The Art of Becoming: trustt on Music, Identity, and Movement

In an era where electronic music is as limitless as the emotions it seeks to evoke, trustt has carved out a uniquely vibrant space in the underground scene. Drawing from an early, almost obsessive exploration of genres as diverse as dubstep, emo, rap, and jazz, his sound is a seamless fusion of raw energy and contemplative mood. Inspired by those formative years of endless discovery on platforms like YouTube, he infuses his tracks with the same passion and wonder that once captivated his youthful ears.

Balancing innovative production with heartfelt, spontaneous lyricism, trustt approaches his craft as a journey of self-discovery. Rather than premeditating his words, he lets the music guide him, allowing his lyrics to emerge organically and reveal hidden truths about his inner world. This intuitive process has defined his distinctive style and connected him with a community of fellow dreamers and innovators.

As he continues to push the boundaries of genre and experiment with new sounds and techniques, trustt remains grounded by the belief that his music is more than just a series of tracks—it's an invitation to experience a moment, a mood, and a lifetime of inspiration. Whether through electrifying live performances or intimate, late-night reflections, he is determined to be that unexpected spark of creativity that drives his listeners to embrace their own artistic journeys.

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Your sound blends multiple electronic genres with smooth, emotionally charged vocals. How did you develop this style, and what drew you to this fusion of sounds?

I would like to say that the way I like to blend genres stems from the fact that I just listened to so much music when I was a kid. I would spend hours on Youtube just listening to quite literally everything, from Dubstep to Emo to Rap, and even Jazz at one point. I was utterly obsessed with the idea of how many ways music was used to make a person feel.

I honestly would say that my current style takes a lot of inspiration now from the stuff I listened to as a kid, even if not directly in how it sounds, the attitude and the feeling I'm trying to convey, that is where I say it comes through. I want to make music that makes me feel how I felt when I found all these new genres and artists.

I want to be "that" artist to someone who randomly finds my music online.

You’ve made a huge impact as a newcomer to the scene. What has been the most surreal or unexpected moment in your journey so far?

Personally, the most surreal thing is getting traction and sustaining it, I never thought I would be growing at the rate I'm at. I'm not a superstar or anything of course so I won't get ahead of myself but it's just crazy that my music has had the impact and the audience that it does, especially in times where I really doubt myself and my art.

Another pretty crazy thing is also the friends I have made.

Some of my closest friends are people I am really inspired by and have been for years now. It's so crazy to me that I've found a community that I fit into, made friends doing what I love. It's the happiest I've ever been, getting those sorts of experiences.

Your lyrics feel deeply personal and evocative. Do you approach songwriting with a specific story in mind, or do the emotions guide the process first?

It's quite interesting how I go about writing my lyrics, because I never really start with them. I am a producer first in my mind.

I write only after I feel I have produced something that's worth having lyrics on it. Usually, when recording, I sort of just freely come up with stuff, maybe I will have a few lines in my notes app as ideas, but it'll usually be off the top of my head.

And as for topics that I write about, it's funny how they make sense after I write them. I will sing many lines and only after I have finished, I put the pieces together and I read them and I notice that in the back of my mind, I was singing about something really happening, or my real feelings.

It's funny how the mind works like that.

Electronic music is constantly evolving. Are there any new sounds, techniques, or influences you’re excited to experiment with in your upcoming work?

Most definitely, I am always trying new stuff in my production and it's constantly been the most exciting thing when working on music. Sometimes it's a random effect or I accidentally mess with something and it sounds really interesting, I like to work around that.

I definitely want to incorporate the sort of interesting sound design that I love, while also making something fun to listen to without trying to be some sort of "show off" or just being experimental for the sake of being experimental.

I want to use the new sounds and techniques I find and put them into my music in ways that feels new and fun. 

The underground scene is where some of the most innovative music is born. How do you see yourself fitting into it, and what do you think sets you apart?

As I said earlier I am so grateful for the community I have found myself a part of. I definitely think I find myself fitting into a niche spot of the underground scene but I am also always trying something new, for those who may want one genre or another, or maybe both at the same time.

It's interesting to me how I was sort of able to take my name from one community to another in the past 3 or so years. When I started off, I felt like I was sort of in a box, making sort of the same thing with all my friends. I slowly got more confident in myself and branched out and I think that was very evident in my first EP "clearminded".

As much as I look back with mixed feelings about it, in a way it sort of is the reason I found myself moving away from my old sound into the one I am currently in now. I think that confidence and striving for something different is why I am here at the moment, why I have the friends I do, and why I have fun making music the most.

As someone new to the industry but already making waves, what has been the biggest lesson you've learned about navigating music as both an art form and a business?

One thing I have learned is that image matters almost as much as the music does. I am a very visual based artist, I love to do graphic design in my free time. People see the cover art first, people see your profile picture first, people see the titles first.

That all comes before even listening to the music sometimes. People love to see something aesthetically pleasing, and I do too. Not to say that the art and visuals always need to match, but it makes the image of an artist stronger and more cohesive.

It feels like something people can grasp onto, get inspiration from.

My art and music is the business, because I am selling them both when I release new songs and projects.

Your music creates such a strong atmosphere. If you could curate the perfect setting for someone to experience your sound—whether a specific place, mood, or moment—what would it be?

Most of my music takes me to the most mundane places in my mind. I think the perfect setting is where your mind takes you when listening to the music.

What are the things you want to do? Who do you want to be with when you listen to this? Does this music make you want to go somewhere? That sort of feeling.

When I listen to my music, I always just want to take a walk at night when no one is out, or lay in my bed with all the lights off. It's how I get inspiration. I think most of my music feels like the thing where you can visualize it in your head, like a movie, or a scene from a movie.

You can't necessarily do these things at the moment or be in that scene, but you want to.

Collaboration can be a game-changer for an artist. Is there anyone you’d love to work with, whether within electronic music or beyond?

There are so many people I would love to work with that it's almost impossible to list them off. I would love to work with every artist that inspires me, from Skrillex, to The 1975, to Porter Robinson, just everyone who was instrumental in why I make music today.

Collaboration scares me at times but I think it is the reason so many new sounds and ideas are able to happen, so that's exciting.

Looking ahead to 2025, what’s on the horizon for you? Are there any major projects, live performances, or creative risks you’re planning to take?

I have lots and lots of music planned, and I am so excited to share it with everyone. I am currently planning three projects, one of which is about halfway done. I am a slow worker, so I may not be able to hit my goal, but this year I really am just focused on releasing as much good music as I can, and taking risks each release.

I would also love to perform live again, maybe soon if things align right.

If listeners take away just one feeling or thought from your music, what do you hope it is?

The one feeling I hope people get from my music is inspiration.

Go make something you love, go do something that makes you happy, go be yourself, because that is the coolest thing you can do.

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stream trustt below!

Nature, Distance, and Memory: Bassea’s Story Behind "The Hiker"

On The Hiker, bassea crafts a world of quiet reflection, sprawling landscapes, and deeply personal storytelling. Written in the wake of leaving their childhood home in California and starting a new life in France, the album captures the tension between longing and growth, isolation and connection.

Across gentle acoustic arrangements, layered field recordings, and subtle experimental flourishes, bassea transforms moments of uncertainty into songs that feel both intimate and expansive.

We caught up with bassea to talk about the making of The Hiker, their approach to songwriting, and the memories that shaped this deeply personal record.

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The Hiker feels deeply personal and reflective. What inspired you to explore these themes of love, distance, and fleeting time? Were there specific moments in your life that shaped the stories you tell on this album?

the hiker is, in its entirety, the story of leaving my childhood home in California and moving to France, where I currently live. Whenever I start to write an album I try to figure out exactly what kind of story I want to tell, and while I was brainstorming I realized this would be the perfect opportunity for me to explore how I felt during that time in my life. Through this, I found that I had pushed down a lot of feelings that ultimately shouldn’t be pushed down. It was 2021: It was the middle of Covid and I had just graduated high school.

I was in a pretty bad relationship that made me want to stay in California, which ended up causing a lot of arguments with my family and a lot of overall tension. When we moved in July I had no idea what my life was going to look like, and those feelings of anxiety and dread took me over for around 6 months.

As my life in France went on though, things started to look up. I had started making music that year and I was only improving, I found a community to share my music in (shoutout Niztopia for that), I got out of the relationship I was in (a very good decision), and I started dating my current girlfriend.

All of those things are what I tried to outline in The Hiker without being too obvious about exactly what was happening.

There’s a real warmth to the way this album is crafted. How did you approach the sound and production to match the emotions in your lyrics? Did you have a particular sonic vision from the start, or did it evolve naturally?

When I write music, the instrumentation is usually the first thing I make.

There’s really only two things that I actually decided I wanted sonically from the songs in the hiker, and those were acoustic guitar and field recordings. I found that recording my guitar with the same field recorder (the Zoom H4n Pro) that I use to record atmospheric and nature sounds made a very specific and cohesive sound that I knew would work well for what I wanted.

I have accumulated a library of field recordings from outside spaces I find interesting (like a forest or the ocean) that I used on basically every song on the hiker. I’m also not a great guitar player, so I tried to find chord progressions and riffs that were easy to play but still evoked the feelings I wanted. I also didn’t want the songs to just be purely acoustic, so I usually put in some sort of weird glitchy sound design in the background of songs using granular synthesis or other things like that.

I’ve found that it’s easy to create a cohesive sound when I’m the one doing everything. That being said, it took over a year to finish the album so maybe I ought to branch out a little bit.

The album title, The Hiker, carries a sense of both solitude and movement. What does that name mean to you in the context of this music? Does it reflect where you are personally and creatively at this stage in your journey?

The name “the hiker” actually comes from the original idea of the album that I eventually scrapped. I was going to use the same story, but have 4 extra songs, each called “the hiker” parts 1,2, 3, and all of them together. They were all made up stories that paralleled what was happening at that point in the album. The lyrics focused on a ‘hiker’ lost in a forest who eventually finds his way out (the hiker being me.)

I eventually scrapped that idea and those songs, but they do exist! They just sounded a little too campfire song-y for the album. I decided to keep the name because I liked the nature-centric feel it gave to the album, and because one of the songs’ original stories comes from a hike.

Love and time are universal yet deeply personal themes. How do you balance writing something so intimate while still making it feel relatable to listeners?

When I write lyrics I always have my own personal feelings that I put into the words, but I try to keep the actual words relatively vague and non-specific while still being meaningful.

For example, I have focused a lot on talking about distance and love together because I am in a long-distance relationship at the moment. I’ve seen a lot of content online about people being in a similar situation, and I find it really easy to put my feelings into words when I know that I’m not the only one who feels that way, and I hope that when people listen to my lyrics they can also relate.

In “true north” I specifically focus on the separation between me and my girlfriend by highlighting specific moments we’ve spent together in our respective places and showing the differences between us in a positive light.

If you could freeze one memory forever—the kind of moment you sing about on this album—what would it be? And did that memory influence any specific track on The Hiker?

Part of the reason I loved living in California was the easily accessible nature of the Bay Area that me and my family would drive to every so often, this fact made it that much harder to leave. A specific memory that I focused on for “mountain lions” is a hike that my family went on when I was younger on the Dunn Trail in the Oakland hills, one that we frequented a lot during my time there. I was probably 4 or 5 years old, and as we were walking the path my dad pointed to a water pipe off the trail and told me “That’s where we found you when you were a baby.” He told me the reason I was found there in the first place was because I was raised by mountain lions and they had forgotten me there, so my parents took me home with them.

I, being the smartest 4-year-old in the world, believed him. Every time we walked that trail I would howl at the hills (because apparently that’s what I thought mountain lions did) to see if my mountain lion family would take me back to where I came from (hence the lyrics “calling mountain lions - won’t you take me home?”) I eventually figured out that I was not in fact raised by mountain lions. Still, that story stuck with me far enough that I decided to write a song about it!

Was there a particular song on The Hiker that was especially emotional or challenging for you to create? Whether lyrically, vocally, or in production, was there a track that pushed you outside your comfort zone?

“stick n poke” is probably the most vulnerable I’ve been writing a song, which was difficult to do in the moment but incredibly satisfying when it was finished. I wrote about my recent dealings with a condition I developed in 2023 called a Mixed Connective Tissue disease, along with Raynaud’s syndrome (essentially chronic joint pain and circulation issues when my hands or feet are cold.)

I wanted to have a point in the album where instead of focusing on my mental state I focused more on my physical state, and the result of that was “stick n poke.” I have a habit of being unspecific in my sadder songs, and working on this song made me want to be more honest and direct about exactly how I feel.

Looking beyond this album, what excites you most about 2025? Are there any creative risks, collaborations, or new directions you’re hoping to explore this year?

Even since I released the album last year I’ve been getting better and better at everything musically.

My production has leveled up a pretty significant amount, as well as my guitar playing and singing, so I’m really excited to show off my growth with my next couple of releases. I also have a few collaborations that I’ve done with some of my friends (some who are in the scene and some other irls) that I’m really excited about.

I’m also going to be moving back to the US (Upstate New York, specifically) later this year so I’m sure that will be a source of inspiration and more collaboration with people in the scene that I haven’t had the chance to meet in person yet. 2025 has a lot of unpredictable things, so I’ve decided to just go with the flow and let whatever happens happen!

Your music has such an endearing, timeless quality. Who are some of your biggest inspirations—whether musically, personally, or even in other forms of art?

I honestly don’t listen to as much music as I probably should, but some artists I’ve been listening to lately are Role Model (his album Kansas Anymore has been very inspiring), Still Woozy, Mac Miller (Hand Me Downs is my favorite song of all time), Lizzy McAlpine, and Ryan Beatty. Very acoustic guitar-centric soft folk-pop/country-ish stuff is right up my alley. Some things that I do when I’m lacking inspiration is watch people produce music on YouTube; the two main channels that I gravitate towards are David Hilowitz Music (he does reviews of old synths and fun little instruments and makes songs with them and it’s very fun) and Trev Barnes (he does full music production videos and the music kinda sounds like something I’d make).

Performing live is such an important part of sharing music. What kind of spaces do you see yourself performing in this year? Are there any dream venues or festivals you’d love to be part of?

I’ve always had this weird fear of performing live, which is weird because I did musical theater for a good portion of my life. I’ve been trying to get over this fear by getting better at playing my own songs on guitar and singing at the same time. Since I’m moving to New York this year, I’m hoping that there are some of my artist friends that will want to bring me on as maybe an opener or something like that, or maybe I’ll toughen up and book a show myself. It’ll be easier to rouse myself to do that because a lot of my audience is in the US. I hope one day I can perform in the Bay Area in California. It'll feel like a full circle moment for me– maybe performing at a California festival could be fun too.

At the end of 2025, if you could look back and say, ‘This was the year I finally accomplished _______,’ what would that be?

I hope that I end up releasing a lot more music and hopefully start to work on another album when I live in the US. I just released a song called “rose” and I have two more upcoming releases that I haven’t announced yet that I am very proud of. I also hope to keep bringing my friends into my studio and make more very fun collaborations.

I have no idea what my audience number is gonna look like at the end of the year, and I’m not going to speculate much about it but I hope people start to find me more!

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Listen to “the hiker” and the rest of bassea’s incredible discography here

The Artist Playbook – Branding Basics

Welcome back to The Artist Playbook, your structured guide to building a sustainable and independent music career from the ground up. Last episode, we laid the groundwork by helping you clarify your “why,” set achievable goals, and build a foundation rooted in consistency. This week, we’re turning our focus to something just as vital, your brand.

Whether you realize it or not, branding begins the moment someone encounters your name, visits your profile, or sees your cover art. Every post, photo, and song contributes to how you’re perceived. In a music industry where first impressions often determine whether someone hits play or scrolls past, intentional branding isn’t just helpful, it’s essential.

A strong, consistent brand:

• Makes you more recognizable and memorable.

• Attracts fans who align with your aesthetic and message.

• Builds trust, clarity, and professionalism around your artistry.

• Provides direction when it’s time to make creative or business decisions.

This week, we’ll dive into three foundational components of branding every artist must master:

1. Your Artist Name

2. Your Visual Identity

3. Your Story

Choosing Your Artist Name

Your artist name is the first element of your brand that fans, curators, and industry professionals encounter. Before anyone hears your voice or reads your bio, your name is already setting the stage. It’s the verbal logo of your creative identity, shaping expectations about your sound, style, and presence.

In a sea of new music released daily, your name needs to do more than just “exist”, it has to cut through the noise. It’s what people search, remember, tag, and talk about. If it’s forgettable, hard to pronounce, or difficult to find online, you’re creating unnecessary friction between yourself and your potential audience.

Think about the artists whose names stuck with you the first time you heard them, Saba, Tierra Whack, Frank Ocean, Noname. These names are evocative. They’re distinct without being overly complicated. They each suggest something about the artist before you even press play. That’s what you’re aiming for: a name that feels authentic, sparks curiosity, and makes someone want to know more.

A strong artist name does three things well:

1. It invites attention — It’s either aesthetically pleasing, emotionally intriguing, or sounds good when spoken aloud.

2. It signals intention — Whether subtle or bold, your name should feel like a conscious choice, not a placeholder.

3. It creates space — A good name gives you room to evolve creatively while still maintaining cohesion as your sound grows.

Don’t rush this part. Sit with a few ideas. Say them out loud. Write them out. Google them. See how they look on a cover art thumbnail. Consider how they’ll appear in a Spotify search result or an Instagram handle.

Your artist name isn’t just the front door to your music. It’s the address people use to find you, remember you, and come back to what you create.

What Makes a Name Work

• Memorability - Can someone say it once and recall it later?

• Originality - Are you avoiding common tropes or overused prefixes?

• Sonic Alignment - Does the name evoke a tone that matches your sound?

Brand Practicality Checklist

• Is it already being used on Spotify, Apple Music, or YouTube?

• Are the social handles available across major platforms?

• Can someone search it and find you easily, or will they get lost in a sea of unrelated content?

These are not just details, they’re structural decisions. Making the right choice now sets you up to scale later without running into identity issues or legal problems. If you’re unsure about your current name, take time this week to re-evaluate it. Does it still align with your growth as an artist? Does it feel like an accurate reflection of where you’re headed? A name change early on is far easier to navigate than one mid-career.

Defining Your Visual Identity

A strong visual identity is not about chasing trends or aiming for perfection, it’s about deliberate clarity. It’s about creating a cohesive experience that reinforces your music before a single note plays. When done right, your visuals don’t just complement your sound, they amplify it, turning casual listeners into emotionally invested supporters.

Start with Structure

Your visual brand should be rooted in a few consistent, well-considered elements:

• Color Palette - Choose two to four signature colors that reflect your mood, themes, or sonic tone. Are you high-energy and rebellious? Reds, oranges, or high-contrast neons might make sense. More reflective and melancholy? Earth tones, muted blues, or black and white could feel right. These colors should show up repeatedly—on cover art, your website, your social media banners, even your merch. The more visually consistent your presence, the faster people begin to recognize you.

