UDE

YXNG BLVCK - BLVCK / WHXTE

IMG_20200309_123704_642.jpg

BLVCK / WHXTE is the first double EP from Calgary’s hotshot newcomer, YXNG BLVCK, f.k.a. Black$tar. Having been influenced by a variety of cultures and genres ranging from rap to more experimental sounds such as rock, pop-punk, and alternative. With the addition of his Jamaican heritage to this healthy mix, Black$tar fell in love with music, from melodies, to memorizing vocal and drum patterns, and even later picking up piano. 

2011 was the year the Calgary artist truly fell in love with hip hop, being heavily influenced by idols within the genre, such as Lupe Fiasco, the late Mac Miller, and T.I.

After a few years of honing his craft, YXNG BLVCK was introduced to another upcoming Calgary artist, by the name of Deezy. Together, the two would put on show after show, and soon brought on BLVCK’s long-time friend, Stik for collaborations and projects. 

After 3 years the three had stunned and awed the Calgary rap scene with fully booked sets and packed crowds, as well as grabbing the attention of big-time promoters within their city, even opening for Smokepurpp at the Palace Theater. Later, getting booked for shows under major headlining artists such as The Outlaws, Kent Jones, Rich Homie Quan, Lil Nas X, and the late Juice WRLD, in addition to selling out shows within Kelowna, BC, and generating over 50,000 streams on his 2 highly anticipated EPs, BLVCK and WHXTE, on the sole power of Apple and Spotify alone, and YXNG BLVCK’s catalog was full and ready for the music industry in 2018. 

Now, having signed to Underdog Entertainment, arguably Calgary’s first perpetual artist development powerhouse, Nefarious Supply has had the great opportunity of giving our readers and fans an in-depth review of his double EP, BLVCK / WHXTE. 

Enjoy, and look out for more from this Underdog powerhouse. 

BLVCK

LETS TALK ABOUT IT

Let’s Talk About It is the first track on BLVCK / WHXTE and runs out the gate, leading the rest of the double EP with bars almost as hard hitting as the 808s underneath. A roughly 1-minute track, YXNG BLVCK uses the track to get the starter energy off his chest. He requests all his haters to come talk about the success they’re so worried about, flexing his energy, work ethic, aspirations and achievements all in 60 seconds. 


GAME TIME (ft. Tyson Meshaq)

Another banger, straight out the gate, YXNG BLVCK lyrically dances along the energized 808s, complimented by a simple yet entwining flute melody overtop. BLVCK brings on Tyson Meshaq for this feature, who brings just as much grime and heavy lyricism as his counterpart. The two go bar for bar, running through the 2 minute 50 second track with effortless flows and various switched styles. The gist of the track centers around grinding, gaining, and locking into your craft, no matter what it is. God is a major motivator behind the track’s influence. 


JB FABRIC (ft. Sevan Mattar)

Right off the bat, BLVCK’s first words on JB Fabric is “I want it all”, a running theme throughout the course of the track. Topics of fashion, religion, and fake supporters are introduced, melding and flowing in and out of another heavy-hitting beat. The production switches to a murkier and stylistically darker tone as Sevan comes on and spits heavy material through a distorted voice, wrapping the weight and uncompromising feel of the track in a pristine bow.

SET IT OFF (ft. Deeper)

Set it Off is the fourth song on BLVCK’s double EP. A hype track from start to finish, BLVCK speaks on his past struggles with addiction, his relationship with God, his hunger for success and his unsparing approach to said success. Halfway through, a surprise feature from upcoming grime artist, Deeper, appears as BLVCK alley-oops to him for a final no holds barred verse, before the chorus hits the listener one last time. 


LIT

A tonal shift in the tracklist, Lit’s production is much more crepuscular than the other tracks so far. Yet again BLVCK shows his versatility as an artist, switching effortlessly through various flows on-top of a bulky 808. The hi-hats add a playful cliffhanger for the rest of the beat, leaving the listener satisfied with the great blend between BLVCK’s energy and the production. 

