS AM

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pinkplata, the Guadalajara born, and now California-based artist, gave us a two-track gift basket on her newest collaboration with well-known underground producer, Moflo Music. The two collaborated on another project the year prior titled YA VOLO, which was double the amount of tracks as this one.

However, SON LAS DOS AM delivers in every way it was expected to when it comes to this duo, and solidifies pinkplata as an upcoming latin R&B artist to certainly keep your eyes on.

Below we take a brief look at the themes and concepts that come forth in this project, take a look below! 😈

Yo Te Aviso

A very latin-based and groovy production by Moflo from start to finish, Yo Te Aviso smoothly and subtly compliments Pink’s soft and sultry voice as she glides across the beat, effortlessly switching between Spanish and English (though the track is mostly sung in the former language. The chorus shows the artist’s longing for more time from her significant other, reminiscing about those 2 AM car rides with them and wondering if they could ever go back to those nights.

Frng

A beautiful follow-up to the prior track, Moflo takes the production of Frng to another aspect of a very similar style. As if a Side B to Yo Te Avisa, this track is a light-hearted and cloudy finish to the two-track project. Sanguine lyricism from Pink fall atop the beat light as a feather, yet heavy enough leave an impression for the next verse, leading you all the way through the remainder of the song without wanting it to end!

GOHO

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Nathan Goho, known prominently by his artist name, GOHO, is an upcoming member of the music industry. Originating from Houston, Texas, GOHO’s sound reiterates the grungy trap vibe that’s risen in popularity these last few years, all while keeping his flow lyrical and playfully thoughtful. Below we’re invited to delve deeper into who GOHO is and what experiences, and ideals drive him as an artist.

Q:

Where are you from?

A:

I’m from Luanda, Angola of the coast of Africa, I moved to Houston, Texas in 08’


Q:

What and/or who was your main motivation for deciding to delve into
music as a passion and what are your daily drives for such a career.

جندي طالبان

A:

I started rapping really as a joke cuz I would always freestyle with my friends, but it’s become a outlet to let out how I feel.

I rap what I see, what I do, what I love, what I hate. It really depends on my mental at the time.

I’m the type of person who goes through phases/mood swings, so however I’m feeling at the moment might determine what I write about.

Q:

Can you describe the type of music that you make? What differentiates your music from others?

A:

I make music you can relax and smoke to or you could get lit to. I also love wordplay/bars, that’s the biggest thing.

It’s honestly what keeps me going because I’ll write a track and I’ll sit back and read the lyrics and be like damn how did I come up with that, I amaze myself sometimes.

I know it sounds corny but I like rapping at its truest form, fuck all the tools or drugs you got, I need music that makes me think, something that makes me actually pay attention to the lyrics.

Don’t get me wrong, I write about the same things as well, but when you’re talking about “rap” in simplicity, wordplay and bars are what make it.

My music is different because it its me.

I don’t follow a blueprint. I make my own way.

Q:

Who do you draw inspiration from? Any specific names? Any different genres?

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A:
I draw inspiration from myself, my life, but musically a handful of the SoundCloud pioneers, like Carti, Fauni, RonSocold, Chief Keef, Maxo Kream, Wiz, Mac Miller, Kid Cudi.

I also listen to a lot of indie music like Beach House, Cigarettes After Sex, Mac Demarco, Tame
Impala.

EDM as well artists like Diplo, Carnage, Hardwell, Hippie Sabotage, Calvin Harris, David Guetta, Martin Solveig, etc.

Q:

As of right now who are your favorite artists or producers to work with?

A:

My favorite producers right now would probably be CHASETHEMONEY, & Southside. My favorite artists at the moment would be Lucki, Billie Eilish, Future, & Kodak Black.

Q:

What are some of the big goals you have for 2019 and beyond, any big named artists you are excited to work with?

A:

2019 so far hasn’t gotten off to a great start I’m not gonna lie.

It feels like the world is trying to bring me down. I feel suffocated. But I believe in myself and my craft and I know that big things are on the way I just cannot give up.

But in 2019 I’m expecting to gain a solid fan base, and hopefully be able to go on tour, my only dream is to have people sing along with me on stage.

~

Listen to GOHO’s latest track below!

Tromac Pineapple

Tromac Pineapple is an upcoming producer and curator making is mark within the DMV area. Through the answering of these automated questions, we’ll give you an inside look into his creative process and the influences behind his reasoning for becoming a full fledged artist in this industry.

Check it out below!:

Q:

Who is Tromac Pineapple? What are the themes and experiences that formed the curator that you have become today?

A:

I'm just a dude from Laurel, a town on the tip of PG county, who found out music was the best thing ever. In high school, I met one of my closest friends who goes by Vlad, a fellow artist also from Laurel. He introduced me to music on a surface level when he showed me his songs he had on his old YouTube channel. from that, I started making beats, then rapping, eventually DJing.

Q:

What do you think is the most important aspect of creating music? What are personally your favorite parts of the process?

A:

An important aspect of creating music to me is knowing what your doing, not necessarily what you want to make or where you're going with it, but knowing what how to do what you're about to do. personally I love watching Youtube videos of people playing with hardware that I own or intend to buy to give myself an idea of whats already possible so I can feel motivated to try the impossible.

My favorite parts of making music is the unexpected, like when you and your manz making beats and you hand the controls over to him and he do some wild shit to the sample or lay down some wild keys or hard ass kicks or some shit. or when you do something completely different from what you were trying to do and it hits even harder than what you thought.

Love it.

Q:

What do you think differs you as an artist from your peers in this industry? What relationships have you made or experiences that you’ve gone through that have molded you differently?

A:

Me and my friends just be having fun with it.