• Typography - Fonts communicate energy and tone just as much as colors do. Serif fonts feel classic. Sans-serif fonts feel modern. Handwritten fonts feel intimate. Bold, block fonts feel aggressive or assertive. Choose a set of 1–2 fonts that reflect your sonic personality. These fonts can be used in Instagram quote graphics, cover art, or any promotional materials to create a branded rhythm across platforms.

• Photography & Imagery - You don’t need expensive gear, but you do need intention. Your photos should tell a story. Consider composition, facial expression, lighting, backdrop, and outfit. Are you evoking solitude, confidence, rebellion, vulnerability? A consistent approach to photography helps build visual cues that tie into your music’s emotional range. Fans may not notice these decisions consciously, but they’ll feel the atmosphere they create.

If you’re unsure where to begin, look at artists whose visuals you admire, not to copy them, but to reverse-engineer why their look works. Is it the tone? The spacing? The simplicity or complexity? Identify what resonates with you and adapt it into something personal.

Building Recognition Through Repetition

Familiarity builds connection. When your audience consistently sees a recognizable look, whether it’s your choice of fonts, photo filters, or how you structure your social posts, it signals professionalism and intentionality. In a feed full of chaos, repetition creates a sense of place. And in branding, that “place” becomes where fans go to reconnect with your world.

Think of visual identity like the intro of your music video—subtle cues that tell someone, “you’re in the right place.”

The artists who leave lasting impressions don’t just sound different, they look different in a way that feels deliberate and specific. Visuals create a container for your sound. When your look evolves in step with your music, it helps the audience follow your growth while still feeling anchored to the artist they first connected with.

Establishing Direction: Your Visual Toolkit

Before designing a cover or booking a shoot, take time to define your aesthetic vision. That starts with building a toolkit:

• Mood Boards - Use platforms like Pinterest, Notion, or Milanote to collect images, textures, color palettes, fonts, and references that reflect your vibe.

• References - Include film stills, old album art, runway shots, or even architecture—anything that captures your desired tone or mood.

• Keywords - Alongside images, write down 3–5 words that describe your brand’s aesthetic. Think “gritty,” “otherworldly,” “serene,” “vulnerable,” or “offbeat.” These words help you communicate your vision to collaborators down the line.

When it comes time to hire a photographer, graphic designer, or visual collaborator, this toolkit becomes your brand language, it ensures your visuals are on message, even when you’re not the one behind the camera.

Why Visual Cohesion Matters More Over Time

For artists early in their journey, visual identity might feel secondary to the music. But as your catalog grows, your audience starts forming expectations around your releases, what they’ll feel like, what they’ll sound like, and increasingly, what they’ll look like. From your second or third release onward, each new visual either reinforces your identity or blurs it.

Think of visual cohesion as creative trust. When people recognize your visual signature, they feel more confident investing in the music behind it. That kind of trust turns casual streams into long-term fans.

Crafting Your Story

A strong brand doesn’t just look good, it feels real. Visuals might capture attention, but storytelling is what creates connection. It's how you turn a song into something more than sound something personal, human, and memorable.

Listeners are no longer just consuming music they’re forming relationships with the artists behind it. In a landscape where anyone can drop a song, what sets you apart is your ability to make people care. Storytelling gives your brand emotional texture. It transforms your name, image, and sound into a living narrative that people can follow, invest in, and relate to.

But let’s be clear storytelling doesn’t mean you have to share every detail of your personal life. It means having a defined sense of what you stand for and being able to communicate that clearly. Your story becomes your north star. It helps you navigate creative decisions, brand partnerships, interviews, press, and more.

The Key Pillars of Your Story:

Your Roots - Where are you from not just geographically, but emotionally and culturally? What shaped your worldview? What challenges or experiences influenced the way you create? Your background doesn’t have to be dramatic to be compelling. It just has to be honest and specific.

Your Influences - What artists, sounds, films, books, places, or experiences helped form your creative perspective? You don’t need to list names to be credible focus on what you took from those influences and how they shaped your process or vision.

Your Purpose - What role does music play in your life—and what role do you want it to play for others? Are you trying to empower, escape, provoke, comfort, inspire? What’s the emotional intention behind your work? This clarity is what helps fans connect with your why, not just your what.

Writing Your Artist Bio

Rather than writing a full-length autobiography, your goal should be to craft a concise artist statement something that can live on your website, social platforms, streaming bios, and media kits. This statement should:

• Quickly introduce who you are and what you sound like.

• Convey what makes you distinct.

• Invite curiosity and leave room for discovery.

Here’s a simple framework to start with:

• Where you’re from

• What kind of music you make

• What makes your sound or message different

• Why you create in the first place

Once you have your core bio locked in, you can adapt it for different platforms. Need a shorter version for your Instagram? Pull one sentence. Need a more in-depth version for a press release or EPK? Expand it by adding a paragraph about your current work or recent releases. This bio becomes your brand’s anchor, clear, consistent, and ready to evolve as you do.

Weekly Checklist

To build a solid brand foundation, complete these three tasks before moving forward:

Finalize or re-evaluate your artist name. - Search for it across music platforms (Spotify, Apple Music, SoundCloud) and secure matching social handles. Think long-term—your name should represent your identity today and still work years from now.

Define your visual identity. - Create a mood board with fonts, colors, imagery, and textures that align with your sound and persona. This becomes your visual reference for cover art, photography, social media, and merchandise.

Write a short, compelling artist bio. - Start with the 2–3 sentence format. Refine it until it feels specific, authentic, and repeatable. Then use it across your platforms to maintain a consistent introduction to your brand.

Between Genres, Beneath the Surface - Corbin Adler

Corbin Adler’s music feels like a late-night drive through memory. cinematic, raw, and unafraid to sit in silence. Blending alternative R&B textures with the intimacy of indie folk and lo-fi soundscapes, his style doesn’t ask for attention, it earns it through atmosphere and emotional clarity. There’s a quiet conviction in how he creates, with every synth layer, guitar loop, and drum break reflecting an artist who’s lived through what he’s writing.

Raised on acoustic storytellers and shaped by his own trials navigating faith, time, and pressure, Corbin doesn’t just make music—he translates moments. From corporate burnout to personal heartbreak, his songs often feel like journal entries that slipped into the studio at just the right time. But don’t mistake vulnerability for softness. There’s strength in how he holds space for imperfection, choosing honesty over polish.

In this conversation, we get a look into Corbin’s creative world, how he balances production with emotion, why imperfection plays a role in his sound, and what it means to stay authentic in the face of industry noise. Whether you’ve just tapped into his music or you’ve been following the wave, this interview is a reminder of what it looks like when someone builds a lane that feels like home.

Your sound seamlessly blends alternative R&B, lo-fi, and indie influences. How did this fusion come naturally to you, and what artists or experiences shaped it?

Thank you! Funny enough, I grew up learning & listening to a lot of indie and folk music like City & Colour, Hozier, Ben Howard, etc. But when I started learning production & Ableton, I found myself making a lot more R&B records than anything else. So naturally I bring my indie, folk, and rock influences into art along with any other genre(s) I love. I always want my music to live in the “R&B” world but to have a little twist of a different genre in there as well.

You’ve spoken about struggling with life, time, and faith in your youth. How have those themes evolved in your music as you’ve grown, and do you feel they still shape your perspective today?

Man. I wouldn’t be the person I am now without all my struggles. A large majority of my life has been learning how to deal with the punches of life, time, and faith. It’s made me a much more caring person to everyone and everything around me. And in terms of my music, those struggles show up a lot in my writing. Like writing a song about working a corporate job for the first time and being so frustrated with the rich only getting richer.

Your storytelling feels deeply personal. Do you find that songwriting helps you process emotions, or do you go into a track with a clear story already in mind?

I appreciate that, and I’m glad that comes across! All my songs have been situations I have or am currently processing— A breakup, losing friendships, financial issues, or struggles with life. Outside of music, I’m a very emotionally open person, I’ll be the first to admit my feelings, and it’s honestly a gift to be able to share those feelings through music for anyone else to tie their own feelings to the song as well.

Your production choices are often atmospheric and layered—do you approach sound design with the same level of personal intention as your lyrics?

I do! I have always considered myself more of a producer/musician than a writer. Often when I hear other songs I enjoy, it’s always the music itself that captures me rather than the lyrics themselves. So all my songs are built around making the music & instrumentation sound good first with layering synths, guitars, drums, and etc. I’ve also really fallen in love with the idea of imperfection. I’ve spent the last several years learning how to do everything “right” in Ableton, but now I’m learning how to break my own rules & not quantize everything lol.

The independent music landscape is constantly shifting. What’s been the biggest challenge in getting your music heard, and how have you navigated staying authentic while growing an audience?

Damn great question. Honestly? Consistently putting myself out there is the hardest part. It’s difficult to spend hours marketing yourself to find 200 views. But i’ve found putting less pressure on the marketing aspect & keeping it more real and honest with the viewer and myself is the best way I can stay authentic while putting myself out there too.

As a creative who curates music as well as makes it, how do you balance your personal artistry with your role as someone who uplifts other artists?

I’ve spent the last several years learning music all by myself. And most of those years I spent doubting myself. I know how hard it is to follow this dream. A lot of us are one conversation away from quitting. I had one person, outside my friends, who told me “I love what you’re doing. keep going.”, and it changed my life.We all need that person, so know I try my best to be that person for other artists like myself.

Many artists use visuals to enhance their music’s impact. How important is visual storytelling to your process, and do you see yourself expanding into more visual projects in the future?

I think it’s incredibly important. Hearing a song for the first time has its own meaning, and then watching that song with its visual often creates its own different meaning. I’d love to make some really cool visual narratives in the future, but in the meantime I’m having fun focusing on making my sound the best that I can first and foremost.

Looking ahead, what’s next for Corbin Adler? Are there any projects, collaborations, or sonic experiments you’re excited to explore?

So many things. I wanna continue meeting so many great and talented people in this space like yourselves. It’s an honor to live in this industry & I love seeing my friends succeed. I’ve got some ambitious projects in the works that I’m excited to share with y'all here soon.

If someone discovers your music years from now, what’s the one thing you’d want them to take away from it? What’s the legacy you want to leave behind?

Love this question. I’d love for people to walk away knowing they can do anything. I spent my whole life thinking I couldn’t make music work. But honestly, your dream isn’t as far fetched as you think it is.

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SoundSubterra Sessions Episode 1 - Chris Chand and the Stillness in Motion

At Nefarious Supply, we’re carving our own path in underground music—moving deliberately away from algorithmic playlists and surface-level interviews toward something more intimate, intentional, and artist-driven. SoundSubterra Sessions is how we put that into practice. SoundSubterra Sessions is the next iteration of what began as Nefarious Supply Radio — refined, redefined, and now rooted more deeply in the artist’s process. Where NS Radio was about what we were listening to offering artist-hosted playlists that were compelling but often left the deeper story untold SoundSubterra Sessions is about fully understanding who we’re listening to, and why their song choices matter. It's our commitment to going beyond the playlist itself, and building content that showcases the artist as a whole: their process, their influences, and the emotional architecture of the session. Each episode is more than curation it’s a collaboration in storytelling.

Our first featured artist isn’t new to the Nefarious Supply ecosystem. In fact, we’ve been following Chris Chand for years. From our first conversation with him back in 2021 where he spoke about growing up in a musical household in Pickering, cutting his teeth in Toronto's independent scene, and learning to produce and record music from his bedroom, to hosting Episode 008 of NS Radio in 2023, we’ve seen his artistry stretch and evolve across projects, collaborations, and sonic identities. There’s a sense of intentionality to how Chris moves. He’s never tried to chase trends or box himself into a genre. Instead, he follows a feeling—and that feeling has become sharper with every release.

Back then, Chris was only a few songs in but already carving out a sound that blurred the lines between alternative R&B, pop, and funk. He was experimenting with sonic textures, producing for others, and learning to balance vulnerability with craftsmanship. Today, that balance has matured. And with his latest track Vista Park, it feels like the sound has finally caught up to the vision.

Vista Park is the kind of track that doesn’t announce itself. It floats in and holds you quietly. The song is rooted in a real memory a park, a warm view, a conversation that stuck—and shaped by the emotional afterglow of rewatching Eternal Sunshine of the Spotless Mind. That combination of place and emotional residue fuels the track’s soft glow. Cinematic but grounded, it sits in the in-between space between nostalgia and presence.

The pacing is intentional. Chris didn’t want another slow-dance ballad. Instead, he crafted a song that rides a groove—upbeat, but not urgent. Something you can move to without being pulled too far. It reflects his growth not just as a writer and producer, but as a performer who’s increasingly building records meant to live beyond headphones.

To understand the layers that make up Vista Park, Chris curated a playlist of songs that orbit its sonic and emotional space. But this isn’t just a playlist. It’s a document of process, a reflection of artistic headspace during a very specific creative moment.

Tommy Richman’s SOULCRUSHER provided the sonic spark—an example of the kind of energy he wanted to reinterpret through his own lens. Ralph Castelli’s Rare tapped into the romantic tension that subtly anchors the song. Todd Rundgren’s Can We Still Be Friends? opened the door to a more nuanced take on emotional resolution. These aren’t just references they’re co-authors in spirit.

Other selections push genre boundaries. Tame Impala’s Feels Like We Only Go Backwards offered a production ethos more than a sound. Mk.gee’s DNM made him reconsider the role of guitar. Feng Suave’s Half Moon Bag gave him permission to chase feel over category. These curveballs don’t fit into a neat box, but they expanded the one Chris was working from. There’s freedom in that a kind of openness that doesn’t try to control the narrative, just shape it as honestly as possible.

All of it was recorded at home. Still. Years later. The setup has barely changed: guitar, bass, mic, MIDI keyboard, a dresser as a desk. It reflects a core part of Chris’s identity not just as an artist, but as someone who has always leaned on resourcefulness. He doesn’t wait for ideal conditions. He makes with what he has. And that consistency, that commitment to making something meaningful with whatever’s around, is part of what makes his work resonate.

That minimalism is baked into the mix, too. Vista Park sounds close, but distant. Intimate, but removed. It feels like you’re watching something unfold from across the street—a balance Chris likens to The Truman Show. There’s always a window between you and the memory.

If Vista Park was a short film, it would be a summer story. A fleeting romance set in a small cottage town. Warm tones. Static frames. Wes Anderson symmetry with real-life tension. It wouldn’t try to explain everything. It would just be. It would leave quietly, leaving you to fill in the space it leaves behind.

The playlist isn’t an appendix. It’s part of the story. A reflection of what he was learning from, analyzing, and drawing courage from. Chris calls it being a student. And that’s always been central to his process—whether dissecting songs from his ‘INSPO’ playlist during his NS Radio episode or talking about how Steve Lacy, Marvin Gaye, JMSN, and Childish Gambino helped shape his artistic foundation.

What hasn’t changed since we first spoke to him is the intent. The goal has never been fame. It’s always been clarity. Communication. Honesty. To make music that documents his own story in real time, and maybe helps someone else tell theirs. It’s not about proving something. It’s about expressing something that’s already true.

SoundSubterra Sessions exists for artists like Chris—those who are building something quietly, consistently, and with care. The ones who don’t chase moments, but create them. The ones who shape culture by staying grounded in their own.

We're grateful to Chris Chand for hosting the debut episode of SoundSubterra Sessions (formerly Nefarious Supply Radio). His artistry and openness set the tone for what this series aims to be—deeper, more intentional, and fully focused on the artist’s story. We’re excited to see where he takes things next, both as an artist and as a voice in the creative community. Experience SoundSubterra Sessions, hosted and curated Chris Chand, powered by Nefarious Supply.

Be on the lookout for Episode 2 dropping soon.

If you're an artist looking to be featured, submit your music at the link below. We're always looking to highlight voices that move differently. All artists, all genres, all stages—because "artists first" is what drives us.

Juice Davis Is Done Holding Back - Sound, Story, and Full Creative Control

Some artists take years to find their voice. Juice Davis built his from the ground up. A multi-hyphenate from Virginia, Juice represents a rare type of artist—one who engineers, produces, writes, and performs everything himself. His growth is audible. What began as raw experimentation has evolved into a fully-formed sound marked by control, confidence, and emotional depth. But that growth didn’t come easy. Over the years, Juice has deleted over 100 songs, driven by a feeling that the work didn’t reflect who he was—or who he was becoming. Now, with a renewed sense of purpose, he’s entering a new chapter.

Juice’s music blends smooth R&B with high-energy hip-hop, capturing the duality of his influences and experiences. His lyrics are rooted in real life—sometimes autobiographical, sometimes imagined—but always honest. Whether reflecting on his past in “OAM” or flexing his storytelling in “PAPI JUGO,” Juice delivers music that moves between worlds while staying grounded in his own. He speaks with clarity, humility, and a quiet fire that signals bigger things to come. For him, this isn’t just music, it’s memory, motivation, and mission all wrapped into sound.

Your sound has evolved significantly over time. Looking back at your earlier work, how do you feel you’ve grown as an artist, both technically and personally?

Technically, I’ve grown as an artist by learning how to mix, master, engineer, write, produce, & perform everything myself. My earlier work you could tell I was bit of an neophyte towards doing all of those activities, but as the years went by you could hear the growth…precisely. That’s a big accomplishment to me, because I don’t have to depend on anybody else, but myself. I have the freedom to do whatever I want, whenever I want, however I want. It brings a lot more joy & originality to my work as I see it evolve. It’s like, “Damn, I did this lol” & you can always tell it’s me. Especially coming from the area I’m from (DMV, 757).

Personally, I’ve seen my attitude & patience towards music grow a lot more now that I’m older. At a certain time in my life I felt though everything I put out was rushed. I didn’t let the art sit enough & that persuaded me to delete A LOT of work. People who listened to music faithfully would get upset about it LOL. Now everything I put out is not getting deleted, because I feel more confident when approached/discovered about my music. I’ve deleted over 100 songs throughout my years of making music…that time is over with now. I’m turning a new leaf.

You’re involved in both songwriting and production. Can you walk us through your typical creative process? How does an idea transform into a finished track?

99% of my music is personal, so therefore it’s the experience that gets me motivated. However I’m feeling for the day, I’ll open FL, start cooking some beats up, or just start writing/freestyling to beats that have been sent to me by others/or beats that I have produced. I’m always in front of my studio setup whenever I have free time. I’ll set the mic up, start mumbling melodies/lyrics, & whatever I feel though is catchy, I’ll do a quick run through for the song structure. If everything rolls off the tongue & I’m having fun, then it has the potential to be a song that’s finished.

Later on, if I’m not busy I’ll polish up the vocals on the track even though I really love the few first take vocals. The emotion is raw at that point & it doesn’t feel rehearsed. Throughout the day I’m always jotting down bars in my notes, so lyrics are never a problem. I can just scroll, pick whatever I come across & it’s like I’m instantly put into that mood when I first wrote the note down. I love that about my process.

Your music flows between smooth, melodic R&B and energetic hip-hop vibes. Do you intentionally balance these styles, or is it something that happens naturally?