WHERE YOU AT

Where You At shifts the tone of the EP through the roof once again, and BLVCK seems to regain his composure and find himself within his music once again, flexing his success and fame, as well as his aspirations for even higher heights within his career, hitting the listener with a dose of “I’m still here, and I’m going to do what I set out to do.”

ECHOES II

The last song on the BLVCK side of the EP, Echoes II cruises in with pleasing guidance into the first Black$tar’s first verse, carrying a similar light-heartedness to the production style, yet, being injected with a sense of nostalgia and somberness. YXNG BLVCK speaks on tragedy, life experiences, introspection, and moving forward throughout the dark times thrown at you, a fitting end to the EP’s tenebrous side. 

WHXTE 

SPEECHLESS

The opening track on YXNG BLVCK’s WHXTE duality, the Calgary artist shows his versatility over different forms of productions. BLVCK rides the beat with lyrical stories of grandeur, fame, money, and women, all in all propogating the fact that in every aspect of his life, whether it comes to his music, his relationships, or his life in general, he’ll always leave those in his presence in awe. 

JUST LIKE YOU (feat. Kaje)

Just Like You is the second track on the WHXTE half of the EP, and shows YXNG BLVCK’s lower register and as the tone of his voice changes, so does the tone of his lyrics. He and featured artist, Kaje, touch on topics of heartbreak, nights with the one you love, and nights without them, as well as moving forward and finding the one that compliments you inside and out. The production is smooth and compliments both artist’s voices perfectly. 

ON ME

On Me starts off with a synth build up that leads into an almost afrobeat-esque beat progression. BLVCK, as it seems with every track on this double EP, rides the beat flawlessly and adds his own poppy, yet bodacious and real lyricism. He laments over witnessing a girl who is going through struggles with failed love and drug abuse, proposing that with him, she won’t have to worry, and that he has everything on lock. 

MIAMI

Miami’s piano chord progression in the beginning smoothly allows for BLVCK’s almost submerged vocals to glide through and inject themselves into the track’s culmination. The beat speeds up as Black$tar builds for the chorus, before expanding for the chorus yet again. BLVCK talks about a heartbroken girl he’s met in Miami who took drugs to seemingly ease the pain. 

SORRY

Sorry is YXNG BLVCK’s most introspective and heartfelt song on his double EP. The track is a tribute to a close friend of his who has passed away. On the track, BLVCK is lost, mentally, emotionally, and spiritually about the loss of his friend. All he wants to be able to tell them is that he’s sorry, that he wishes it was him instead, that he drinks to ease the pain, and that he just doesn’t know what to say. Grief has no answer, and BLVCK approaches this concept cautiously and sincerely. 

ALL FOR YOU

All For You is one the most melodic tracks on the WHXTE side of our double EP. The production is exceptionally more light-hearted than the others within the tracklist, with sunny chimes and light synth progressions, underneath a warm 808 blanket. YXNG BLVCK speaks on love and how everything he’s working for is all for someone he holds dear, even through their ups and downs. 

