WesWill - The Game Is The Game

WesWill, the talented underground artist, has been making waves in the music industry since he first got on our radar with his new project at the time "Summer Time Slaps, Volume 1" in 2018. His unique sound and storytelling skills have earned him a dedicated fanbase. WesWill's latest project, "The Game Is The Game," is a testament to his growth as an artist. The album features five tracks, each with its distinct sound and message. "Wrong One" featuring Will Cherry and FifGawd, "Chad and Screw," and "Moon Roof Chronicles" featuring TrapthonJerm are the standout tracks on the album.

"Wrong One" is a mellow track that explores the difficulties of finding the right partner. WesWill's introspective lyrics and Will Cherry and FifGawd's smooth vocals complement each other perfectly, making it a fan favorite. "Chad and Screw" pays homage to two influential figures of the underground music scene, Chad Butler and DJ Screw. The track has a high-energy beat and features WesWill's signature flow, making it a standout on the album. "Moon Roof Chronicles" is a reflective track that explores WesWill's growth as an artist and a person. TrapthonJerm's haunting vocals complement WesWill's introspective lyrics, making it a standout on the album.

The success of "The Game Is The Game" can be attributed to WesWill's exceptional talent and dedication to his craft. His unique sound and storytelling skills set him apart from other artists in the underground music scene. WesWill effortlessly blends various genres such as hip-hop and R&B, creating a sound that is entirely his own.

WesWill's journey as an artist has been marked by his dedication to his craft and his unique sound. His ability to blend various genres and his introspective lyrics have earned him a dedicated fanbase and critical acclaim. With the release of "The Game Is The Game," WesWill has cemented his place as one of the most exciting underground artists in the music industry.

In our upcoming interview with WesWill, we aim to gain more insights into his creative process and the inspiration behind "The Game Is The Game." We will also discuss his plans for the future and how he plans to continue growing as an artist. We look forward to gaining more insights into the success of "The Game Is The Game" and WesWill's journey as an artist

Congratulations on your new project "The Game Is The Game." How has the response been so far from your fans and the industry? Can you share any memorable feedback you've received?

Thank you so much! The response has been overwhelming, to say the least. Everybody has been receptive and eager to share their favorite tracks and lyrics. I've had quite a few fans and industry veterans tell me that I "didn't miss," which is essential to me because I create every song with intention and don't put filler tracks on any of my projects. The most memorable feedback I've received is the fans telling me they feel this is an instant classic and will carry into the summer. We are in a time where music can last a week, so to hear people adamantly express to me that this collection of songs will travel with them into a different season is amazing, and I am so humbled.

The title of your project, "The Game Is The Game" has a deep meaning. Can you elaborate on the message behind it and how it relates to your music and personal experiences?

The EP title is a quote I pulled from the HBO series "The Wire." It signifies that everything I'm discussing and going through is familiar. Life has ups and downs that we all experience, but that's inevitable, and we have to keep pushing. It's also a valid sports analogy. The players may change, and the personnel may switch up, but regardless, you have to go out and play the same game that the ones before you played. Avon Barksdale, played by Wood Harris, was talking to a fellow inmate and told him, "Some things never change; the game is the game." 

Your project features collaborations with other underground artists. How did you approach the creative process when working with these artists, and how did their contributions influence the overall sound of the project?

On this project, I collaborated with Will Cherry, TrapathonJerm, and FifGawd. I keep the features to a minimum on my projects because I never want my albums to feel like a compilation. However, each artist on this EP brought something special that ties all the sounds together. Fif and Trap provided a nostalgic feel to the records they were featured on. I wanted their dialogue to feel like how Diddy would speak on tracks back in the 90s. Talking that talk and taking the track out the right way. The dark sub bass and bounce you hear on Young OG, BIA, and Wrong One is brought to you courtesy of Will Cherry. He assisted on 3 out of the 5 records with production and vocals and came in clutch. He’s a talented guy, and I am thankful he gave the project that extra thump it was missing. Kito, Hype Alexander, and Tavaras Jordan assisted with production as well. They did a spectacular job of bringing the songs to life and giving me that soulful feel I desired. 