It happens quite naturally. When you hear yourself on different type of sounds you tend to gravitate towards what “fits you”, if you know what I mean. Plus I lean towards music that my pops played around me often at a younger age. It just runs in the genes.

Your lyrics often reflect self-growth, relationships, and deep personal themes. How much of your music is autobiographical, and how much is storytelling?

I’d say it’s 40% autobiographical & 60% storytelling.

"OAM" and "PAPI JUGO" show different sides of your artistry. What inspired these tracks, and what message were you aiming to convey?

“OAM”, I was inspired by watching old camcorder videos of myself playing sports at a young age. It automatically gave me nostalgia. I’m basically writing to my older self to always stay motivated & not let predicaments hold me back…”I’m on a mission”. “PAPI JUGO”, I was inspired by Scarface & Goodfellas…it’s more of an “badass” song or a flex song. It’s me appreciating where I’m at in life, reminiscing on old times & ignoring those who are jealous of me. I always felt though people need to tell THEIR story & not think it’s corny/lame just because it doesn’t sound like the next man’s. That’s what makes a story unique…it’s different…it’s authentic.

As an independent artist, what have been the biggest challenges you’ve faced in building your career? How do you balance creative control with the business side of music?

The biggest challenges have been connecting & marketing. In VA, I can say majority of creatives have a “clique” & if you’re not…how can I say this without being too explicit…if you’re not bending over backwards for them…they won’t acknowledge your talent. When I was a teenager & I dropped songs, the numbers did very, very well. At that time you could tell the difference between a creative, a music listener, & somebody who has other hobbies. As I got older I started seeing people who never did music or those who didn’t want to be a creative start to dabble into it. Everybody around here wants to do music or have the spotlight in some damn way. This can make it difficult when nobody knows their place in the game. This is a reason why I think this particular area has such a weird time supporting each other.

My city is full of gatekeepers, arrogance & envy. But that’s okay, a lot of things are going to change within the next couple of years & I’m standing on that. We just have to come together. The marketing side of music…I’m still learning how to approach it all. I don’t have a manager, booking agent, mentor, or none of that. I’ve had a few approach me, but it didn’t feel right, you know? Seems like they didn’t want to build, so majority of the time I’m a student learning as I go. As of now, I’m just trying to grasp the “algorithm” of the internet by learning behaviors & patterns. I remember when you posted on social media & everybody who followed you saw it. It’s a totally different game now & learning it is crucial. How do I balance creative control with the business side of music? My answer is I simply try to have as much fun as I can & surround myself with people who allow me to be who I am. I think people forget about that & that’s when the art tends to descend.

Music videos and visuals play a huge role in an artist’s brand today. How do you approach the visual aspect of your music? Do you have creative control over your visuals?

I have complete creative control over my visuals. But I do have a friend, Carlos Barahona, who I’m starting to collab with more when it comes to visuals/music videos. He was the one who directed the “OAM” video, very talented guy, shout out to him. When it comes to the approach I always want it to be natural & not so rehearsed. For cover arts I like to use random pictures that I take throughout my days that may correlate with whatever song I’m releasing. Then I’ll try to bring it to life with motion picture effects. I think it’s a good way to keep people engaged.

Can you describe your most memorable performance so far? What made it stand out, and how has performing shaped your artistry?

My most memorable performance was at my high school’s talented show back in 2014. I performed two songs that night: “What You Know” & “No Juice”. The crowd’s reaction was nuts. It was amazing to see how quickly people caught on to the lyrics, shouting it back to me as I performed. This showed me how much of an impact my music had on people & it let me know what pocket I needed to stick to as far as my sound. You can find the full performance on my YouTube page.

Do you have any new projects, collaborations, or surprises in the works that fans should be looking out for?

Haha, yes, for sure! I do have an album coming, fasho. A lot has been in the making, mainly a reason why I haven’t been as active online. I don’t want to say too much, but right now I’ve been working with Omar Washington, P. Bentley, R3CESS, Don B, & Klu. When the time is right, things will start rolling out back to back

What do you want to be remembered for when people talk about Juice Davis years from now?

A pioneer, a hard-worker, a musician, & overall a humble man with a message that moves people

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Shoutout to Juice Davis for taking the time to chop it up with us and let us into his world. From the technical growth to the personal evolution, his journey is a reminder that artistry is just as much about self-trust as it is about skill. Whether he’s pulling inspiration from old camcorder footage, flipping samples from voicemail clips, or blending storytelling with imagination—there’s a raw honesty in the way Juice creates that we respect heavy.

If you’re not already tapped in, go run it up. Follow Juice on Instagram to stay in tune with what’s next and stream his full catalog on Spotify. This current chapter is only the beginning.

And if you’re an artist doing it your own way—writing your story on your own terms—submit your music to us here. We’re always looking for new voices that move different.

The Vault Radio - Episode 1

Welcome to The Vault Radio, Episode 1—a monthly curation dedicated to sharing authentic, hand-picked music we've genuinely been enjoying. Each episode will highlight not only fresh underground releases but also older music that might've flown under the radar yet still deserves your ears. While keeping you in tune with new artists and sounds is important, it's equally valuable to pause and give overlooked gems the attention they deserve.

Music is deeply personal, subjective, and shaped by our individual experiences. This playlist isn't about chasing trends or viral hits; it’s about real music we've connected with personally and sincerely want to share. Every selection here is intentional—tracks and albums that resonate with our current experiences, moods, and inspirations. You might connect with some immediately or grow to appreciate others over time. Either way, there's something real here to discover. So, welcome to Episode 1 of The Vault Radio. Sit back, relax, and dive in. Who knows? You might just find your new favorite track here.

AIR GUITAR by $avvy

$avvy’s latest album, AIR GUITAR, represents a significant sonic shift from his previous projects, inspired by his move from Nashville to Los Angeles. This transition wasn't just geographical it was creative, personal, and deeply transformative. Embracing a DIY mentality, many tracks started as raw bedroom recordings, later refined in professional settings. The process mirrors the album’s overall theme: experimentation, reinvention, and pushing past boundaries. Tracks like "Whiplash" and "JESUS BBQ" are prime examples of this boldness, showcasing his ability to blend raw emotion with structured artistry.

The album draws influence from a variety of sources Michael Jackson’s meticulous musicality, the psychological tension of films like Whiplash, and personal experiences of love, loss, and self-discovery. Each track builds upon these inspirations to create a project that is both personal and universal. The title AIR GUITAR itself symbolizes uninhibited expression, capturing that childhood joy of pretending to play along to your favorite songs, embodying the idea of feeling the music in its purest form.

Notably, Teezo Touchdown, known for his genre-blending artistry, further validated the album’s reach by incorporating some of these tracks into his live performances. This kind of organic recognition underscores how AIR GUITAR resonates beyond just its core audience, highlighting its authenticity and staying power.

Listeners are encouraged to experience the album front-to-back without distractions, allowing themselves to sink into the sonic textures and narratives woven throughout. Ideally, AIR GUITAR is best heard on warm, reflective evenings, with the California sunset in view a fitting backdrop for a project that captures both nostalgia and forward motion, personal reflection and universal connection.

STRIVE FOR BETTER by Lango

Lango’s STRIVE FOR BETTER is more than just an album, it’s a deeply personal reflection of growth, transition, and self-awareness. Emerging organically from a period spent pursuing a master's in Biotechnology, this project captures the duality of chasing new dreams while navigating emotional complexities. Lango steps away from overproduction, opting instead for a sample-heavy, mellow soundscape that enhances the project’s raw and introspective nature. It’s music for moments of solitude, deep thought, and personal evolution.

Tracks like "Never Be" and "Thinking Bout Me" dig into themes of insecurity, the fear of not being enough, and the emotional weight of personal relationships. Lango’s willingness to explore these unfiltered emotions gives the album a sense of relatability and honesty, making it easy for listeners to see reflections of their own experiences within his words.

"Safety," a particularly powerful track, was shaped by a personal tragedy, revealing a shift in perspective regarding life, loss, and the unpredictability of the world. "Pushin 30" serves as both a declaration and a reflection—acknowledging how time changes us, yet also reaffirming that personal growth doesn’t come with an expiration date. Instead of viewing aging as a limitation, Lango embraces it as an opportunity to evolve, explore new ambitions, and redefine what success looks like.

What makes STRIVE FOR BETTER stand out is Lango’s approach to emotional openness not as vulnerability, but as a tool for connection. He presents his emotions not as weaknesses but as stepping stones toward understanding himself and the world around him. Free from the pressures of mainstream appeal, this album serves as a reminder that personal expression holds its own weight and impact. STRIVE FOR BETTER is a project that doesn't demand attention; instead, it quietly invites listeners in, allowing them to take what they need from its message.

COASTLANDS by Mekhi Fayson

Mekhi Fayson's COASTLANDS is a sonic voyage through self-discovery, existential reflection, and deeply personal storytelling. Blending hip-hop, R&B, and indie influences, the album is a carefully woven narrative that mirrors Mekhi’s own journey shaped by personal challenges, relocations, and a desire to explore identity beyond surface-level understanding.

At its core, COASTLANDS is a meditation on fate, choice, and the unseen forces shaping our lives. "R33" is a powerful example of this, where Mekhi reflects on the unpredictability of life through the lens of an experience with his dream car capturing themes of control, luck, and the inescapable nature of cause and effect. "Traffic" and "Aksumite" highlight Mekhi’s ability to shift between personal experiences and grander philosophical themes, making the project feel both intimate and expansive.

Mekhi is unafraid to bring listeners into his imaginative world, where reality and fantasy blend seamlessly. Characters like Sadiq Nasty, a persona embodying selfishness and emotional detachment, serve as contrasts to Mekhi’s more introspective, self-aware nature, creating a layered storytelling experience that goes beyond traditional autobiographical lyricism. The influence of films like ATL and Boyz N the Hood can be felt throughout, adding a cinematic quality to the project’s atmosphere.

Musically, COASTLANDS doesn’t settle into one specific sound. Instead, it pulls from a variety of influences, from Radiohead’s atmospheric production to Griselda’s gritty hip-hop textures, to the nostalgic warmth of 90s R&B icons like SWV and Aaliyah. This melting pot of inspirations allows the album to feel fluid, adapting to different moods while maintaining a cohesive emotional core.

Standout tracks like "Ocean/Summer" and "Obsidian" showcase Mekhi’s talent for crafting immersive soundscapes, blending lush instrumentation with poignant lyrics that feel as if they were pulled straight from late-night, introspective thoughts. There’s a dreamlike quality to COASTLANDS, making it feel less like an album and more like an experience—an invitation to reflect on where you’ve been, where you’re going, and the unseen forces guiding your path.

Ultimately, COASTLANDS is an album about perspective. It challenges listeners to look beyond the tangible and consider the connections between actions, emotions, and destiny. It’s an artistic milestone for Mekhi Fayson, solidifying his ability to craft music that is both deeply personal and universally resonant.

Spotlight Tracks - Curator's Favorites:

"Whiplash" by $avvy – $avvy continues to push boundaries with "Whiplash," a standout track that fuses raw emotion with dynamic production. The song encapsulates his fearless artistic reinvention, blending introspective lyrics with high-energy instrumentation. It represents the moment where his creative risks fully pay off, offering a glimpse into his sonic evolution.

"Safety" by Lango – Lango delivers an emotionally weighty track in "Safety," a song inspired by real-life fear and reflection on personal loss. The lyrics depict the unease that lingers after experiencing tragedy, giving listeners a deeply personal yet universally relatable moment. Its understated production makes space for Lango’s storytelling, making it one of the most intimate and powerful moments on Strive for Better.

"Obsidian" by Mekhi Fayson – "Obsidian" is a masterclass in haunting, poetic lyricism. Mekhi Fayson’s introspective storytelling shines as he explores themes of resilience, self-reflection, and transformation. The track stands as a pivotal moment in Coastlands, highlighting his ability to weave deeply personal experiences into larger philosophical reflections, all within a genre-blending soundscape.

"Father" by Jim Legxacy – Jim Legxacy presents a raw and deeply personal narrative in "Father," a track that delves into generational cycles, identity, and emotional vulnerability. His fusion of alternative influences and hip-hop elements gives the track a layered complexity, making it a must-listen for those who appreciate music that prioritizes both sound and substance.

"Flight or Flight" by Three65 – This track captures the tension of high-stakes decision-making, embodying the chaotic energy of life’s turning points. Three65’s urgent delivery and charged production mirror the intensity of facing one’s fears, making "Flight or Flight" an adrenaline-fueled, thought-provoking listen.

"What You Wish For" by Lexa Gates – Lexa Gates crafts a dreamlike soundscape in "What You Wish For," a track that feels like a hazy reflection on ambition and longing. Ethereal production, layered vocals, and deep introspection create an immersive listening experience that lingers long after the song ends.

"The Tan Commandments" by Yung Manny – Yung Manny’s signature wit and sharp lyricism are on full display in "The Tan Commandments." The track is packed with clever wordplay and high-energy production, making it an undeniable anthem. It’s a prime example of his ability to balance humor, technical skill, and social commentary all in one song.

"Nag Champa" by Sincere Hunte – "Nag Champa" is a soulful, meditative track that radiates warmth and introspection. Sincere Hunte’s laid-back yet intentional delivery, combined with smooth, jazzy production, makes it a perfect soundtrack for late-night reflection or relaxed contemplation.

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Thank you for checking out this edition of The Vault Radio. We appreciate you taking the time to explore these artists and tracks with us. Music discovery is a collective experience, and we'd love to hear what’s been in your personal rotation lately. Tag us @NefariousSupply with your favorite underground finds so we can check them out and continue curating sounds that deserve to be heard. Your picks might inspire future episodes and help spotlight even more deserving artists.

Are you an artist looking to get featured on The Vault Radio or even have a full write-up with us? We’re always on the lookout for fresh talent. Submit your music here, and let’s build something great together!

November Day - Embracing Chaos, Imperfection, and the Art of Letting Go

Some artists make music that feels like a fleeting moment in time, while others craft soundscapes that pull you deep into their world. November Day falls into the latter category. With his latest album, Brown Songs, he takes listeners on an immersive journey filled with raw emotion, experimental textures, and an unfiltered creative process. Known for his DIY approach, November Day blends slowcore, noise rock, and lo-fi aesthetics with deeply personal storytelling. His music isn’t just something you listen to—it’s something you experience.

In this interview, we dive into the creative process behind Brown Songs, the struggles of staying true to his sound, and how he’s already gearing up for his next artistic evolution. From recording on a four-track cassette recorder to letting accidental samples shape his songs, November Day embraces imperfection in a way that makes his music feel alive. Read on as he shares his thoughts on growth, inspiration, and the freedom of making music without limits.

Your latest album, Brown Songs, feels deeply personal and sonically immersive. What was your mindset while creating it, and how did you push yourself differently compared to past projects?

I was in a bit of a reclusive stage after finishing my previous album, Lucky; that album took a lot of emotional energy to make and I wasn’t sure what to do next. Then one day my dashingly charismatic roommate Tobias Fever and I were at the local music shop and I saw a Tascam MF-P01 four track cassette recorder behind the glass and just knew I had to have it. That whole project, along with the subsequently released project Blue Songs, were made entirely on that four track. When I first got to play with it I only bought a microphone and a tiny Behringer synth so the opening track is mostly guitar drone/acoustic until the random Three Six Mafia song plays, which for the record, I did 𝘯𝘰𝘵 know was going to happen until it did. You can pretty much hear me adapt to the tempo in the recording which I find pretty fun. There are plenty of moments like that on the album: samples I only obtained because I was using 2 for 1 dollar cassettes that already had shit on them. Like on the song Flowers, there’s this voicemail of this dude calling his fiancé’s parents and just being a real horrible human being. It made me feel sick in a warm, humid way so I put him on the album. Love that stuff. Front to back it only took me three days to make Brown Songs; it was me learning a new means of recording and really, learning how to have fun making music again.

You handled all the guitar work and production yourself. What was the most difficult aspect of working entirely solo, and did that process bring any unexpected creative breakthroughs?

I find making music alone to be extremely cathartic. On Brown Songs for example, where every song was made in under an hour, usually like 30 minutes tops by myself in my room, I was able to capture exactly how I was feeling or what was going on that moment, unfiltered. I want to always be moving closer to that sense of self, or sense of moment in my music. I think working mostly alone and slowly building my own creative habits is best for my more personal work. I recall early on in my experience producing (around 2 years ago) a lot of people wouldn’t fully get what I was going for sonically and would always lob the same critiques of “𝘵𝘢𝘬𝘦 𝘵𝘩𝘢𝘵 𝘥𝘪𝘴𝘵𝘰𝘳𝘵𝘪𝘰𝘯 𝘰𝘧𝘧” or “𝘸𝘩𝘺 𝘤𝘢𝘯 𝘐 𝘩𝘦𝘢𝘳 𝘺𝘰𝘶𝘳 𝘤𝘩𝘢𝘪𝘳 𝘤𝘳𝘦𝘢𝘬𝘪𝘯𝘨” and while I do think it’s crucial to listen to what people have to say about your music; after all it’s the ears of others that will be hearing more than your own, I know for a fact that if I took to heart everything people had said instead of trusting my gut instincts with how I felt my music should sound and feel, the music would become something other than a 𝘵𝘳𝘶𝘦 extension of myself, and we’d never want that.

There’s a strong emotional weight in your music. Do you write from lived experiences, or do you use songwriting as a way to explore emotions outside of yourself?

Most of my songs are definitely lived experiences; my album Dune for example is like, word for word my entire experience with a person from where I was standing. I feel like making music in this way is important for me in my healing processes. If something is really affecting me, I pretty much 𝘤𝘢𝘯’𝘵 move on until I’ve written every possible emotion out, and then some. Recently though I have found myself moved by fictional characters to write my stories. The other day I was watching Buffy the Vampire Slayer (highly recommend) and couldn’t help but feel depressed on behalf of the main characters’ over their constant struggles finding love, since they’re all so busy every night killing monsters and stuff. I finished an especially sad episode and had about it ready in an hour! It felt really good to step outside myself to write, I think I’m gonna try it more.

The album features a mix of downtempo, ambient songs and more energetic, guitar-driven moments. How do you approach that balance when structuring an album?

I wouldn’t necessarily consider myself the greatest guitarist, or even a traditionally 𝘨𝘰𝘰𝘥 one, but I believe I have a knack for improvisation. A lot of songs I will have one idea going in and end up with a completely different sounding finished product. The key to me is to embrace whatever shifts come as the song develops. Did I start this as a slowcore song? 𝘠𝘦𝘴. Does it now have boom bap fart drums and a loud warbling synth? 𝘠𝘦𝘴. 𝘕𝘰𝘸 𝘐’𝘮 𝘨𝘰𝘯𝘯𝘢 𝘳𝘢𝘱 𝘰𝘯 𝘪𝘵. And I wouldn’t have it any other way. Sometimes I surprise myself and crack out a pretty catchy guitar melody that can carry me through a whole indie/rock song; 5C and Peter Time come to mind. I think I’m gonna spend more time getting consistent with my guitar playing this year so I can lean into more focused efforts melodically. I never wanna lose sight of the chaos though.