The thing about the scene where I’m at, Baltimore, D.C, etcetera, everyone is really good at what they do, so when we combine and collab its even more amazing, that’s the beauty.

You have good ideas? Just do it. A lot of people in the industry, from my understanding, are like make believe, living like semi-false lives because they have to fit in a standard or appease a certain group of people and shit. I don’t do that and I don’t think i will.

I do what i want, who gon' beat me up?

Q:

What artist would you like to collaborate with the most?

A:

Honestly I would die if the legend Lil Wayne were to ever hop on one of my beats like that’s my favorite rapper. But if I could have a room full of artists, I would love to sit down with like Pharrell, Monte Booker, have like Kelela or somebody in there for some vocals, Childish Gambino too, and then just bring in my homies cus' they some of the most talented people in the world to be honest.

Q:

What do you feel is the best track you’ve ever produced?

A:

i couldn't tell you, I change my opinion on that every month, not even just when i make new shit but I will listen to some of my older beats and be like damn this is it.

But if I had to pick right now, i'd say I went off on my Drip Too Hard remix, which is on my Soundcloud right now titled "Drippy".

Q:

If you weren’t a musician, what do you think you’d be doing at this point in your life?

A:

I probably would have moved to New York or something by now. Just because. Probably be working some random $13 an hour job so I could pay rent with some random roommates. I'd probably be doing graphic design and photography still.

Q:

Take us through the day in the life of Tromac. What do you get up to daily?

Are there days where you need to take a break from it all?

A:

Well I work, because I ain't shit yet.

But let's describe an off day, a weekend. Lets say its a Friday, I wake up around 9 or 10 depending on if I did anything the night before, freshen up, shower, get dressed all that good stuff and head out. Usually I have plans already like smoking with a friend or going somewhere to make beats or something.

Literally all i do is make beats, spark gas, and do like creative shit.

Might go see a movie or get some food with a friend or something. At night I’m either doing a show or at a homies show or some event but if not then I might be at the homies crib sparking or making beats or both of course. I started going to the gym more often lately, I find that I enjoy writing while working out, like on the treadmill, I tend to write verses on my phone.

Its like working the body which makes the mind work more or something? I’m not sure. but most of the time I am at home sleep.

Q:

Lastly, is there any advice you’d give anyone who wants to start the process of becoming an artist/producer or curator in any form?

A:

Wild out, bust down, do that shit, spend that bread, cop that laptop or midi controller or whatever, no regrets don’t look back, just dive in do the shit and make it good.

Don’t let anyone make you feel bad for following dreams or having ideas.

And fuck school, that shit is wack and cost mad bread and niggas be down bad afterwards and that’s dead, unless you're good at it and have dreams that can be obtained easier with schooling. in that case, bust down.

probably in a black tee shirt. i do what i want. @3SIDEmusic #3SIDE Contact ▶ TromacPineapple@gmail.com

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Charisma

Charisma is an aspiring artist in the Indie Pop genre of the hip hop scene. Based out of L.A. Charisma is a talented artist coming up and looking to make a name for her self, and we here at Nefarious Supply are excited to see where this young talented lady will go! Here is the Nefarious Supply exclusive interview with Charisma.

Tell us about yourself? What’s your background, where were you raised, so that we can put a person to the name.

 I grew up singing in church with my brother Cal, that’s how it all started. Ever since I was a little girl, I grew up listening to Michael Jackson, The Bee Gees, ABBA, George Michael. All of the greats and Christian music. Over the years, my passion and hunger for music kept growing, and I thought maybe it is what I wanted to do. At 14, was when I went to my first studio recording session for my Gospel album. At 16 I moved out here to LA, with my brother Cal and ever since we have been grinding and hustling & fighting for what we are passionate about.

 

Why the name Charisma? It is a very interesting name, and we would love to hear the story behind it.

 My artistry and my music lives up to my name Charisma which makes it even more powerful. With my name my mom thought of it to be a great name for me, there was no story to it, but I do thank her for making that decision, because whenever I introduce myself people think of it to be my stage name, when its actually my real name. 

 

Where are you representing, and what makes the scene there so unique from the rest of the world to you?

I am representing my country India, and being it my hometown its unique in its own way. Since I’m based here in LA, I would like to represent my ethnicity in my music and just elements of the culture that we were brought in. 

 What music inspires you? Can you give some specific names and genres that make up what your inspiration is?

Soul/R&B and hip hop. Artists I look up to definitely Amy Winehouse, Anita Baker, Sade and I love the 80's sound. Their melodies and rythms were the best.

 

How would you describe your music?

My music is alternative Indie pop. Im always looking to do something different, that’s what fits my brand and style as an artist.

If you were to make any other type of music, or start to mesh genres what would you want to

work on?

If I were to make any other type of music it would be R&B and soul with an added 80's touch to it.

 

If you were to collaboration with any artist, famous or underground, who would you pick and why?

I would love to collaborate with J.Cole, just cause he’s my inspiration and his lyrics reflect on what I do always on point and thinking out of the box and giving people encouragement and hope through the channel of music, and it would be an honor to feature him in my songs. 

 

Can you tell us about any future projects coming up for you? Any hints on what we can look for?

 I just released my  second song called On A Roll after releasing my debut single King that gained over a million streams combined. Thankful for that like king had it own story , On a roll got its own story of being  a true hustler and to fight for what your passionate about. On a roll music video will be out soon and i'm excited.

 

Is there anything you would like to say to your fans? And anything you would like as a conclusion to this interview?

Be yourself, always put yourself first and those who love you. Know your worth, and always believe that you can do anything

~~~~~~~~~~~~~~

If you enjoyed this interview be sure to give it a like. Follow our Instagram @nefarioussupply to stay up to date from new content coming out of Nefarious Supply, and to be more in the loop you can subscribe to our newsletter.