Can you take us through your creative process in putting this project together? From conceptualization to writing and recording, what was your approach and how did you decide on the direction of the project?

When putting together this project, I created a collection of songs to set the tone for the year and serve as the follow-up of my 2020 EP, “3 Point Play.” I felt this could be a 2023 “pre-season warm-up,” but I would roll it out and treat it as a full-length album. The calm before the storm, if you will. We took the title “The Game Is The Game” and put together a marketing rollout heavily influenced by sports. Leading up to the drop, I put together an NBA-style press release to kick it off, a live press conference to announce the release date, a Sportscenter Top 10 countdown of song snippets, social media trading cards to reveal each producer on the EP, and more to build hype and anticipation.

Regarding the music, I only had “Moonroof”, and “Young OG” recorded before I tapped Will Cherry for assistance. From there, we crafted the other 3 records together. Sonically, my goal was to record and release a body of work that was an impactful 5 song status update with a big sound, and we accomplished that.

Your music has a unique sound and style. How did you develop your sound, and who are some of your musical influences?

Thank you! What makes my sound unique is that there is a nostalgic element to it, yet, it doesn't feel dated. I take bits and pieces from different regions and eras and mix them all into one sound I made. I read a quote from Dj Quik where he said, "make something that feels familiar but has never quite been heard before." I took those words and ran with them. I learned the double time flow from playing the snare and mimicking the drum patterns with my raps. Once I got hip to Bone and Do or Die, I applied more of a melodic spin to it. My mom played 70's, 80's, and 90's R&B around the house, so studying those artists helped me tremendously with songwriting and melodies. Plus, she had me in the church choir as a kid, so I found my love of singing through that. These musical memories and experiences helped shape the sound you hear today. My main influences are Babyface, Organized Noize, Outkast, Brandy, Jason Weaver, SWV, Parliament, UGK, Curtis Mayfield, and Missy Elliot.

Your previous work has been well-received by your audience. How do you think you have grown and evolved as an artist since your first release, and how does "The Game Is The Game" showcase that growth?

This latest body of work sounds like a more grown and refined version of previous works. My pen game is more potent, my ear for beats has leveled up, my singing has improved, and I am not rapping just for the sake of rapping. My words are heavier because there is more life experience behind them. Previously, I wrote as an artist trying to figure out my path. I now speak as an artist who knows his lane and confidently dominates. I’m speaking on my business acumen, relationship issues, and family life, all from the vantage point of a man in his late 20s.

Can you tell us about any challenges you faced while creating this project, and how did you overcome them? Were there any moments when you felt stuck or unsure of your direction, and how did you push through?

The most significant hurdle I faced while creating this work was deciding which records to use and which ones to leave off. I make music at a high clip, which can be a blessing and a curse. My team and I have our favorites, but chopping it down to a cohesive body of work that accurately tells the story we want can be tricky! Whenever I am in this situation, I sit with my team, talk through each song we might be on the fence about, and build a case as to why it does or does not need to be on this specific body of work. We always come out on the other side confident that the right decision was made. 

Your project has a short tracklist with only five songs. Can you tell us about the reasoning behind this choice, and can we expect a full-length project in the future?

The short track listing is me testing out a different method of music releases this year. Instead of dropping one lengthy project during the summer, I am dropping smaller projects every quarter. That's the beauty of being independent; we can try different methods and release schedules to gather data to see what works and what doesn't. My summer project will be more than 5 songs, though. My fans wait all year for that, and I don't want to short-change them.

Your music has a strong visual aesthetic. Can you tell us about the importance of visual art and branding in the music industry, and how you work to create a cohesive image for your brand?