What’s a song on Brown Songs that was particularly challenging to create—whether technically, emotionally, or just in finding the right sound?

𝘙𝘪𝘨𝘩𝘵 𝘣𝘢𝘤𝘬 𝘪𝘯𝘵𝘰 𝘵𝘩𝘦 𝘨𝘳𝘰𝘶𝘯𝘥. I was so intimidated recording that song. It’s a cover of one of my favorites, “The Man Who Was Wrong” by Dr. Dog. I don’t really know any traditional guitar chords so I had to learn my first, and initially I wasn’t really sure what direction I wanted to take since the original song is almost five minutes long. I settled for cutting it to the first verse and chorus and was pretty happy with the result. A lot of my friends say that song has my best singing and I am in love with the sound of me stomping on my floor and cracking a snare drum with my knuckle for the percussive element. I’ve decided to try to put a cover on every album from now on to keep me on my toes; I covered “The Narcissist” by Dean Blunt and Inga Copeland on Blue Songs, which was a lot of fun. Definitely check out Dean Blunt if you haven’t, his sound was the most prime influence over the 𝘦𝘯𝘵𝘪𝘳𝘦𝘵𝘺 of Blue Songs, which is the evolved, subjectivity uglier little brother of Brown Songs.

Many independent artists struggle with finding an audience while staying true to their sound. How do you navigate promotion while keeping your creative vision intact?

At the end of the day I think it’s most important that the integrity of the art is not hindered by the fact that it needs to be promoted to the people. If you change your art for the world, you will never find the audience who would have appreciated it for what you 𝘸𝘢𝘯𝘵𝘦𝘥 it to be, and you will never find the artist you were 𝘮𝘦𝘢𝘯𝘵 to find within yourself. Dean Blunt comes to mind again. His music is awesome and so ahead of its time. The first album I heard by him was “The Narcissist II” released in 2012. That album is a fucking horror movie. It’s all recorded into tape and the chords are so eerie yet comforting and sometimes sexy even; he’s singing in this smooth baritone register through the lens of this 𝘷𝘦𝘳𝘺 𝘦𝘷𝘪𝘭 man, as he gains the trust of this woman and becomes more and more violent until he eventually kills her. He plays the role so well and the music is insanely good! I bet a lot of people wouldn’t have made an album that conceptually risky. Dean Blunt is rising to the top of the industry nowadays; where would he be if he hadn’t stuck to his gut instincts way back in 2012?

Your music has a very cinematic quality to it. Do you have visual or film influences that shape your approach to songwriting?

While I don’t 𝘵𝘺𝘱𝘪𝘤𝘢𝘭𝘭𝘺 get a lot of inspiration from movies or shows, that seems to be changing as I touched on earlier. And even outside of film, I would definitely say that visuals are one of the places I get the most potent inspiration. More often than not, I base a lot of my albums’ sounds off the cover arts. I usually go through a few arts over the process, but having a visual element tied to the music while making it is absolutely crucial for me. And I also want my music to be something that you automatically visualize while you’re hearing it; keeping in room ambience and intentionally making sure there are random natural sounds and patterns in the music is something I find 𝘱𝘪𝘷𝘰𝘵𝘢𝘭 to maintaining the essence of my current sound. So is panning. In my experience, an interesting or unexpected pan will tickle more ears than a shiny mix or thumpy bass 𝘮𝘰𝘴𝘵 𝘵𝘪𝘮𝘦𝘴.

If you could score a film with your music, what kind of movie would it be and why?

It would have to be something depressing, that’s for sure. My song Chuck was written about my experience accidentally killing an animal with my car. It looked to be a large woodchuck or gopher type of guy. I felt his whole body crunch underneath my wheel, I don’t think I’ll ever forget that. Those are the kinds of moments that make me sit down and start playing my guitar. 9. All of it man, I’m gonna do it all. I’m currently offloading most of my time into a 90s/2000s boom bap inspired space album as a pitched down buff space guy named Spazeman Spliff. And it’s 𝘎𝘈𝘚. My musical journey started with rap and it feels so right to step back into that cockpit with fresh ears and ideas. It’s like, what sounds the most fun right now? Lemme do 𝘵𝘩𝘢𝘵. Me and all my friends at Exxitworld have a really cool group tale planned that’s gonna be a blast to make as well! I have a lot of fun stuff planned this year, and while I’m far from done satiating my lofi-noise-slowcore-rock-DIY-experimental-garbo-music itch, November is just one month. There’s a whole universe out there. A year from now I wanna be making gospel music too. I want to serve my God in everything I do, especially my music.

If someone were to listen to Brown Songs years from now, what’s the one thing you’d want them to take away from it?

Be yourself! Brown Songs and, by extension, Blue Songs, are just exercises in me having as much fun as possible making music. If I thought it would sound interesting or funny or weird, I would do it. I think we need more of that nowadays. Get outside of your comfort zone. Fuck whatever you are doing, do something else. You can always come back later with more perspective and varied artistic DNA than you ever could have gained just doing the same thing over and over; you will thank yourself. And stop caring what people think. They are always learning, always changing. So are you, and so am I. You might not love your newest song a few years from now but if you follow your heart’s intrigue instead of what the masses accept as what you should be making, you will be damn glad you chose to do what felt right.

November Day is an artist who refuses to stay in one lane, constantly evolving while staying true to his vision. Brown Songs is just one chapter in his journey, and with new projects already in the works, now is the time to tap in. Follow him on Instagram, Twitter, Spotify, and SoundCloud to keep up with his latest drops.

Want to be featured on Nefarious Supply? Our submissions are always open, and we’re constantly looking for new talent to showcase. Click the link to submit your music and stay updated with our latest interviews and editorials. Let’s keep building.

The Artist Playbook: A Guide for Underground Artists

Welcome to The Artist Playbook, your comprehensive and step-by-step guide to building a thriving music career from the ground up. Whether you're just starting out, seeking clarity on your next steps, or looking to sharpen your existing approach, this playbook provides practical, actionable advice specifically tailored for underground artists ready to navigate the complexities of the music industry.

Over the next ten months, we'll break down essential topics in a structured, easy-to-follow manner. We'll explore critical areas such as branding, content creation, marketing and promotion strategies, distribution channels, and monetization opportunities. Each month will focus on a central theme, carefully unfolding through three targeted entries designed to build methodically on the previous lessons. This systematic approach allows you to absorb essential industry insights and immediately apply practical knowledge to your own career. By the end of 2025, you'll have a comprehensive, actionable roadmap, empowering you to step confidently into 2026 with clarity and a focused direction.

This guide isn't simply a collection of general industry tips, it's a detailed, practical, and straight-to-the-point resource designed for ambitious underground artists committed to turning passion into measurable, sustainable progress.

We'll kick things off by laying a solid foundation: clearly defining your "why," setting precise, realistic goals, and mastering consistency.

Week 1: Laying the Foundation

Understanding Your "Why"

Before diving into strategies, platform decisions, or detailed marketing tactics, pause and reflect deeply on this fundamental question:

Why do I want to make music?

Your "why" acts as your anchor, grounding you when progress feels slow and motivating you during challenging times. Take some quiet moments to genuinely reflect on your core motivation:

• Are you driven by a deep desire for self-expression, storytelling, or personal therapy?

• Do you aspire to significantly impact your local community or elevate a particular music genre?

• Is your primary goal artistic fulfillment, financial stability, or a balanced pursuit of both?

Having a clear "why" profoundly influences every strategic choice, from your brand positioning to audience targeting and interaction. This reflection creates a firm foundation for authenticity and long-term engagement.

Setting Realistic Goals

While dreaming big fuels creativity, turning those dreams into reality requires pragmatic, structured goals. Replace broad aspirations with SMART goals (Specific, Measurable, Achievable, Relevant, Time-bound). Here's how you can effectively frame your objectives:

• Bad Goal: “I want a huge fanbase.”

• Good Goal: “Within three months, I will release my debut single and attract 500 engaged listeners through targeted social media campaigns.”

• Bad Goal: “I want to become a full-time musician.”

• Good: “I will generate $500 monthly from music activities such as streaming, merchandise sales, and performances by December 2024.”

Clear, actionable goals will provide clarity, direction, and measurable markers to gauge your progress and refine your approach.

Staying Consistent

Consistency often triumphs over raw talent alone. The artists who achieve sustained success aren't always the most talented, they are typically the most disciplined and persistent. Here’s how to ensure you remain consistent:

• Establish a Clear Routine: Schedule fixed, dedicated times each week for music creation, content production, and active audience engagement.

• Batch Your Tasks: Maximize productivity by recording several songs, designing multiple social media posts, or producing visual content in batches during dedicated sessions.

• Regular Progress Tracking: Maintain a simple log documenting weekly accomplishments, which can motivate you by clearly visualizing your achievements.

• Maintain Flexibility: Being consistent does not mean rigidly sticking to ineffective practices, be open to adjusting your approach when necessary to optimize your results.

Developing disciplined habits in these areas early on significantly increases your chances of long-term success.

Building Early Habits

Strong habits formed at the beginning of your career provide a solid foundation for future success. Schedule regular reflection sessions to analyze your progress, identify opportunities for improvement, and recalibrate your strategy. Actively seek feedback from peers or mentors to gain fresh perspectives and avoid stagnation.

Leveraging Your Unique Strengths

Identifying and leveraging your unique strengths is critical for distinguishing yourself in a crowded field. Determine your core strengths, whether it's lyrical ability, production quality, engaging visuals, or charismatic performances and strategically use these strengths to build your brand. Amplifying your distinct talents ensures you authentically resonate with your audience and solidifies your artistic identity.

Final Thoughts

This is just the beginning of your exciting journey. Building a successful music career requires patience, dedication, and strategic actions. By clearly defining your “why,” setting actionable goals, and cultivating disciplined consistency, you're establishing a robust foundation for sustainable success. Remember, every renowned artist was once exactly where you stand today—take purposeful steps, continually learn, and adapt courageously.

In our next post, we'll dive deeper into branding basics, how to craft a powerful, authentic identity that deeply resonates with your listeners.

Let’s build greatness together.

Mekhi Fayson – A Sound of Transformation & Becoming

Some artists are in search of their sound,Mekhi Fayson is in search of truth. His music has always been more than just a reflection of where he is; it’s an evolving sonic and spiritual manifestation of self-discovery, lineage, and identity.

After the introspective journey of Coastlands, Mekhi’s next project represents a shift in consciousness. The opposing forces of Sadiq Nasty and Mekhi Fayson, two identities that once battled for dominance—are now unified. Through indigenous rituals, astral traveling, and shadow work, he has transformed both as an artist and as a person.

But this is just the beginning. His new music is cosmic, meditative, and psychedelic, pushing sound into new dimensions. Inspired by artists like Dean Blunt, The Lijadu Sisters, and Panda Bear, and fueled by an immersive dive into independent film, ego deaths, and self-acceptance, this album isn’t just a continuation of Coastlands—it’s a manifestation of everything he’s been working toward.

In this exclusive interview, Mekhi speaks about the balance of intention and spontaneity in his creative process, the evolution of his writing and production, and why this next project is the most important thing he’s ever made. Read on as we step into his world.

Last time, you introduced us to Sadiq Nasty and Mekhi Fayson as two opposing forces. Have their stories continued in your new music? Are you building upon that world, or have you moved toward a different narrative?

Sadiq Nasty represented the ego. Mekhi Fayson has evolved past his own ego and realized the answer to his ego. I have continued their stories on my upcoming album, however they aren't opposing forces anymore. They are now one and live in harmony within my spirit. Outside of music, intertwining them became a big transformation for me. I wasn’t aligned or educated enough to understand the two co-existing. it was hard at first but internal shadow work & indigenous rituals changed everything for me.

Sonically, where are you pushing yourself now? Are there any new influences—musical, literary, or visual—that have reshaped your approach to creating?

Well after “Coastlands” I felt very tied up in where to go. Even going back to take inspiration from my older work. It was a process for me to understand how i wanted things sonically to sound in my head. I already had sonics in mind, i just needed to dig deeper. 2023-2024, i was beginning my work in IFA (Isese), Reading more and Watching a lot of films. Listening to a lot of Panda Bear, Dean Blunt, The Lijadu Sisters, Micheal Jackson & Stevie Wonder. A lot of rituals, meditation, astral traveling & ego deaths. Coastlands was about me learning & searching for my lineage. This project is about embracing said culture and becoming. I also have a blog now where i’ve create a world for others to live in. pyritetears.tumblr.com is where you can explore it all. My influences. My day to day thoughts. May even upload a demo on just because i feel like it. Helps bring people into my world.

Coastlands explored themes of identity, lineage, and self-discovery. Has your perspective on these themes changed since that album? How are you exploring them differently in your new work?

No they haven’t. They just developed deeper into my day to day. Realizing more and more these projects serve as a chapter of my life either beginning or ending. They serve as a piece of my identity being exploited to the world. It is my choice on how i’d like to display my identity. I’d say though, these days it has becoming more easier to convey them creatively and sonically. A lot of the exploration is discovered with intuitive writing, the correct choice of melody & execution. If none of those align… i probably won’t even go through with recording the song. Sometimes it may even feel like a ancestors is using me as a outlet for said creative messages. i just flow with it if it feels aligned.

What’s changed about the way you write and produce music? Do you find yourself being more intentional in the process, or do you still allow spontaneity to lead the way

Both Honestly. One day I wanna write a Ballad then the next i wanna make Pop or Shoegaze . It still has to have some form of structure. some foundation to live upon instead of clouded ideas. I play the piano consistently, so a lot of my songs now started with chords & melody before I begin to the song. Drums and programming come after. ”Handsome” was intentional as far as writing. However it feels very raw to me. formless. I didn’t add ad libs because it was a demo for someone else. then i said F*ck it I’m going to just put it out. Leaked it on Sound-Cloud. Have fun with intention.

Your music has always had a cinematic quality, pulling inspiration from films like ATL and Boyz N the Hood. Are there any new films or visual aesthetics influencing your storytelling today?

I’ve watched over 100 films or more this year with my girl. No lie, I really can’t tell you guys haha. Let’s just say I’ve been watching a lot of indie films this year & I love them so much. I love big releases but its something about indie films having small budgets, They have kinda have a lot of room for failure, growth, and more to prove as a film. Maybe one day i’ll put out a list of the movies that influence my creative process.

How do you decide who to collaborate with? Are there any specific artists or producers you’ve worked with recently that brought out something new in you?

I never really narrow down who exactly I want to work with. Somethings really do happen. Alignment basically. Outside of my close friends in my team, The record with Mike Hector was new for me. I felt like i was writing something from my child-hood. Turnt up but elegant. Raw. If it wasn’t for Shal Brenta, the record wouldn’t exist. We have another collaboration as well. The world will eventually hear it.

How has performing your music changed your relationship with it? Have you learned anything about yourself from seeing how audiences react to your work in a live setting?

I Performed a lot in 2022-2023 and have not been on stage since. I think with Coastlands, i was very rap heavy with my stage performance. Which was cool but i totally lacked stage presence. I was shy & sometimes spiritually not on stage. Felt soul-less. It will be exciting doing the new songs live though. Thinking about incorporating live instruments this time or playing things myself now that I’m singing more. A lot of practicing at home been helping. I have a vocal coach now haha.

Without giving too much away, what can you tell us about the themes or emotions you’re exploring in your next project? How does it contrast with what you’ve done before?

Cosmic. Meditative. Indigenous. Psychedelic. Nostalgic. & Celestial. It what I was aiming for in “Coastlands.” however I couldn’t create the exact textures & landscape I truly wanted without experience. Like i said before, if “Coastlands” was the research, this album is the true manifestation of it. Without that experience, I’d still be searching and creating.

If someone were to discover your music five years from now, what do you hope they take away from it? What’s the lasting imprint you want to leave with your work?

That I was aiming for forever & not perfection. perfectionism is ill-ness I experience. Of course my art will live beyond me. Maybe it won’t. Use me as a inspiration tho. Influence. Teacher. Student. Whatever. Just consider me in the eye of forever. A True wizard who lived forever.

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This marks the second time we’ve had the opportunity to feature Mekhi Fayson on our platform, and once again, he’s given us a glimpse into an artistic journey that’s as introspective as it is boundary-pushing. His evolution, from the lineage-exploring themes of Coastlands to the cosmic, meditative, and psychedelic world of his upcoming project, shows an artist fully stepping into his vision. It’s clear that Mekhi isn’t just making music; he’s creating an experience, a world, a sound that exists outside of time. We’re honored to share his story and can’t wait to see how this next chapter unfolds.

If you want to stay tapped in with Mekhi and keep up with his upcoming project, be sure to follow him on Instagram, Twitter, Tumblr and Spotify.

For those looking to stay up to date with Nefarious Supply, follow us on Instagram, Spotify and Twitter and sign up for our newsletter to stay locked in with our latest artist features, interviews, and exclusive content.

If you’re an artist looking to be featured, you can submit your music for consideration here. A huge thank you to Mekhi Fayson for returning to the platform and continuing to share his creative journey with us. We’re looking forward to everything he has in store, and we’ll be watching, and listening every step of the way.

Why We’re Reimagining Nefarious Supply

The underground has always been the foundation of creativity and cultural revolution. It’s where raw expression thrives, free from the constraints of mainstream trends. It’s not tied to one genre or medium but embodies the spirit of innovation, individuality, and risk. Yet as underground culture gains visibility in today’s digital world, it faces a critical challenge: maintaining its authenticity in an age dominated by algorithms, fleeting trends, and surface-level engagement.

At Nefarious Supply, we’ve spent some time reflecting on what it means to preserve and amplify underground culture. To us, the underground is more than a creative scene—it’s the pulse of culture itself. It’s a rhythm of voices, ideas, and untold stories that deserve to be celebrated, not diluted. Our mission isn’t just to protect this essence but to elevate it, ensuring it remains untamed, impactful, and connected to its roots while embracing new possibilities.

Why the Underground Needs Reimagining

Too often, underground culture is reduced to a stereotype: raw, gritty, and waiting to "make it." This narrative misses the point. The underground isn’t a stepping stone—it’s a destination, a thriving ecosystem where creators redefine culture and audiences find deeper, more meaningful connections.

By reimagining the underground, we’re not changing its core—we’re building on its foundation to unlock its full potential. We’re creating a space where creativity flourishes, unbound by trends or constraints, and where collaboration is a driving force for progress. This is about celebrating what’s real while fostering growth and evolution.

Our Mission

Nefarious Supply is committed to supporting and amplifying underground culture in every form. Here’s how we’re doing it:

1. Creating Opportunities for Creators: From curated submissions to artist spotlights and collaborative projects, we’re equipping artists with tools to connect meaningfully with audiences who value their vision.

2. Fostering a Collaborative Community: The underground thrives when creators and fans unite. Our platform is designed to inspire collaboration, spark dialogue, and fuel sustainable growth.