STAY

And Stay, the final track on YXNG BLVCK’s double EP, reigns the emotions of the project in, settling them down and laying them to rest. The track paints the picture of the artist asking a simple question and trying to answer it through every aspect he can, especially through his faith in God. He knows he has to move on, yet he also knows he can only go at his own pace, and he is just fine with that. 

~~~

Big shout out to YXNG BLVCK for the amazing music we were able to review at Nefarious Supply, to keep up to date with him you can find him on Instagram. And be sure to check out his new double EP BLVCK / WHXTE on all streaming platforms, and while you’re there be on the lookout from quarantines which features new releases from UDE signees every week.

If you want to stay up to date with news and content coming from Nefarious Supply you can find us on Instagram, Twitter, and Facebook, and to get articles as soon as they drop you can sign up to be on our newsletter below, we also recently opened the Nefarious Supply shop so if you want to support you can show some love here!

Kuya Jerzey - UDE's New Signee

IMG-4113.jpg

Give us a general description of you as an artist. What cultures and experiences cultivate this persona or identity of yours?

Honestly, I'm still tryna figure that shit out. I only started making music a couple of months ago, but I started writing in high school. I was growing up around whatever was playing on the radio and shit but really started listening to more hip hop around grade 4 or something like that. My family would always have karaoke nights so you already know young boy been on the mic. I'm hella hyper, and always have been, which could explain why some of my music can be hard & heavy, but I also love making some of that old school boom bap type shit. 

IMG-4114.jpg

How has your experience in the industry been thus far?

Now I haven’t done a lot but I’ve done a couple 10 at 10 Shows which I was blessed to place first the last time I went. After getting involved with the 2019 College dropout showcase, I was offered an Artist Development deal by the Underdog Empire. I’ve been able to make some great connections with some artists I never knew before. Even better I’ve been making more and more music then I’ve ever been able to. The possibilities are endless and I’m hella excited to show y’all what I got in store for 2020

Do you have an outstanding moment since you got into the music industry that makes you realize how important it is to make music like this? If so what would that be?

My first opening show for sure. It was this year October 11th at the Blind Beggar Pub here in Calgary. It was a hip-hop showcase I was opening up for my best friend Desean ($tik). After my set, I went backstage and instantly heard a crowd chanting my name. I ain't ever expect that for my first show, and honestly, I never had a feeling like that. shit was special ya feel me.

What do you think personally sets you apart from the rest of your peers in the music industry? What do you bring to the industry that you believe no one else has the ability to bring?

I'm tryna do a Lil bit of everything. I ain't tryna make the same type of music the whole ride, I wanna tryna mix it up you feel me. I feel as if I've taken on that machine gun flow quite a bit of my verses but with this whole new tape dropping yall will be able to see what else I can do. 

Is there anyone song that you’ve made that stands out from the rest? Any songs that people should listen to that will get people hooked?

It's on $tik's album, its called Ssgss it's probably my favorite song to date. Shit just goes hard but it also got a unique structure to it which i think people fuck with. the song goes hard live.

What keeps your current audience listening and why should people start listening?

I don’t know maybe it's my voice or something, my girl said she likes it, but other than that I can stay on beat which is good.

Who do you listen to on a regular basis?

Larry League, Brockhampton, Jaden Smith, A Tribe Called Quest, A$AP Mob,

Are these the same people who inspire your sound? Or are there other factors that come into play?

Yeah, I would say so. I used to listen to a lot of meek mills, Migos and Future in high school, which could explain why my adlibs are so extra.

IMG-4115.jpg

What do you think is the most important aspect of music as a concept, personally and objectively?

I believe that music should make you feel something. Whether you wanna jump to the beat or just listen to the lyrics, if you can feel the music, you'll always enjoy or at least be interested in whatever the hell is playing. Objectively, you gotta make sure that shit sounds good, but if you ain't having fun while doing it then what's the point? At the end of the day, whether people fuck with my music or not, it's all about having fun and turning up with your squad.

Lastly, what advice or experiences would you like to share with your peers or anyone else who is up and coming in this industry?

I mean shit like I said I only been in this game for a Lil bit but my best advice would be to just grind it out, don't expect anything from anyone when you release your music, and honestly just have fun.

Also, is there anything you'd like for us to promote?

Yuh you already know follow the boydem on IG @Kuyajerzey. Holla at my Spotify too! My debut single on Underdog drops tonight so its probably already out by the time you're reading this. I'm also gonna be releasing my first EP this year so stay tuned for that shit.

We and our partners use cookies to personalize your experience, to show you ads based on your interests, and for measurement and analytics purposes. By using our website and our services, you agree to our use of cookies as described in our Cookie Policy.


Big shout out to Kuya for coming out and interviewing with Nefarious Supply to keep up to date with him you can find him on Instagram. And be sure to check out his newest single under UDE “Faded” featuring Mayal and while you’re there be on the lookout from quarantunes which features new releases from UDE signees every week.

If you want to stay up to date with news and content coming from Nefarious Supply you can find us on Instagram, Twitter, and Facebook, and to get articles as soon as they drop you can sign up to be on our newsletter below, we also recently opened the Nefarious Supply shop so if you want to support you can show some love here!