Some artists are in search of their sound,Mekhi Fayson is in search of truth. His music has always been more than just a reflection of where he is; it’s an evolving sonic and spiritual manifestation of self-discovery, lineage, and identity.
After the introspective journey of Coastlands, Mekhi’s next project represents a shift in consciousness. The opposing forces of Sadiq Nasty and Mekhi Fayson, two identities that once battled for dominance—are now unified. Through indigenous rituals, astral traveling, and shadow work, he has transformed both as an artist and as a person.
But this is just the beginning. His new music is cosmic, meditative, and psychedelic, pushing sound into new dimensions. Inspired by artists like Dean Blunt, The Lijadu Sisters, and Panda Bear, and fueled by an immersive dive into independent film, ego deaths, and self-acceptance, this album isn’t just a continuation of Coastlands—it’s a manifestation of everything he’s been working toward.
In this exclusive interview, Mekhi speaks about the balance of intention and spontaneity in his creative process, the evolution of his writing and production, and why this next project is the most important thing he’s ever made. Read on as we step into his world.
Last time, you introduced us to Sadiq Nasty and Mekhi Fayson as two opposing forces. Have their stories continued in your new music? Are you building upon that world, or have you moved toward a different narrative?
Sadiq Nasty represented the ego. Mekhi Fayson has evolved past his own ego and realized the answer to his ego. I have continued their stories on my upcoming album, however they aren't opposing forces anymore. They are now one and live in harmony within my spirit. Outside of music, intertwining them became a big transformation for me. I wasn’t aligned or educated enough to understand the two co-existing. it was hard at first but internal shadow work & indigenous rituals changed everything for me.
Sonically, where are you pushing yourself now? Are there any new influences—musical, literary, or visual—that have reshaped your approach to creating?
Well after “Coastlands” I felt very tied up in where to go. Even going back to take inspiration from my older work. It was a process for me to understand how i wanted things sonically to sound in my head. I already had sonics in mind, i just needed to dig deeper. 2023-2024, i was beginning my work in IFA (Isese), Reading more and Watching a lot of films. Listening to a lot of Panda Bear, Dean Blunt, The Lijadu Sisters, Micheal Jackson & Stevie Wonder. A lot of rituals, meditation, astral traveling & ego deaths. Coastlands was about me learning & searching for my lineage. This project is about embracing said culture and becoming. I also have a blog now where i’ve create a world for others to live in. pyritetears.tumblr.com is where you can explore it all. My influences. My day to day thoughts. May even upload a demo on just because i feel like it. Helps bring people into my world.
Coastlands explored themes of identity, lineage, and self-discovery. Has your perspective on these themes changed since that album? How are you exploring them differently in your new work?
No they haven’t. They just developed deeper into my day to day. Realizing more and more these projects serve as a chapter of my life either beginning or ending. They serve as a piece of my identity being exploited to the world. It is my choice on how i’d like to display my identity. I’d say though, these days it has becoming more easier to convey them creatively and sonically. A lot of the exploration is discovered with intuitive writing, the correct choice of melody & execution. If none of those align… i probably won’t even go through with recording the song. Sometimes it may even feel like a ancestors is using me as a outlet for said creative messages. i just flow with it if it feels aligned.
What’s changed about the way you write and produce music? Do you find yourself being more intentional in the process, or do you still allow spontaneity to lead the way
Both Honestly. One day I wanna write a Ballad then the next i wanna make Pop or Shoegaze . It still has to have some form of structure. some foundation to live upon instead of clouded ideas. I play the piano consistently, so a lot of my songs now started with chords & melody before I begin to the song. Drums and programming come after. ”Handsome” was intentional as far as writing. However it feels very raw to me. formless. I didn’t add ad libs because it was a demo for someone else. then i said F*ck it I’m going to just put it out. Leaked it on Sound-Cloud. Have fun with intention.
Your music has always had a cinematic quality, pulling inspiration from films like ATL and Boyz N the Hood. Are there any new films or visual aesthetics influencing your storytelling today?
I’ve watched over 100 films or more this year with my girl. No lie, I really can’t tell you guys haha. Let’s just say I’ve been watching a lot of indie films this year & I love them so much. I love big releases but its something about indie films having small budgets, They have kinda have a lot of room for failure, growth, and more to prove as a film. Maybe one day i’ll put out a list of the movies that influence my creative process.
How do you decide who to collaborate with? Are there any specific artists or producers you’ve worked with recently that brought out something new in you?
I never really narrow down who exactly I want to work with. Somethings really do happen. Alignment basically. Outside of my close friends in my team, The record with Mike Hector was new for me. I felt like i was writing something from my child-hood. Turnt up but elegant. Raw. If it wasn’t for Shal Brenta, the record wouldn’t exist. We have another collaboration as well. The world will eventually hear it.
How has performing your music changed your relationship with it? Have you learned anything about yourself from seeing how audiences react to your work in a live setting?
I Performed a lot in 2022-2023 and have not been on stage since. I think with Coastlands, i was very rap heavy with my stage performance. Which was cool but i totally lacked stage presence. I was shy & sometimes spiritually not on stage. Felt soul-less. It will be exciting doing the new songs live though. Thinking about incorporating live instruments this time or playing things myself now that I’m singing more. A lot of practicing at home been helping. I have a vocal coach now haha.
Without giving too much away, what can you tell us about the themes or emotions you’re exploring in your next project? How does it contrast with what you’ve done before?
Cosmic. Meditative. Indigenous. Psychedelic. Nostalgic. & Celestial. It what I was aiming for in “Coastlands.” however I couldn’t create the exact textures & landscape I truly wanted without experience. Like i said before, if “Coastlands” was the research, this album is the true manifestation of it. Without that experience, I’d still be searching and creating.
If someone were to discover your music five years from now, what do you hope they take away from it? What’s the lasting imprint you want to leave with your work?
That I was aiming for forever & not perfection. perfectionism is ill-ness I experience. Of course my art will live beyond me. Maybe it won’t. Use me as a inspiration tho. Influence. Teacher. Student. Whatever. Just consider me in the eye of forever. A True wizard who lived forever.
This marks the second time we’ve had the opportunity to feature Mekhi Fayson on our platform, and once again, he’s given us a glimpse into an artistic journey that’s as introspective as it is boundary-pushing. His evolution, from the lineage-exploring themes of Coastlands to the cosmic, meditative, and psychedelic world of his upcoming project, shows an artist fully stepping into his vision. It’s clear that Mekhi isn’t just making music; he’s creating an experience, a world, a sound that exists outside of time. We’re honored to share his story and can’t wait to see how this next chapter unfolds.
If you want to stay tapped in with Mekhi and keep up with his upcoming project, be sure to follow him on Instagram, Twitter, Tumblr and Spotify.
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If you’re an artist looking to be featured, you can submit your music for consideration here. A huge thank you to Mekhi Fayson for returning to the platform and continuing to share his creative journey with us. We’re looking forward to everything he has in store, and we’ll be watching, and listening every step of the way.