3. Delivering Quality Without Compromise: Every choice we make reflects our commitment to excellence—whether it’s the artists we feature, the stories we tell, or the content we produce.

This mission is bigger than us. It’s about a collective belief in the power of underground culture to shape the future of creativity.

What Reimagining Means for You

Reimagining the underground is about creating an inclusive space where everyone has a role to play. For creators, it means finding a platform that respects your vision and amplifies your art without compromising its authenticity. For fans, it’s about discovering work that resonates deeply and connecting with a community that values genuine expression. For the culture, it’s about ensuring underground creativity remains vibrant and impactful for generations.

Every submission, every conversation, and every collaboration pushes us closer to the future we’re building together. Let’s make it happen.

Join us. Submit your work or subscribe to stay connected, and let’s reimagine the underground together.

Reintroducing Nefarious Supply - The Underground Heartbeat

What is Nefarious Supply: The Underground Heartbeat

In a world where underground culture serves as the foundation of authentic creativity but often goes unrecognized, Nefarious Supply stands as a transformative force, championing the artists and innovators who give it life. We are not just a brand; we are a movement—an audacious disruptor challenging norms, amplifying untamed artistry, and redefining the underground as an expansive frontier for collaboration and growth. At Nefarious Supply, we believe that creativity thrives at the intersection of individuality and collective effort, making community our cornerstone.

Our Mission

Nefarious Supply was created out of a deep appreciation for underground culture and the belief in its potential to shape the future. Our mission is fiercely unapologetic: to dismantle the conventions that restrict creativity and provide a space where artists and visionaries can thrive on their own terms. We amplify the voices that drive change, bridging the gap between raw talent and well-deserved recognition.

More than a mission, this is our commitment to fostering an ecosystem where creators and audiences forge meaningful connections. We aim to inspire innovation while staying true to the underground’s raw and unfiltered energy. By amplifying diverse voices, we’re building a platform that not only empowers artists but also reshapes how the world interacts with culture.

The Evolution of Nefarious Supply

Our transformation is not just about refining our operations; it’s about cultivating a thriving community. At the heart of our evolution is a commitment to bringing creators, fans, and visionaries together into a unified force. By amplifying the voices that drive culture and fostering collaboration, we are redefining what it means to be part of the underground. Nefarious Supply is a space where individuality thrives, but community powers the movement.

Our journey has been marked by constant growth, introspection, and an unyielding commitment to our ideals. Each collaboration, challenge, and success has refined our approach. Today, Nefarious Supply emerges as a reimagined force deeply rooted in the ethos of the underground and more dedicated than ever to our core values:

• Authenticity: Remaining steadfast in supporting the artists and narratives that inspire us.

• Collaboration: Fostering a community where creators elevate each other.

• Excellence: Establishing a benchmark for quality in the underground creative space.

This transformation isn’t just about our journey; it’s about empowering you—the creators, fans, and visionaries who fuel the underground. We’re forging a collective path forward, where every member of our community plays a vital role in shaping what’s next.

A Bold Vision for the Future

Central to our vision is the belief that no movement succeeds in isolation. Nefarious Supply is more than a platform; it is a cultural hub built on the strength of its community. We envision a global network where shared values and mutual support drive creativity forward, creating opportunities for artists to connect, learn, and grow together. This collective spirit is the foundation for everything we do.

Our vision extends beyond the content we create. It’s about curating an experience that enables meaningful collaboration between artists and their audiences. Nefarious Supply is a cultural beacon that celebrates the transformative power of creativity, from intimate artist spotlights to game-changing projects like Euphoric Discography. This playlist will serve as a centerpiece for collaboration—where community recommendations and artist submissions shape its evolution, making it a true reflection of the underground's collective voice.

As we relaunch, we are reinforcing our commitment to:

• Curating content that resonates with the core of underground culture.

• Equipping artists with the tools and opportunities they need to thrive.

• Building a global network united by shared values and a passion for creativity.

• Providing spaces for open dialogue and mutual learning that strengthen the underground community as a whole.

From artist spotlights to curated playlists, we are creating spaces where underground talent connects with audiences who genuinely value their work.

How You Can Join the Movement

We believe the strength of the underground lies in its community. That’s why we’re creating spaces where every voice matters and every contribution fuels the movement. Here’s how you can be part of it:

• Submit Your Work: Are you an artist with a compelling story or unique sound? Submit your music today and let’s amplify your creativity. Your work could shape the future of projects like Euphoric Discography and become a cornerstone of our collaborative spirit.

• Stay Connected: Subscribe to our email list for the latest updates, exclusive content, and opportunities to collaborate. Join a network that thrives on shared knowledge and support.

• Engage with Us: Follow us on Instagram, Twitter, and Threads to join the conversation, vote on playlists, and share your vision. Our social platforms are more than just channels; they’re dynamic spaces where creators and fans can interact, inspire, and grow together.

The Underground Is Just the Beginning

The underground is not merely a starting point; it is the raw pulse where culture is crafted, reshaped, and ignited with unapologetic creativity. At Nefarious Supply, our mission is to nurture these roots, ensuring they grow deep and strong to shape the future—one story, one track, and one collaboration at a time.

This is more than a brand—it’s a call to action. Together, we have the power to elevate underground culture to unprecedented heights. Every submission, every conversation, and every creation contributes to a shared legacy.

Join us. Submit your music. Be part of the underground heartbeat.

Freedom to Grow: an interview with capernum

From the initial spark of self-discovery during walks in nature to the culmination of self-acceptance woven into each track, Capernum shares the profound narrative thread that binds the album together. Delving into standout tracks like 'Farewell My Friend' and 'Underbrush,' we uncover the depth of emotion and storytelling that underscore their production, offering insights into the bittersweet farewells and enchanting entrances that define the album's essence.

INTERVIEW

Your debut album, "Forest of Fairytales," offers a rich emotional journey. Can you share the inspiration behind the album and how your personal experiences influenced its creation?

That’s a cool way to put it. That album has a special place in my heart because it was my first full body of work that I felt proud of after making music for years. I started working on it in March of 2021.

Around that time, I started going on walks through a path in my neighborhood, and one time I realized I hadn’t looked more closely into nature since I was a child. I took a picture of a small carved-out hill that stood above the rest of the ground and I stared at that picture daily for a while. The album sort of spiraled out from the idea that self-acceptance

is an actual place you have to journey to.

The forest became the ideation of that very thought. Track 1 starts with a story of self loathing and incapability, to the final track where I finally felt capable and able to love who I was as a person. I feel like as I made the album, I slowly discovered who I was and began to love myself wholeheartedly. As far as music that inspired it.

As far as sonic influences go, I would have to say folk music, Glaive’s earlier work and Quadeca.

"Farwell My Friend" and "Underbrush" are standout tracks from your album. What emotions or stories were you aiming to convey with these particular songs, and how did you approach their production?

Farewell My Friend was actually the last song I started for the album.

I felt like it needed to be a much more minimal singer-songwriter cut to really make it personal. A lot of people thought it was about saying goodbye to a friend, but I really wrote it about saying goodbye to who I was.

I was just about to head to college, and felt like I needed to cut out a lot of my bad tendencies to really move onto the next stage of my life. It’s a song about saying thanks to who you were and how far you’ve come, but it’s time for a change.

It’s a really bittersweet goodbye that also works in the context of the album which I found really beautiful.

As for Underbrush, the three songs before it are supposed to be kind of a prologue in that they occur before the start of the journey to self acceptance. Underbrush is meant to signify the entrance into the woods. It’s supposed to feel magical and almost legendary in a sense.

For the production, I did a studio session with one of my high school friends. The intro guitar was recorded on voice memos to get the cicada sounds which gave it a really raw feeling and connected it back to the theme.

We thought that adding dreamy, bouncy production with the soft folky guitar gives it a sort of simple, yet otherworldly feel. I think it really fits that sparkly fairy vibe.

If I could go back, I think I’d redo the vocals on that song, but I digress.

As a new artist, how would you describe your signature sound, and what elements do you believe set your music apart in the current music landscape?

I think for my music personally it’s really hard to box into one genre. I’ve tried glaive type hyperpop stuff, folk, synthwave, indie and just straight up weird experimental music. Especially on FOF, it varies pretty frequently. I think the most signature aspect of my music is my voice. It tends to be a little weird and different from a lot of artists I’ve heard. I’m still trying a ton of new stuff, I pretty much just make whatever I’m feeling at the moment.

I think what sets my music apart is my ability to piece together worlds through lyrics and soundscapes. Even with differing genres, I can make a project sound cohesive. I love to tell stories, it’s so much fun. Pretty much all of my songs tell stories or stick to a certain concept, some more simple than others.

The themes of loss, hurt, self-reflection, and conflicting desires are prominent in your work. How do you navigate translating these complex emotions into your music, both lyrically and sonically?

I think for lyrics it really comes down to just being as vulnerable as possible. All of those emotions are things I’ve really gone through. I’ve lost a lot, I’ve been really hurt and I’ve come a long way in my personal life. I really like being super authentic with my delivery and just letting my thoughts come out in their purest form.

I love to write, and I’ve never really been a freestyler, but I treat the lyrics very delicately in that I don’t force anything that doesn’t work. I keep trying until I find the best inflections to show how I’m really feeling.

With production, I think the translation of emotions comes down a lot to sound choices that evoke certain feelings and also knowing when to make a maximal versus a minimal sounding part. Sometimes the most minimal areas allow for the emotions and vocals to really come through.

That’s something that I really like doing, and doing really really soft simple songs has been a cool thing for me recently.

"Forest of Fairytales" suggests a thematic connection between nature and storytelling. Can you delve into the significance of this connection in the context of your album and overall artistic vision?

In question 1, I kinda went over this, but I’ll go more into the abstract ideas I’ve had about this. Nature feels very open and freeing, and there’s so many stories being told just within wildlife. Animals trying to survive and bees pollinating plants.

It’s all very beautiful to me.

The openness really is fitting for the idea of self-acceptance. Self-acceptance is really just the mind being open enough to love yourself through any and all of the mistakes you make.

Nature is going to continue to play a pretty strong role in much more of my music to come. The possibilities with concepts and imagery in nature are endless really.

Your ability to vocally express intense emotions is a notable aspect of your music. How do you approach the balance between vulnerability and strength in your vocal delivery?

Vocals are something that is so cool to me. That’s where I really got my start with music. I’ve always been a vocalist, but adding production elements is something I didn’t start until a year before the album.

I like approaching the balance like anything, I think there really should be a good mix of vocal intensity on an album, depending on what you’re going for obviously. In my music, I really like to go more intense on vocals when feelings are even more heightened. I like to dramatize things a lot. And when a song feels like it needs to be more soft and visceral I like to really commit.

Vulnerability is something I really relate to more with a softer delivery. It feels quiet and heartfelt. I like strength when it comes to more catchy earworm songs. However, they should still have some pauses in their intensity at points to make the highs feel higher.

Overall, vocals are still something I’m constantly working on and trying to improve, so I think I’ll continue to get better at facing that balance.

Are there specific artists, genres, or even non-musical influences that have played a significant role in shaping your artistic style and approach to music?

Definitely. My biggest artist inspirations when I started were Juice WRLD and Convolk.

Rip Juice.

Now I would say my biggest inspirations are Bon Iver, Quadeca, Jane Remover, Underscores, Quedronol, The Microphones, Patrick O’Neill, and Brakence. A lot of these artists are exploring sounds I’ve always wanted to try out, and I think elements of their music are going to show up in my new stuff in a lot of cool ways.

I can pick songs from all of these artists’ recent bodies of work that are influencing specific songs I’m working on. Genre influences for me right now are really mainly folk, grunge, rock and experimental stuff in general. I definitely need to branch out more. For non musical influences, a lot of it comes from photography accounts I see on twitter, they inspire me quite a bit and help me to brainstorm visuals for my music.

I love the album movie for “I Didn't Mean To Haunt You”. It gave me some really interesting ideas for visuals. A lot of anime’s are also pretty influential for my style. “Mob Psycho” is a great example of a really visually stunning world that tells a really beautiful story.

I’d say places and atmospheres are probably my biggest inspiration right now though. I like emulating feelings of being somewhere while you aren’t. It’s cool for world building.

Looking ahead, what are your goals for 2024, both in terms of musical exploration and any potential new projects on the horizon?

I have so many goals for 2024. A few years ago, I made a lot of metric based goals, and slowly I’ve moved away from that.

Numbers are my last priority, while making art that I can be proud of is #1. I think my goal is to drop more music next year. This year I only dropped four songs, albeit one of them took me 6 months to perfect.

As of right now, there will be a new song in January called “Quilt”, and it’s a really soft, super short little winter themed acoustic song.

Really proud of it, and I’m excited to kick the year off strong. I’m hoping to drop a single like every other month at least for the rest of the year. So after “Quilt”, expect another song in February! I think I want to go back to some of the sounds I’ve explored before that are more poppy for sure, and I’m interested in exploring grunge which I’ve never really dabbled in.

As far as new projects go, I just started working on my second album. I’m excited to see where it goes, but I can’t really say too much other than it blows anything I’ve worked on out of the water. Depending on how long it takes, there might be an EP or two before it.

Super stoked for the album and its world.

In your creative process, do you have any rituals or routines that help you get into the right mindset for writing, producing, or recording music?

My favorite ritual for when I really want to feel the song is turning all the lights off in my room and recording with just light from my computer screen. It helps me fill in creative gaps because the dark helps me to visualize and feel things that aren’t there more closely.

I also really like making a song and then lying down and closing my eyes to see how it feels to really zone into the song. When I’m immersed, that’s how I know I’ve made something special.

I also work best from 12 am to 4 am so staying up late has sort of become a habit for me.

As your audience grows, what message or feeling do you hope listeners take away from your music, especially those who are encountering your work for the first time?

I think it’s super cool to see my growth since I first started. Even back then, I had people say that my music made them feel things that they hadn’t felt, or that my vulnerability was comforting. Some people say they just enjoy the music.

One thing I really want listener’s to get out of my music is an escape and the feelings that I try to portray. I also want to show people that anyone can make art. It doesn’t matter how many people it reaches, or how good it is.

We have so much freedom to express ourselves but some people choose not to. Nothing wrong with that, it’s just that if it’s something you’re interested in, what’s holding you back from trying something new?

Making art has shaped who I am as a person, and I’m so grateful that it’s such an accessible thing now. 

~

STREAM CAPERNUM

Brick by Brick: an interview with Micah Callari

Introducing Micah Callari, whose latest EP "Gasping for Air" offers a glimpse into her evolving journey as an artist. Delving deep into the creative process, Micah shares the inspirations behind each track and the journey of personal growth that shaped her sound. Join us as we explore the raw emotion and authentic storytelling woven into Micah's music, providing a window into her unique artistic vision.

   INTERVIEW

"Gasping for Air" showcases a unique blend of expressive vocals and intricate production. Can you walk us through the inspiration and creative process behind this release, and how it represents your artistic evolution?

When it comes to my discography, I see gasping for air as an experimental transition period.

My last record, I WILL GET MY ACT TOGETHER, was definitely my most calculated project to date; all the songs connected to each other and the album held a cohesive narrative throughout the runtime. Once it was finished and out, I wanted to do something easier and smaller in scope while still artistically challenging myself before my next big album.

I actually originally made the gasping for air songs with the intent of just releasing them all as singles, but I ended up finding they form a really cohesive package when you put them together. Once I had a cover and title in my head that clicked, I chose to turn it into the EP it is today!

I go into every project with the hope that I’ll be even better than before at production and vocals and songwriting, and I think gasping for air specifically saw a lot of growth in all those regards. I’m generally a fast worker when it comes to music, and I can knock out entire songs in just a couple days (or in sick again’s case, literally 1 day from start to finish!), so this time I tried to make sure that every choice for this project was intentional and had my full heart backing it.

The tracklist in particular took a long time to fully come together… i bet every warning label… could’ve been the intro track, and 7 dollar beverages was the closing track for most of the EP’s development… crazy shit! Even though I would probably change some things if I made the EP today, I’m still really happy with where it is now, and I think it’s my most honest music to date.

Your vocal tone is distinctive and adds a whimsical quality to your music. How do you approach using your voice as an instrument, and what influences contribute to the character of your vocal style?

I don’t know if this is just me, but when I work in the DAW, I see my voice as an instrument to play around with just as much as the pieces of the instrumental. I’ve never really separated them in my head since I started producing my own music!

I spent six years singing in choir and playing French horn. What they taught me technique wise was great, but dear god, the culture surrounding the program I performed in was frustrating to say the least. For a while I was swallowed into this elitist hivemind mindset where the social norm was to see autotune or electronic and pop music as fake and evil, and that definitely scared me off from even trying to make what I wanted musically for a long time.

It all caused me to feel a bit stuck in my head for a long time, since I was under the assumption that autotuning or manipulating my voice would equate to me being fake or something. I ended up bottling up a lot of feelings about myself and the people around me for years since I was too scared to really sing about it. Music is a big outlet for my emotions, and I was trapped for far too long.

It wasn’t until I conquered that fear of being judged for “producing my voice,” per se, that I really truly found my own voice, no matter how natural it ended up being.

"Premonition," "Sick Again," and "7 Dollar Beverages" each offer a different sonic experience. How do you navigate versatility in your sound, and is there a specific theme or emotion you aim to convey through your diverse array of tracks?

I’d say I’ve been a solidly diverse artist sound-wise from the beginning, I’ve just never been one to chain myself down to one genre or style. Whenever I get an idea in the DAW, as weird as it sounds, I just give it a go to see how it sounds.

I like challenging myself and trying out new things with each song, it makes production way more fun for me. I can’t chain myself to one idea or sound, I would be bored to death… not to say staying in one lane or genre is a bad thing! It’s just not how my brain operates at all, haha.

Lyricism plays a significant role in your music. Can you share insights into your songwriting process, and how do you find the balance between storytelling and maintaining a connection with your audience?

Before I wrote music, I wrote poetry and short stories, and even attempted a few novels as an elementary schooler. I’ve always been a writer, it’s just ingrained in my DNA. I don’t like to say it’s a natural talent for me though, I’ve spent my entire life practicing and have only felt confident enough to put my songs out publicly in the past couple years.

Similarly to my sound, I find it more enjoyable for me to challenge myself with my writing. Sometimes my songs recount literal entire days of my life start to finish, other times I write about my internal dialogue, and occasionally I just sing a fictional narrative!

Again, I can’t keep myself in one box, I’ll never be satisfied if I just stay doing one thing for my entire life.

I believe the small audience I’ve gathered over the years also understands that I’m never going to stay on one thing forever, and so because of that they’re open to hearing out whatever I try with each song. I love that, it’s really heartwarming whenever people tell me a song or project of mine has had an impact on them.

"Gasping for Air" has a sense of vulnerability and intimacy. How do you ensure that your personal experiences and emotions are authentically reflected in your music, and why is that authenticity important to you?

There was this stretch of time before gasping for air where I found it difficult to write about myself or my personal experiences.

I’ve struggled a lot with dissociation over the past year, and it really manifested in the way I was writing my music. Upon reflection, I think that’s why I WILL GET MY ACT TOGETHER was almost entirely a fictitious narrative, I was just too lost mentally to connect with myself mentally.

Gasping for Air saw me trying my hardest to bring that self-connection back to my music. Everything I wrote there was real and based in real-life experiences, and that self-reflectiveness even bled into the production and vocal performances.

Being authentic on this project was important for a lot of personal reasons; my personal life at the time was rough and I really needed that outlet to get through it all. Even if I wasn’t ready to write about everything that was happening in the moment, just getting the emotions out felt really cathartic.

As an artist, what role do you see yourself playing in the broader landscape of the music industry, and how do you hope to contribute to the evolution of your genre?

My current plan is to stay independent as long as possible.

Labels can be cool for the resources they provide, but I’ve seen too many horror stories about artists signing and losing control for me to make it my goal to sign to one. It’s just not for me, and that’s okay, even if my dreams would be a lot more achievable with label money, haha.

Funny enough, for as anti-label as I can be, I’d love to hear my songs on the radio one day. Highkey, I’ve actually been played on a radio station before, when Curro and Niko’s Drop Table show played a couple of my songs.

It was like, the craziest feeling ever. Radio was always just that thing from childhood that I thought I’d never be able to reach, and here I was hearing sick again on the airwaves on some fuckass Wednesday. Wild!!!!

I’d love for my music to reach charts, to be heard out in public places, and to have a presence somewhere, big or small. I perpetually have to tell myself that it’ll probably never happen, but it’s always been my dream and I’d love to see it through someday.

In a broader, existential sense, I want to help people take pop seriously. Throughout my life I watched a lot of elitists swear off so much good music just because it was pop, and I can’t even fathom to understand it at this point.

A good pop song can touch a person just as emotionally as any other genre, or in the case of these people, a concerto or symphony.

"7 dollar beverages" gained a lot of attention. How do you handle audience feedback, and have there been any unexpected reactions or interpretations of your music that stood out to you?

I actually went into that song trying to make it as accessible as possible, so I’m not surprised that 7 dollar beverages got as much attention as it did.

A critique I’d heard a lot about some of my earlier music was that it sounded “weird” so for this song, I specifically tried to keep my writing choices as “reined in” as possible. I will admit I do make some choices that can be out there sometimes, so this time I just wanted to make something listenable for as many people as possible.

It was a very different song for me in a lot of ways, mainly because the production was 90% by my friend Iris (@_irselr on Twitter). She just sent me this absolutely crazy beat, and then writing and recording on it took a day because it was just that good of a beat. Everything about that song happened at such a frighteningly fast pace that it lowkey scared me, LOL.

I’ve come to really appreciate what this song means to me, and I think placing it as the intro to the EP was the right choice in the end (I almost made 7 dollar beverages the closer, I really didn’t know where to put it in the tracklist for a longgg time).

Collaborations can bring fresh perspectives to an artist's work. Are there any artists or producers you'd love to collaborate with in the future, and what do you think such collaborations might bring to your sound?

For me the hardest part of a collab is just asking the person in question if they’d be interested. Once I’m actually collaborating with a person, it’s easy; as long as I know my place or role as a contributor to a project, I can stay and thrive in that role just fine, and compromise if I happen to disagree with other people’s creative decisions.

I’ve learned repeatedly over the years that other people usually know better than me when it comes to certain things, and I’m okay with that.

My dream collab list is soooo long, but right now corefish is definitely toward the top of the list. I’m very curious how corefish would sound on my production, he processes his vocals with lots of formant shifting and I think the way he does it is unlike anyone else.

I’d love to produce something different like that with him. underscores is totally be a dream collab too, she’s been such a huge inspiration to me and a studio session with her would be the fucking best.

In your creative journey, are there specific moments or experiences that stand out as turning points, influencing the direction of your music or shaping your artistic identity?

I was exclusively listening to classical symphonies and concertos and resented modern music until I was 14; that’s when I found artists like Poppy, Jack Stauber, and Billie Eilish and finally started building my own tastes and interests in music.

Then I found 100 gecs at the peak of their 2020 popularity, and it was fucking life changing. I know people like to meme on them, but I just saw some honest musicians making honest music and breaking all the rules I had built in my head about how music was supposed to work. underscores also broke my brain, she’s on another level when it comes to her writing and production.

All these artists I mentioned, who each had their own ways of expressing themselves, inspired how I make music and sing to this day.

Downloading Ableton was also a groundbreaking moment for me. Learning music production has probably been the best choice I made over the past few years. Things would absolutely be so much worse if I didn’t have my music in my life to ground and develop me.

Looking forward, what can listeners expect from your future projects, and how do you envision your sound evolving as you continue to explore new territories in your music?

It’s not ready yet, but I’m working on an album and I’m really excited to show everybody. Get ready for loud, saturated, distorted SOUNDS. And guitar samples; lots and lots of guitar samples. I can’t play guitar to save my life but I sure can sample it!

It’ll be a lot different than anything I’ve made before, but don’t worry if you don’t like it; I’m already starting to feel an itch toward making even wilder music and I haven’t even finished the current album!!!!!

For now at least, it’s a really fun stop on this never ending road I’ve found, and I can’t wait for people to hear it.

STREAM MICAH CALLARI

Testament: an interview with yonklolz

In this insightful interview with yonklolz, the mastermind behind the mesmerizing track "Don't Test Me," we delve deep into the intricate world of genre fusion and creative exploration. From the origins of his unique sound to the emotional narratives woven into his lyrics, yonklolz shares his journey of self-discovery through music and his aspirations for the future.

INTERVIEW

"Don't Test Me" showcases an incredible fusion of genres. Can you walk us through your creative process when crafting a track that seamlessly transitions between acoustic, electronic, funk, hyperpop, and punk elements? How do you approach such intricate sound design?

Around the time I made that track, I had this undying urge to fit as many things as I possibly could into a song. I felt the need to impress others, get however much recognition I could get, and just do whatever I could to garner some sort of reaction.

I really dislike the fact that that was the mindset I had going into producing that track, but I think my negative mindset kind of backfired on me halfway through completion. I had put all this energy into the first half of the song and had no idea how to keep it going, so I took a break for quite some time to focus on myself.

I think sometime in that break I realized that I genuinely didn’t care what other people thought of my songs, and regardless if it was a meaningful revelation, I found myself back in my room finishing the song, and for once it wasn’t for anyone else but me.

I used all the musical inspirations I had from when I was younger and put them together in some sort of collage that I called “don’t test me”. After this song was released, I started following the pattern of “fit everything I can into a song but for a better purpose than impressions” and it sort of became my entire style. I began noticing different genres work much better to convey different emotions, but if I wanted to have a multitude of feelings in my song, I would have to combine them at some point.

I generally think that it’s not a variety of genres in a song that makes it work, but rather the transitory periods between them. I tend to notice sometimes that in some songs, the transitions between genre to genre can sound sort of harsh and unexpected (even with songs that have a stagnant genre, but I look at this more like a transition from break -> chorus rather than genre -> genre), and the easiest way to make that transition work is to slowly build elements to the next part of the song in the current section.

TLDR: Different genres work for different moods and there’s no wrong way to mix two or more genres together, but transitions mean everything when it comes to blending them together. 

Your vocal range is impressive, moving from calm and soothing tones to intense, scream-heavy moments. How do you decide which vocal style suits a particular part of a song, and how does it contribute to the overall emotional narrative you aim to convey?

One thing I used to struggle with was how to make vocals suit the introduction of a song, whereas I felt like my tone was sometimes too jarring for such a soft section of the track.

Overtime, I noticed the dynamics of an instrumental and the dynamics of your vocals should match each other for a well-blended track. Obviously the tone of your voice, the lyrics, and the strength of how you say it matter in an emotional sense, but I feel like the actual dynamics behind it aren’t looked at as much.

Screaming doesn’t have to be for a heavy part of the song, nor does a softer tone require softer music, but the emotional aspect of it definitely increases when it matches the instrumental behind it. 

Listeners often describe being drawn into your world from the first note. Can you share a bit about the themes or stories that inspire your music? Are there specific experiences or emotions you find yourself consistently exploring in your work?

To me, music serves as therapy. I’ve never been to therapy, so I don’t know how valid of a claim that is, but I think half of the reason I haven’t become that miserable is thanks to music being there for me. Whatever emotions I’m feeling at the moment are the emotions in my song.

Most of the time, I use music to vent, so I tend to explore darker themes than I think people expect. And as I mature, so do the topics in my songs, which means at some point I really hope to make a song with a profound statement.

I always want the instrumental to convey the story or theme of the lyrics with as much intent as possible. 

As an artist who navigates diverse genres, how do you find the balance between experimentation and maintaining a cohesive signature sound across your body of work?

To be completely honest, I think the only part of my sound that’s signature is my vocals.

I do tend to follow a similar style in the majority of my songs (using heavy and washed out vocal layers), but outside of that I don’t think any song of mine is similar from the last (which can be a blessing and a curse). In this day and age, I can never tell whether people want consistency or uniqueness, and that’s something I struggle with more with each release.

That’s why at some point, I just threw out any idea of balance. I want to focus on what I want to make, and if that means tipping the scale to make something more unique than consistent, then I’ll do that a thousand times over trying to keep things balanced. Otherwise, I’d find myself limited to what I can do by what I’ve already made.

The quality of your production is noteworthy. What tools, techniques, or sources of inspiration do you rely on to achieve the unique sonic landscapes present in your tracks?

When I tell people that I produce in Ableton, they’re always like, “Yeah, makes sense. Everyone that produces in Ableton has that Ableton sound.”

But that’s just not true at all.

I know some people that produce in GarageBand better than I can in Ableton. I think a lot of good production lies in great sample selection, understanding of dynamics, and even 3rd party VSTs rather than what DAW you use.

But what is ‘good production’? I don’t have an answer for it - it's such a broad and subjective term. That’s why I think that the main part of production is making sure your production stands out. Each producer has a different way of producing songs, and the best way to differentiate yourself is just by being yourself.

I grew up listening to The Prodigy, deadmau5, Skrillex, and The Chemical Brothers, and while none of my songs sound like any of those bands, I used countless inspirations from how they produced their songs to make mine. I was immensely fascinated at how Liam Howlett was able to use so many samples from songs and transform them into violently different soundscapes, and that sort of production technique has definitely been injected into my music.

As of right now, some current artists I’m heavily inspired by are Martha Skye Murphy, Slauson Malone, and Lerado Khalil. I could go on and list every single genre of music that I’ve been inspired by, but I could summarize it by saying that the internet in itself has shaped how my music sounds and if it weren’t for thousands of these online communities that I could interact with and gain inspiration from, I’d probably be making corporate EDM. Or new age.

Actually, making new age would be pretty cool.

In "Don't Test Me" and other tracks, your lyrics carry a blend of intensity and vulnerability. How do you approach lyricism, and is there a particular message or feeling you aim to convey to your audience?

I think one thing I’ve struggled the most with in music isn’t even making music but figuring out what I should say over the song. I’m not the best writer and especially not the best lyricist, so it's hard to find that balance between good writing and a catchy tune.

Sometimes, I feel like the writing of my lyrics are greatly hindered by how I want the flow of my vocals to sound. I think that’s why I try pretty hard to have some sort of discernable emotion in my vocals to make up for the meeehh writing I come up with for some songs. I know that the passion and the emotion behind the actual instrumental is still there, but sometimes when I don’t know what to say, I just let my tone speak for itself.

I don’t think I have a current message behind my lyrics yet, but as I’ve been releasing more experimental works, I’m starting to improve in my writing and I think in 2024, you’ll see some tracks that have more intention and meaning behind them than before.

Your ability to seamlessly switch between musical styles is a standout feature. How do you see your approach to genre-blending evolving in the future, and are there specific genres you're excited to explore further?

I think that genre-blending is probably one of my favorite parts of making music because it isn’t explored as much in more mainstream songs. In the future, I’m probably going to still genre-bend but I want to work with sounds I haven’t worked with before. I did that recently on my latest release, vvv, and I plan to do it again. I’ve been listening to a lot of Squid and Model/Actriz recently (thank you Patrick O’Neil for putting me on), and I really want to do some sort of song in their anxiety rock sort of style.

I think it might be hard to find people that play live instruments as I don’t play a single one, but I feel like it would be super fun to make a crazy experimental rock EP or something.

As a multifaceted artist, do you find that visual elements or storytelling outside of the music itself influence your creative process? Are there any visual artists, films, or other mediums that inspire your work?

Of course!! I’m a huge fan of internet aesthetics and they definitely creep their way into my songs. modern discomposure, my 2nd ep I released, was a sort of exploration into early 2000s motifs and textures, and I definitely plan on making projects like that again in the future. Outside of aesthetics though, I’m a huge film nerd and there’s countless movies that inspire the production of my work.

I used to listen to soundtracks of movies constantly to get a feel for how they were paced in comparison to the movie. As I mentioned earlier, I think making a song is very similar to making movies, and I really want to follow the sort of dream logic of more experimental films in the future.

In terms of visual artists, I’ve definitely been inspired in my unreleased works by artists such as Ryoji Ikeda and Hiraki Sawa.

Looking ahead to 2024, what artistic goals do you have for yourself, and how do you envision your music evolving in the coming year?

One of my main goals this year is to delve into multidisciplinary art. Music does such a good job at conveying a meaning by itself, but I want to expand that meaning with some other form of art. I really want this year to be the year where I make the biggest impact on the scene by having compelling music videos, artistic short films, and writing that spirals out of control.

At some point, I’d love to go live too. I know everyone has that dream, but I really want my livesets to be different in the sense that I want to try to create an entirely new live experience in which everyone shares the emotions I’m sharing.

Or, maybe I’ll just go the Ryoji Ikeda route and use really cool lights and sounds. I think planning and budgeting all this will be very hard, but I trust the process and pray that this year I’ll make more connections than ever and grab the audience I want to make these projects happen. As for my music, I really want to work with more creative artists and collaborate on songs in unconventional ways.

I love the sounds and atmospheres some people in our scene make, and I think I’m just too scared to ask people to work with me. I used to have this thought that I needed to do everything on my own 100% of the time, and it’s really come back to haunt me. 2024 is the year I flip everything upside down.

As your audience grows, what kind of impact or emotional connection do you hope your music leaves on listeners, and is there a specific legacy you aim to build with your creative endeavors?

All I want is people to know that I’m here. I feel like people know that I exist but at the same time I don’t feel like I interact with anyone in the scene.

I know people tend to limit me in their mind because my artist name is silly, but I don’t think shit like that matters anymore and I want to be proof that you can have the dumbest name of all time and still make an impact on the community. I want to have some sort of audience where we can share the same experiences, same livelihoods, and same inspirations and degradations.

I want my music to serve as some sort of collective mind-like waste basket for shared negativity: your emotions are mine and I want to toss them away with you. My reality is crumbling and I want to document it the only way I know how.

I feel like there’s a couple ways to interpret that, but the way I see it is I want to feel what you feel and, if you listen to my music, feel what I feel.

STREAM YONKLOLZ

Reverberate: an interview with expathmia

With a distinctive blend of atmospheric elements and emotive storytelling, Expathmia invites listeners to delve into realms where reality intertwines with imagination. In this interview, we uncover the inspirations behind Expathmia's unique sound, their creative process in sculpting their sonic landscapes, and the future horizons they envision for their music.

INTERVIEW

Your music, particularly in tracks like "americanalleyway," paints vivid auditory landscapes. Can you delve into the inspirations behind your unique and atmospheric sound, and how do you translate those inspirations into your compositions?

I take a lot from what I currently listen to. For this EP as a whole, I pulled heavily from Quadeca, Ethel Cain, Ohzora Kimishima, and Quedronol. But for songs such as “americanalleyway”, I pulled straight from my fears: death, darkness, isolation, and being misrepresented. I want to be known for who I am and what I can do regarding music, not the sex marker on my birth certificate. During the period of time that I made “americanalleyway”, these fears controlled me and what I did, sometimes they still do.

They were bottled inside me as if a tornado of massive proportions. I wanted to create a song that represented what I was feeling in that exact moment. Whenever I make a song, I dwell on how I feel a lot because that is what usually drives my songs. It usually takes me hours of creating new synth sounds just to properly recreate that feeling. Usually just clicking synth presets then editing it from there.

It’s all just trial and error, then trial and error again, and again. It also depends on what I’m recording at the time. My phone is usually filled with photos and videos of the most random things. It’s usually the moon or some random forest, but each of these videos, I like to attach to a feeling which then goes to a song. It made making my visualizer really easy since I already had so many videos! To conclude simply, it all comes down to just messing around and trial and error. I really haven’t been producing for too long so I just like to click buttons sometimes till it works out!

Ambient music often has a way of conveying emotions and stories without explicit narratives. How do you approach creating sonic environments that evoke specific feelings or take listeners on a journey?

I have a small background in writing stories! I’m not really all that good but I have written a full length novel. I don’t think it’ll ever see the light of day, but it has prepared me for telling stories. I like to create a small tale before I do anything, whether it’s just a certain feeling or a fully planned story.

Since I haven’t really written stories in a while, it has kinda taken over my music. I’m always trying to share a story with my music and that’s how I approach each song. I’m always asking what does this synth represent, what does this song title share about the song’s meaning, what does the instrumental tell about the overall story. I think each song has to have a change within it. It’s like writing a chapter with Chekhov’s Gun. It’s a principle that states every element in the story must have a purpose and be necessary.

I like to think of my songs like that. Each song has a turning point in the story I’m telling. I think that is the best way to draw listeners in and evoke specific feelings.

"Oceanwall" has a distinct sense of place and atmosphere. How do real-world environments influence your music, and do you have specific locations or memories that serve as recurring inspirations?

As I previously mentioned, I take a lot of photos and videos of scenery that draws me in and captures a certain feeling. I base my music on those feelings I get from the world around me.

Recently, outside of my place of employment, there was a street lamp and it kept blinking, surrounded by ethereal darkness. I couldn’t help but take a video of it. I’m captivated by things people consider to be normal. I think environments like that are the best for taking inspiration from. These places that capture me get released into each song. The only place of significance related to my current EP is a lakehouse I went to this October. The first night there I sat on my bed in the darkness. It’d been a long day and surrounded by darkness and my fears, I continuously thought about my place in the world. It’s where my profile photo is from. There was a tiny mirror on my bedside and I snapped a quick photo.

From the moment I looked at that photo, I knew it would be the start of my music career. Earlier that day, I had discovered Drama Trial and ever since then, I knew that I wanted to be a musician.

That house directly inspired “Oceanwall (the closet song)” and directly pushes me forward in my music career every day.

Sound design plays a crucial role in your compositions. Can you share insights into your creative process when sculpting the sonic elements that make up your tracks?

Although I've now upgraded to Logic Pro, I made this entire EP in GarageBand. That limited my creative process, but I didn’t let it hinder me. It was limited but I spent a lot of time dwelling on certain noises and synths. I think I’ve gone through hundreds of synth presets for my EP.

It was all in the pursuit of finding the right synth for the right song. Another element I think about a lot is white noise. In songs such as “Wayfarer” and “Oceanwall”, background noise takes up a major part of the song. In “Wayfarer”, it was a clicking noise created accidentally through a plugin I use. At first, I thought it was an issue with GarageBand. Luckily, it was just a preset on my plugin! For “Oceanwall”, it was a sample of waves crashing onto a beach. I’m very particular with each thing I add. I’m very careful of the effect it has on the full track. On “Wayfarer”, I made a guitar sample that plays towards the beginning but also plays towards the end climax moment. But towards the end, it was transposed down.

That was something new I had tried and worked pretty well with a synth bit I added inspired by the movie, Hereditary, and its theme. It is all about trying new things until something works out!

Your music has a dreamlike quality, blurring the lines between reality and imagination. How do you achieve this balance in your compositions, and what role does experimentation play in your creative approach?

All of my songs tell a story. A story based on reality, close but so far from the truth. I take events from my life and base music directly upon my own lived experiences. That is how I achieve such a careful balance between reality and fiction. I probably sound like a broken record by now, but experimentation is everything.

I’m not an experienced musician so it’s all about trying new things. I pull that want to experiment straight from my life. I used to be really scared to try new things, but as I’ve started to come into my own, I’ve started to release my walls and let new things in.

Collaboration within the music industry can bring forth unique results. Are there any artists or creators you would love to collaborate with to explore new dimensions in your sound?

Oh, for sure! There are so many people I want to collaborate with. If we are talking dream collaborations, definitely Ohzora Kimishima, Ethel Cain, or Quadeca.

If we are talking a little more realistically, then Quedronol for sure. Quedronol’s is a master at creating a huge and beautiful soundscape. I would love to try and interact with that. I also have a small friend group that is slowly expanding. We have a discord server and plan to invite more musicians soon!

Currently, it’s only me and my friends: Jish (@callmejish), Capernum (@capernum1), Light (@lighttonthebeat), and Autumn (@SlaughtumnsOST). We are all collaborating and it’s so fun. 

When you listen to your own music, what emotions or experiences do you hope listeners will derive from the sonic landscapes you've crafted?

Hope. This EP spawned out of my hesitation in coming out to my friends and family. The title of the EP is a direct call out to myself. I used to be unwilling to even consider coming out and now with this EP, I’m rewriting that script and changing my despair to hope. We all may be buried in despair especially looking at the state of the world, but hope isn’t lost yet. It’s only lost when we say it is!

As a creator in the ambient genre, how do you see your music fitting into or challenging the broader landscape of experimental music today?

I think especially in this small music scene we all exist in, I think ambient music is a lot more accepted. Many people still refuse to call ambient music as music. I want to directly challenge that thought with my music. A big musician that comes to mind is thatcherblackwood.

Although he doesn’t make ambient music, he has a lot of elements I push into my music. He’s a master a creating a very vivid world out of noise and that is something I want to replicate.

Are there specific technologies or tools that are integral to your creative process, and how have they shaped the evolution of your sound?

My synths and my various plugins!!! I mainly use a granulator called Emergence.

Ever since I found that, it is like everywhere in my music. Another plugin I often use is Little Plate. That reverb is everywhere, like it’s so repetitive. Pitch bending is also very important to my musical process. Pitching notes up and down on the fly is very essential to each and every one of my songs.

These elements really pushed my music into an area that I don’t think anyone else occupies. I would love for someone to prove me wrong though haha.

Looking ahead, what themes or sonic territories do you envision exploring in your future projects, and how do you see your music evolving over time?

A huge theme that I still want to tackle and I currently do is being trans.

It’s kinda been beaten to death at this point by so many musicians, but I think I have a unique take on it that I want to accomplish later down the line. I’ve also been experimenting a lot more with guitar recently. I hinted at this in my EP’s visualizer on Youtube. Expect to see guitar in most of my future songs!

I think it could definitely head into the shoegaze region while still keeping a lot of my ambient elements. That’s my current goal.

One last thing I have to say is that I’m so thankful to Nefarious Supply and every listener. I appreciate you all!

Thanks everyone for this opportunity!!

STREAM EXPATHMIA

Crescendo: an interview with vilsynth

Explore Vilsynth's musical voyage in this interview, delving into the nuances of his creative process. Learn how he shapes his unique soundscapes, blending personal introspection with collaborative inspiration. Join us as we uncover the evolution of his artistry, from the roots of his vocal tone discovery to the atmospheric depths of his compositions, offering a candid glimpse into his emotive and innovative world.

INTERVIEW

Your voice is both beautifully evocative and calming. How did you discover the unique qualities of your vocal tone, and how do you feel it complements the atmospheres you create in your music?

My friend Alex and I used to make meme rap/parody songs back in our middle school days. I noticed that I had somewhat of a natural alto/tenor vocal range when I sang, so when I started ‘vil’ I experimented with a lot of electronic & alternative sounds that I thought would compliment my voice and likings best.

I see my style of music to be very raw and emotional, so I always try to add somewhat of an ambience to my voice, whether that is drenching my vocals in reverb or low-compression to make a softer and more ethereal listening experience.

Your production quality and sound design are notable aspects of your music. Can you share some insights into your creative process, especially when crafting the intricate sonic landscapes that define your tracks?

Whether I am producing or collaborating with producers, I always try to go with my gut and what sounds catch my ear the most.

I’m big into texture within the world of sound; how different synths, drums, and vocals fill up the space in a track. I enjoy having a variety of things going on, but to an extent where it’s not overwhelming.

Collaborations seem to be a significant part of your musical journey. How do you approach working with other artists, and what do you value most in the collaborative process?

Most of the people I collaborate with have been good friends of mine for years, online and in person. Getting to know somebody and have a connection, personally and creatively, is what makes collaboration the most exciting.

I like to let things happen naturally and not at a set pace, which always has proved to be the most rewarding.

Your music often carries a cinematic quality. Are there specific visual or narrative elements that inspire your compositions, and how do you translate those influences into your soundscapes?

I love making visual listening experiences with my tracks. I draw a lot of inspiration from nature, so sometimes I’ll go sit at my neighborhood park and jot down my surroundings and feelings.

A lot of the cinematic elements in my music have been inspired from Hans Zimmer, and his score for ‘Interstellar’ & ‘The Dark Knight’.

I sometimes find myself creating songs with the mindset of it being the score for a movie about my life, even if listeners don’t pick up on that. I’ve taken a liking to leaving my music and it’s elements up to interpretation.

In your song "greed," with xona, the balance between vulnerability and strength is palpable. Can you shed light on the emotional themes you explore in your music and how you navigate expressing personal experiences through your art?

Everything I make is based on my emotions. I’m a visual learner, so I write a lot of my feelings and song ideas in a journal.

Observing my thoughts and experiences in handwriting helps me visualize them so much better than just typing, because it feels more intimate and real. I try to dig deep and challenge my mind to articulate these thoughts into lyrics, and once they’re in front of me or spoken out loud, it’s like therapy.

As an artist, you've delved into various genres. How do you decide on the sonic direction of each project, and are there particular genres or styles that you find most inspiring or challenging to work within?

I try to study the fundamentals of certain genres that I want to make, which basically is just listening to a lot of music.

Recently, I’ve been very inspired by Paris Texas, and the Alternative Rap scene as a whole, and take heavy vocal influence from a variety of Folk/Americana music. Folk is very tedious to dive into because there are so many frequencies that can clash in the recording and mixing process.

I have so much admiration for the genre because it feels so ‘homey’ and authentic.

Listeners often describe your music as immersive. What atmosphere or emotions do you hope to evoke in your audience, and how important is it for you to create an immersive experience with each track?

I hope for my audience to relate or feel welcome with my music.

I make music for my own self-expression; to put my thoughts into an experience that comforts me. I hope that listeners can be able to put themselves into my shoes and share these experiences, or at the very least be able to take something good away from it.

The cover art for your releases often complements the mood of the music. How do you conceptualize the visual elements of your projects, and what role does visual art play in enhancing the overall experience for your audience?

Visual art is a very important aspect of my art. I always try to have a distinct color in each of my cover artworks that helps portray the overall mood and feeling of the song. I’ve tried to follow ‘aesthetics’ to make the overall visuals of my profiles on social media and streaming platforms, but I’ve always failed.

I love color and its ability to tell stories, so having a mix of different colors and editing styles in visuals represents my state of mind throughout each release.

One of our favorite tracks, "sticks & stones" with hovis, has received positive attention. Could you share some behind-the-scenes details about the making of this particular song, and what significance does it hold for you in your artistic journey?

This was the first song that I helped produce, with my good friend skylin. I approached this track with a storyteller’s perspective, trying to portray a character who is deeply in love, but is at wits end. It’s by far not my best work, but it’s a landmark in my discography for how far myself and hovis have come.

Looking forward, what creative goals and aspirations do you have for Vilsynth, and how do you envision your sound evolving as you continue to explore new facets of your musical expression?

I just want to keep learning and making whatever I feel. I hate keeping myself inside a box; I love experimenting.

I’ve grown so much as a person and artist throughout my musical journey, and I can only see myself progressing more and more.

STREAM VILSYNTH

At My Best: an interview with sc0ttryan

Today, we have the privilege of delving into the behind-the-scenes world of sc0ttryan's creative process. From unexpected moments of inspiration to the raw emotions woven into every lyric and melody, sc0ttryan shares intimate insights that offer a deeper understanding of the album's profound impact.

INTERVIEW

Your album "Betting with Blood" feels like a journey. Can you share a behind-the-scenes moment or story from its creation that's stayed with you? Anything unexpected or memorable?

Betting with Blood definitely was a journey.

This is a great question because there was absolutely one specific moment that kind of encapsulated the making of the project for me. I remember a few days before I was supposed to have the album in, I was hanging out with Lily {my girlfriend, I’ll probably end up talking about her more later} going through my FL projects. I stumbled across this unnamed FLP and figured I’d open it, and I found the entireeee last section of “closure inches closer” that I had completely forgotten I had made.

I was so fucking excited when I remembered that transition section. I hopped in the booth so fast to finish that song up it was insane. I was actually debating scrapping the whole thing that night and that moment pretty much stopped me from doing that, and is the reason that project is out.

"hlthy" carries a lot of raw emotion. What sparked the inspiration for this track, and how do you pour your feelings into both your vocals and production?

Ahhh. Thanks. Yeah. I don’t really know where to start on this one. I was absolutely in a horrific spot at the time it was made, and it’s kind of just a reflection on my habits and being so aware that what I’m doing is killing me, but being complacent and pissy about it because I’m neurotypical and tend to want things handed out to me. When it comes to translating my feelings into my music, my biggest thing lowkey is to not write ANYTHING.

This leaves everything to a massive gamble which I feel like I’m always taking, because depending on my emotional state, it’s either a hit, or it’s a MISS. I feel like I kinda just hit on that song, I didn’t have a conscious thought during that entire process, I just went full flow state and made that shit from scratch in one day. The bass patch def started it all though.

I remember pulling that serum bank up and just being like “this bass was made for my voice”. Think I was right on that one.

In a crowded music scene, your blend of production and heartfelt vocals stands out. What aspects of your music do you feel reflect the unique essence of who you are as an artist?

Thank you first of all, like genuinely. I have noticed that most of my charm musically stands in my ability to kind of just paint a picture of exactly what it is that I’m feeling at whatever given moment, and to do that shit with absolutely no confines.

My music is all over the place stylistically, sonically, it’s almost impossible to market or find a target audience for, yet I feel like I can make every song still sound like sc0ttryan, so I would say that. However, I really want to emphasize- especially with my 2024 phase you will all be hearing in the near future.

I refuse to fizzle out, and I absolutely refuse to not stand the test of time. I play the long game with this shit, and so best believe that the answer to this question is going to be completely different at this time next year.

Creating a cohesive narrative in an album is no small feat. Can you share the themes you wanted to convey with "Betting with Blood" and how you approached crafting that sonic journey?

I can’t stress this one enough . I have been waiting for someone to ask me this question so I can clarify exactly what’s going on with this album.

Betting with Blood is a musical representation of my grief, hopelessness, emptiness, and illness. It is not supposed to be high energy, it’s not supposed to be as catchy or as insane as my other shit. I made every single one of those songs from such a dark and disgusting place. I made that album as a farewell.

I did feel like I needed to share exactly what the things I was going through SOUNDED like. Words only do so much, and I felt like I could do a better job with just expressing the despair through that project. Each of those four songs has a very specific tie to four areas of my brain. It started with “heaven” though. I made the draft of that song not too long after my friend passed away.

I sat on that song for a YEAR. As did I with the closing track on the album which is about the ups and downs of gender identity, and debating whether or not being comfortable in my own skin- the ability to see myself as human when i look in my own mirror!!! Is something that I’d allow myself to do.

And it is- I am absolutely not a man, and I know that, and that song is kind of just about the pain of realizing that I have never in my life felt like a man.

Wearing multiple hats in the creative process, from production to vocals, how do you find a balance between these roles, and do you have a favorite or more challenging aspect?

Bro, you are asking the wrong person. Do y’all prefer my self prod shit more? I love producing. I love it, but I have always struggled with confidence in that area.

I just be making whatever feels right at the time. I know that answer may be significantly common and very underwhelming, but honestly, I’m an insecure kid who makes music in their bedroom. I’m working on the balance part. Also, can someone reading this PLEASE tell me why the fuck I can never get my 808s to sound right?

There’s a reason that in all of my self produced songs, there’s no 808s. I hope to bring up this interview one day after I make a hit or something and it has hella 808s, that’s gonna be full circle as hell.

Are there specific artists, genres, or life experiences that have left a lasting mark on your musical style and approach?

Bullet list of all my inspiration incoming!

• TRAUMA

• TRAUMA x2

• Video games (crosshair symbolism aint exist without CSGO)

• That awkward ass 2 year long emo phase I had when I was 12

• Generational resentment

• The urge to prove to people that I have that Shit in me

• Onto people-

• LILY ! (@lilydamirgian)

• Quinn (@iminthecut)

• Reef (@xxreefuh / @biphate )

• Niz (@niztopia)

• Noah (@backlightnoah)

• Zeke (@teenwrist)

• Kuru (@kuru8k / @kuru )

• Ian ( @zerointhebank )

• Wubz ( @0wubz )

• Cyber ( @cybertrash )

• Vaeo ( @pastaroach )

• 4cf (@4cfear )

• Angelus ( @7ngelus)

• Carpetgarden (@carpetgarden)

• LJ ( @1ljab)

• Kaixan (@kaixan2k)

• Joeyboey (@rouri404)

• Eric (@ ericDOA )

• EVERY SINGLE PRODUCER IVE EVER WORKED WITH ALSO HAS A SPOT

I am forgetting so many names that I probably will feel so terrible for forgetting later, but y’all absolutely know who you are. These people have been there for me without fail, though, and deadass I would not be here in the slightest if not for them, and many more. I love y’all and I just wanna say these people inspire me way too fucking much.

Storytelling seems integral to your music. How do you make sure your narratives connect with listeners on a personal level, and what role does storytelling play in your creative process?

This kinda comes down to the art of “ I just be making shit up sometimes”. I just like to take it to extremes.

If something I wanna talk about is a little too personal or a little too raw to the touch to record about, I’ll write a story. I fuck with throwing little bits of lore and biblical references into my lyrics as well. I work really hard on trying to establish a “Surface level” meaning to what I say, while offering a gigantic rabbit hole for my fans to go down if they care enough about whatever it is I’m talking about.

Lemme just say, “eve” and “prince” are fucking PACKED with those too. Storytelling is just a part of my music. What am I doing if I’m not creating an entire fucking universe around the music?

Looking ahead, any artistic goals or projects you're excited about, and how do you envision your sound evolving in the coming years?

Oh yeah. I’m cooking. Any music that comes out post- this interview is gonna be my best, exponentially, I guarantee it. I leveled up this year, and I really can’t wait to show it off. Duffel is gonna be crazy, the song after that is gonna be crazy, everything I’m making has been so dope that I kinda just wanna see how far I can push myself to really secure my spot as someone who knows how to make a damn good song. Idk.

My sound is constantly evolving, but all I can say in that regard is that I’m always gonna sound like me.

Every artist has their rituals. What's something you do consistently during your creative process that helps get you in the right mindset for writing, recording, or producing?

I don’t condone drug use or any kind of substances, but a 20mg Adderall XR and a hit of the pen be doing me pretty nice when it comes to locking in. My writing process also gets a buff whenever I’m hysterically upset about something for whatever reason. As long as I keep getting unnecessarily upset, y’all will keep hearing unnecessarily fire music.

As your audience grows, what do you hope people feel or take away from your music? Is there a specific emotion or message you want to communicate through your creative work?

I just want to connect with people who ache to be heard. I want to resonate with the people who know they have the world in their hands, but just can’t get to where they need to be. I want to build a home for my listeners, I want to build a universe where my fans can get lost in and listen to my shit after a hard day and just feel better.

The crosshair at the end of the day always is a symbol of unity, it’s about being a target, but not alone. My music is a cry for help, always, but in an empowering way. I don’t wanna say too much though, because it’s important to me that people tapping in can attach their own meanings to my music. Just know that I’m never gonna stop.

~

stream sc0ttryan!

Ignition: an interview with jauntsen

From drawing inspiration from iconic vocalists like Vic Fuentes to embracing the cathartic journey of self-discovery, Jauntsen reflects on their evolution as an artist. With a candid glimpse into the personal experiences that fuel their music, Jauntsen shares insights into their upcoming single "she's bleeding out!!" and the transformative process of finding authenticity within their artistic journey.

INTERVIEW

Your vocal range and passionate tone create a unique and anthemic experience. How did you discover and develop your distinctive singing style?

I think it all boils down to the roots of music that really inspired me growing up, I used to listen to a lot of singers and bands who had very high vocal ranges like Vic Fuentes from pierce the veil who has such a high vocal range but still adds a scratchy sound to it.

I never knew I could hit these notes or even achieve the sound till I started working on jauntsen because beforehand I was singing very low and pretty much moaning into a microphone. It all comes back that emo/rock music has always been the root of my love for music and overtime I’ve found other vocalists I love and try to mimic the things they do into my loud and screamy tone!

I do want to get better and try other styles of singing. I still think there's a lot of room to be improved. 

Your songwriting is often described as straightforward and cathartic. Can you share an experience or moment that inspired you to write a particularly emotive song?

This entire album is full of songs that I’ve had experiences of wanting to write about a certain issue going on within my life.

I think the next single titled "she's bleeding out!!" which should hopefully be out or dropping soon when this interview comes out is a song that has defined me as an artist and also defines the album I’m working on. I have been working so much towards trying to create my own sound within the music I have been making that within the process of creating this album, I lost myself and cooked too close to the sun and have been revising/scrapping certain songs.

This next song is pretty much about me grounding myself and trying to get myself back and I didn’t even really know I was writing about that when making the song. It just honestly happened. It was meant to be a song for me to create within my artistic journey!

What's the story behind one of your songs that resonates with you the most, and why is it significant to you?

I would love to share a story about a song that isn’t released yet but the second best song that I resonate with the most is a single from my album that is called “don’t be scared.” This song hits the nail just right for me about my feelings of self-reflection and shows a spot of vulnerability that I don’t share often. Talking about the fear of being forgotten about & going down a path you aren’t happy within your life but still having the courage to get up every day and run down this path you made to get to the other side where you no longer have to feel these things.

Many listeners connect with your music on a deep level. What do you hope your audience takes away from your songs or performances?

I just want people to resonate with it, the entire album I’ve been working on is honestly a very personal project to me. About the fear of being forgotten, self-reflection & learning to better yourself as a human being. I think a lot of people relate with these things but I hope once the album comes out people can be inspired by some of the words I say and energy I give to achieve their goals because one thing I realized within making this album was that I can do it only if I put my energy instead of letting it die. A Lot of small artists I'm friends with go through the same struggles I go through and when I see the people I look up to be down on themselves it not only shows me that I'm not alone but makes me want to help these people and give them the appreciation they deserve.

How do you approach the balance between your role as an evocative songwriter and a fearless vocalist when creating music?

I think sometimes my screaming vocals and loudness I tend to achieve messes with my songwriting, I don’t think I have horrible song writing but sometimes I wish for a cooler lyric but I’m like “Oh it doesn’t matter because i’m screaming it and people will think that’s cool” which is something I’m working on defeating within my next project and future music. That’s what I live for though, to see the progression and how far of a person I've grown over time based on not only my music but my lyrics.

Are there any specific artists or musicians who have influenced your artistic journey, and in what ways have they left an impact?

I can name several artists who inspired me the most but a lot of them are from different arcs of my life. Some of the artists are Vic Fuentes from Pierce the Veil, he’s always had such an effect on how I wanted to sing and eventually write like. I also really love early Pierce the Veil music based on how they did song structure which I think is a cool noticeable thing I do within my music.

Brakence not only for his vocals also, but I really admire his production from not only his current era but mainly his starting days from his album “hypnagogia” with all the glitchy sounds and pretty synths. Jane Remover for so many reasons, her album “frailty” changed my whole production style and was the reason why I decided to go down the path of glitchy, rock, distorted bitcrush music. The list goes on but I think these 3 dial down the core of things that started me to spiral into a daw.

If I were to name artist from the scene that I adore and love much also I’d give a shout out to drama trial, corefish, leastfavorite!, all of the webcage people, myth valley, clovehitch, etc.. the list can go on i love this scene so much and have made so many great friends who have inspired me in ways they don’t even know.

Can you describe your creative process when working on new music? Do you have any rituals or habits that help you get into the zone?

Recently a lot of the songs i’ve created that have made it onto my album have been songs I produce in my brain first out of nowhere, I feel like most artist have this where they make up songs in their brain and it always happens at the worst times like when you are going to bed, or at work, etc..

Whenever I get one of those I always voice memo the melody and whatever lyrics popped into my brain and then take the voice memo, put it into Ableton then try to build off that voice momo. Rituals though? I just gotta start making a song in the morning, I am by no means a late-night sesh person. I love waking up early and making music from 8am-7pm the latest.

I can make music from like 7pm-10pm but that’s like a rare occasion for me.

Your music is known for its relatable and honest themes. How do you draw from personal experiences to connect with your audience?

Pretty much every single song I create has to do with something that happened within my life. I mainly cope with these issues by creating songs about those feelings/situations but also make it vague within my lyrics so more people can relate. I love making songs where each person can interpolate the same lyrics differently. In the end, I know what it means to me and what I went through but other people can feel the same way.

What do you enjoy most about performing your songs live, and do you have any memorable moments from your live shows that stand out to you?

Well, I’ve only played one show so far and it was also just a guest appearance with Aria leastfavorite! We played our song “subject” together which even though I only played one song it was the best feeling of my entire life hearing the whole crowd sing my lyrics along with me and seeing everyone create a mosh pit for the ending. I am so ready for whatever show I play next and am very excited to have my own set also!

As you continue to evolve as an artist, what new directions or projects do you see yourself exploring in the future?

I 100% am already planning on making another project after my album drops, I want to dive deep into every inspiration that I take into my current style and even make something other than what I make now.

I also plan on trying to evolve into more of a content creator/streamer trying to not only make music content but gaming content as this was something that I have done in my past.

I think this is where I will start to shine more within the community!

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Jay Cartier

Welcome to our in-depth interview with Jay Cartier, the talented beat maker turned artist who recently released his album, "Everything is For Sale". In this engaging discussion, Jay takes us on a journey through his musical background, the inspiration behind his album's powerful title, and the personal stories that influenced each track. Throughout the conversation, he provides valuable insights into his creative process, collaboration experiences, and his aims for the future. Prepare to delve deep into the thoughts and experiences that shape his unique artistry.

Can you delve deeper into your background as an artist? What were some of the key experiences or moments that shaped your musical journey and helped you discover your unique style?

I started off as strictly a beat maker/producer and it took a ton of growth to get to this point with my production style. Now in terms of what inspired me to write; I’d say just starting out listening to the rappers my pops listened to in the car on the way to the gym and other places we went. I used to be much more into R&B and singing which is why I probably have that love for melody as well as the sport of just sparring lyrically.

"Everything’s For Sale" is not only the title of your album but also a powerful phrase. Can you elaborate on the personal meaning behind this phrase and how it relates to your life and music?

Honestly the idea of naming an album that has been in the works since I first heard “Watch The Throne” I don’t know why but that Hov line (“…and Everything’s for sale, got 5 passports I’m never going to jail”) has always stuck with me. Of course it’s different from my perspective; in my interpretation of the title it’s me looking at myself and my brand as a business. I feel like I’ve laid the groundwork and I’m confident enough in my product (the music) to where I can say I’m open for business essentially. The transition of being an upstart and trying to figure things out and then being able to confidently say that I’ve got something here that people can buy into and relate to and that being said: Everything’s For Sale

Beyond the overall theme, could you provide more insight into the specific themes or topics explored in each song on the album? How do these individual songs contribute to the overarching message of the album?

I can actually break it down song by song I won’t go too far in depth because I think the music can speak for itself overall.

•Track 1 (Pricey) to me is just my overall opinion on the state of music since I’ve been away, what separates me from other people in this space in terms of just being authentic to me and not trying to be something else. Lastly I’d say it reinforces previous statements (about family / loyalty) I’ve made in the past and I think it’s a great way to either be introduced to my sound as an artist or be reintroduced after the outro of ‘There Will Always Be Casualties’

Track 2 (‘96 Impala) in my opinion is a little more personal, I talk about the loss of a friend briefly, I talk about loyalty once again which is huge for me in my life but I say it in a different way. On ‘Pricey’ I say that loyalty is “Pricey” which it can be, depending on what/who you’re loyal to & Vice versa, it can be costly. On ‘‘96 Impala’ I say that loyalty is a mindset that can’t be purchased, which I also believe to be true. But of course I also throw metaphors and bars in there and send shots at those who’ve been fake in the past.

Track 3 (‘No Discounts’) is where the album starts to become a little more fun for me. It starts off pretty chill with the overall theme still being prominent. But then you hear a Jayson Tatum interview clip where he says he’s “Humbly one of the best” and that’s how I feel about music & then you get hit with the first beat switch of the album and I continue to talk my sh*t essentially. I felt like I was humble on ‘There Will Always Be Casualties’ but this time around I had to just say what I’ve been feeling and thinking.

Track 4 (‘Again & Again’) is pretty simple in terms of concept for me. At this point of the project I’ve shown you once again that I can rap, but now it’s time for some more playlist, radio friendly type of records with melody & a hook that’s catchy but also still stick to my niche of punchlines & quotables. This one is just about getting back in your bag and getting that feeling back of being on top of your game.

Track 5 (‘In Or Out’) has a pretty simple theme as well; I think everyone has been in a situation with a potential significant other and you get to that point where you have to kinda ask are you with me or not. It felt relatable and I’ve been in those situations myself so that one made sense

Track 6 (‘How [feat. SEVNGOINDIGITAL’]) This one I had a lot of fun with, Sean sent me the beat with his hook & I just took the theme and let the music come to me. It just talks about different ways I’ve dealt with the opposite sex in various situations. This is one I think is very relatable as well.

Track 7 (‘Problems [feat. Dhalya Nicole]’) I think this record is also very relatable. I believe a lot of us have been in potentially toxic relationships where we are 10000% sure that we are/were not the problem and sometimes we like to let the other person go figure that out for themselves. Dhalya absolutely killed her verse & I think it was very important to have a woman’s perspective on a track like this because this almost feels conversational to a degree. I don’t consider myself to be an R&B artist per se but this one makes me want to step foot into that genre a lot more so we’ll see what the future holds.

Track 8 (On the Up & Up) I go back to the “no hook” style previously used on the album and on this one I’m just back to talking about what I believe in and just keeping it honest about my views on the world and what I think again separates me from the rest. Along with the second beat switch where I get back into that space where I’m just confident and talking crazy honestly.

Track 9 (Everything’s For Sale) this was the final song recorded for this project believe it or not. I wrote it in about 30 minutes and I just had a great time putting together the bars and punchlines and I didn’t want to put too much structure into it. Just wanted to have fun with this one. With this album I wanted to get into that boastful mode at times and also stick to my real life experiences and this song embodies that feeling I believe.

Track 10 (Soul Food) “Put everything on the table like soul food” this song starts to slow down the album again to lead up to the conclusion. I’m basically saying that I’m more open and honest with my feelings, thoughts and emotions in the music. I want to be someone that the listener can relate to and any emotion or situation I can portray from my life into the music I feel like listeners in some capacity can relate.

Track 11 (All Business) as an artist I feel as if the intro/outro combo is just as important as anything else that goes into a great album sonically. I like for the outro to end as a cliffhanger because obviously more is coming in the future. Once again I’m talking about my real life and individual experiences on this album so I’m just venting about what goes on in day to day life. I still of course have to throw in some more bars that some might view as disses and I don’t really care how anyone takes it. I think this one wraps up this album very well and hopefully it’ll have listeners looking forward to what’s coming next.

In addition to your creative process, could you share any specific stories or anecdotes about the inspiration behind certain songs or the challenges faced during their creation?

I feel like I might have touched on the specific inspirations for each record on the previous question. However there are at least 3 songs on this album that have literally 4,5,6 different versions because they didn’t seem finished or I wanted to switch things around or make a different beat for it etc. One challenge for me is if I have the music in the tuck for too long it’ll become “old” to me and then I’ll be stuck in the cycle of my competition with myself to outdo my last thing. So it can be a blessing and a curse. I was constantly hearing things that I thought I could improve until the day I submitted the album. The biggest challenge for me is figuring out when something I’ve created is officially “Finished” sometimes the process of getting it done can take on a life of its own.

Building on the collaboration aspect, what qualities or strengths did SEVNGOINDIGITAL and Dhalya Nicole bring to the album? How did their unique styles blend with yours to create a cohesive musical experience?

SEVNGOINDIGITAL and I have collaborated a few times with 2 releases prior to “How” on “EFS” I’m a huge fan of his music and he brings such a unique style and sound to this project and from what I’ve heard from his discography I think he never misses.

I also am a huge fan of Dhalya Nicole and we have a few mutual friends that are all in and around music in one way or another. My friend and also frequent collaborator X Savy linked me with Dhalya on Instagram and after hearing some of her work I told her that when I found the right record I’d send it her way and she said that she’s open to collaborating and so about 6 months later I sent her “Problems” she sent her verse back and I knew that it could potentially be a big record.

When faced with creative blocks or obstacles during the album's production, how did you push through and maintain your artistic integrity? Were there any breakthrough moments that helped you overcome these challenges?

There was a couple of times during this process where I had a little writer’s block. Since I mostly write about my real life and my personal experiences whenever I feel stuck I just put the music to the side and go live life and let the world tell me what I should write about and usually after about a week or so away from recording I come back with a clear mind and it all flows much easier. And there’s some days where it feels like I can’t miss & I can write 2/3 songs in an afternoon as well. The main thing I learned for me is to never force it.

Reflecting on the recording process, can you share more details about the studio sessions? Were there any interesting techniques or experimental approaches used that contributed to the album's sonic landscape?

9/10, unless I’m on a feature or helping another artist write or listening in on a session, I'm recording at the house in my own studio so I don’t have many interesting studio stories unfortunately. Other than my dog Rylee being in the studio with me occasionally barking it’s not too much going on when I’m in album mode. I like being locked in without distractions during my process. I might put the Knicks game on but I usually start with one line of a verse or hook and then build off of that. I will say sonically I organized this album in this way with the track listing very purposefully. That came from me just listening to the tracks in different orders and I found that in my opinion this version flows the best.

As your sound and style have evolved, what specific elements or influences have contributed to this growth? Are there any particular experiences or interactions with other artists that have influenced your artistic direction?

I have a few friends & family that either are in the industry now or have been around it & I’ll usually shoot an idea or something to them and they can give me some more educated opinions on things. It might be something minor that I’m missing on a song or maybe they hear something I don’t. And so I’ve taken pointers and games from people I look up to that are within reach on a personal level and I’ve let that help mold me into the artist I am today.

Going deeper into the tracks, are there any lyrics or verses that hold personal significance to you? Can you share the stories or emotions behind those specific moments in the album?

As much as possible I try to say phrases that I don’t think have been said before, at least to my knowledge. I strive to find ways to put something together that makes sense and gets the message across without being repetitive for a cookie cutter type bar. On Pricey I have a line that says “my mother hates that we like guns it makes her nervous, but f*ck it we’d rather fight cases than follow hearses” and when some of my friends heard that line for the first time they gave me that look like; yea you got something here I’ve never heard that. But I try to find moments like that within every record honestly, while at the same time keeping it as simple as possible to understand & keep some replay value.

Beyond the intended message, what do you hope listeners will discover upon repeated listens to "Everything’s For Sale"? Are there any hidden layers or deeper meanings that you intentionally embedded within the songs?

It’s such a cliche thing to say but I think the music can speak for itself and be interpreted differently. I don’t want to give any listener a super specific answer on what they should take from this album because music isn’t really a definite thing; it’s art that affects people differently. In terms of deeper meanings I’d like to think so. I don’t want to be someone who just talks just to talk & it’s the same thing with the music. Some of the lyrics can definitely be looked at deeper depending on the knowledge of certain situations I’ve been in & I even revisit things I’ve previously mentioned in my music as well. I do think I’m good at generalizing certain things enough that a broad group can relate when they hear it but it’s always something specific. One of my close friends said it sounds like I’m “dissing people in every song” but I don’t necessarily view it like that I just speak my mind. That being said I’m also not ducking any lyrical smoke so you can interpret the lyrics however you want. Like I said the music can affect different people in different ways.

Balancing artistic integrity with commercial appeal can be challenging. Can you provide examples of instances where you had to make difficult decisions or compromises during the creation of this album? How did you navigate these situations?

If I’m being honest I don’t think I’m a big enough artist to say I’ve been put in any of those types of situations yet; I’m fully independent and I don’t follow anyone’s lead on what they believe I should be as an artist. I am big on making sure I’m not stepping into a space where I’m not myself or I’m not an accurate representation of me. I’m the same person in the studio vs in real life and that’s important to me. As long as I’m not compromising my morals and principles and beliefs & I give the song/project all that I can give it, I’m willing to live with the results.

Can you describe any unexpected or memorable moments that occurred during the album's production? Whether it be unconventional recording techniques or serendipitous collaborations, we'd love to hear about any interesting occurrences.

I’d probably say when I was recording the intro, it was one of those moments where I felt as if every line was coming together perfectly and every bar was going to land. Being in that creative zone where you have the feeling that you can’t miss is a great feeling. Honestly it happened a lot throughout this album's creation. The second half of the intro I didn’t even write it I just tried punching in line for line and I think it ended up being one of the better verses on the album. I tried something new because I really was considering not doing a second verse but then I liked what I kept hearing after that line and it turned into another verse.

In terms of musical influences, can you expand on how specific artists or genres have impacted your music? How have you incorporated these influences into your own unique sound?

Believe it or not I’m not closed off to only listening to rap music, I do listen to and enjoy other genres. If I hear a song and it sounds good to me then I’ll probably check it out and check the artist’s catalog out as well. I don’t hear a song, realize it’s not rap and then say “nah that’s not for me” . I might not want to make that style of music but I can listen to it and appreciate it. In terms of inspiration, that’s a long list; I grew up on mainly the household names from my parents era; Micheal Jackson, Prince, Stevie Wonder, Earth Wind & Fire. The list goes on. I’ve been drawn to classic and classic sounding samples since I got started in music & obviously sampling has been a staple since the beginning in hip hop so that’s fitting. I was introduced to hip hop by hearing KRS-One, Eric B & Rakim, Mobb Deep, 50 and I’d say Jay Z as well. And now my hip hop ear is super diverse, I listen to everything from Future and Metro Boomin to Benny the Butcher, Conway & Griselda, just depends on what mood I’m in.

Looking ahead, what are your long-term goals and aspirations as an artist? Are there any particular milestones or achievements that you're aiming for in the future?

For me, I want to be talked about in the best rapper conversations, long term. Just the art form that is rapping & putting together these bars, not necessarily achievements, but just knowing your reputation precedes you as one of the ones. I feel like I’m already laying the groundwork to be one of the best rappers lyrically. I think highly of myself because of the work I put in. It’s not a shot at anyone else because I feel as if I’m good if not great at what I do. Humbly, I’d say it’s too soon still to even talk about achievements. I genuinely love music & the process of creating something new & as long as I give my all into this I’ll live with whatever the results are I think that’s the best way to go about it. Now in terms of possibilities, I truly believe, skill wise, that I’m closer to the top tier of rap than I am to the ground level. Bar for bar I’m confident in any scenario & I’m willing to stand on that. I take pride in being a great writer so I’d love to collaborate with other artists and help them create as well & if I could get some writing credits on a major project that would be huge. Obviously everyone’s cliché goal in music is a Grammy award and I’d never say that I don’t dream of that being a possibility but I’m aware that it’s more than just good music that can go into certain awards and sometimes the art can get lost in trying to chase a trophy. For me; meeting certain artists and collaborating with musical hero’s of mine would be way more important to me as an achievement vs certain awards that others may put more stock in. The list could be endless but if I had to pick a Mt Rushmore right now I’d say; Hov, Drake, Future & Griselda. And I’d add J.Cole on that list too.

Finally, is there anything else you would like to share about yourself, your journey, or the album that we haven't touched upon? Any additional insights or stories that would help us gain a deeper understanding of your artistry?

I think we’ve touched on just about everything that I can think of. I’ll just close with the fact that I just write and rap about my personal views, experiences & opinions. I make music just venting & talking shit about my perspective on things and I think that a lot of listeners can relate to me.