Visual art and branding have always been essential aspects of my career. I have a 4-year degree in Marketing, and I apply that knowledge to my artistry at every opportunity. I often stress to my peers that branding and visuals are just as, if not more, important than the music itself. With so many artists and musicians competing for the listener’s time and attention, your visuals can be the difference between a click or a skip on your music! You want to give yourself the best chance to compete and stand out. To create a cohesive image, I make sure I am constantly using many of the same themes and imagery in my music and content. My favorite example is how Larry June repeatedly utilizes the organic and healthy lifestyle branding angle to make those things synonymous with him and his artistry. I study his blueprint a lot from a marketing standpoint for sure. 

As an independent artist, what advice would you give to others who are just starting out in the industry, and what lessons have you learned along the way?

The advice I would give to those starting out would be to make sure you are constantly telling your story through your artistry. Doing that will attract your desired audience and create momentum for yourself and your brand. Also, be honest and ask yourself what you want from your career. The answer you come up with will help guide your decisions and assist you in navigating this industry. Along my journey, I have learned that there are so many different ways to monetize your art. I love writing music, so I tapped into the sync licensing lane because it perfectly fit me. You don’t have to accumulate millions of streams to make money from music. I also learned that you must relentlessly and shamelessly promote your work wherever possible. Don’t be the artist that is “too cool” to hop on TikTok to spread your music. It is simply a tool that can expand your fan base and expose you to a new audience.

Your music has gained a strong following in the underground hip hop scene. Can you tell us about your plans to expand your reach and grow your fan base?

I am so thankful for the fan base I have accumulated over the years because they truly help keep me going! The plan to expand is simple; be more aggressive yet tactful, with content posting and creation, in addition to heavier traveling and collaborations with other artists. Everything is mapped out; I have to continue to execute.

Can you tell us about any upcoming shows or performances, and what can we expect from a WesWill live performance?

What you can expect from a WesWill performance is a great time, good laughs but more importantly, an experience you won’t get anywhere else. I literally talk to the audience like we’re family. I crack jokes, interact with the people between songs, and bring great energy to whatever stage I am on. I am putting together a mini tour with my top 5 streaming cities, so I will post those dates when we lock them in! 

Lastly, what can we expect from WesWill in the future, both musically and creatively? Are there any collaborations or new projects in the works that you can share with us?

I have a few more bodies of work that I will be dropping this year. Of course, I have the annual summer project that my fans always look forward to. Also, I am expanding my pen game and writing for others. I have been sending in demos for other artists, and a couple of those have been recorded and set to release this year! I’m also getting deeper into sync licensing, so expect to hear me in some of your favorite TV shows.

Any last words? 

I want to thank you guys for granting me this interview and for the work you do on behalf of underground artists as a whole. You all provide information and a platform that is essential for us creators. Next, I want to shout out to my engineer, Will Cohen. He has my music sounding better than ever and worked very hard on this project. Thank you to Braxton and joVonte for the beautiful cover. Lastly, I would like to thank the listeners, supporters, and anybody that clicked on this article to see what I had to say. To all artists, continue being great; your time is coming. Much love!

Thorgan - Beauty Of Chaos

Introducing Thorgan, the talented and enigmatic underground musical artist who has recently released his latest music project, Beauty Of Chaos. Following the success of his debut album, TENEBRIS, which garnered over 3 million total streams, Thorgan has been steadily building a devoted following with his unique blend of Alternative R&B, rock, and electronic music.

Beauty Of Chaos is the first part of Thorgan's second studio album, which is set to be unveiled in four different chapters throughout 2023. The album showcases Thorgan's maturation as an artist, with a dark and melancholic collection of songs that break the barriers of traditional music. With its non-traditional sounds and eclectic mix of genres, the album creates a sonically unique and compelling experience for listeners.

Thorgan's music is characterized by his honest and introspective lyrics, which explore themes of love, loss, and self-discovery. His poetic and evocative words are brought to life by his soulful and haunting vocals, which have drawn comparisons to the likes of Frank Ocean and James Blake.

As Thorgan continues to release new music throughout 2023, he is sure to captivate even more fans and leave an indelible mark on the music world. With Beauty Of Chaos, Thorgan has once again proven himself to be a visionary and boundary-pushing artist, and his future releases are eagerly anticipated by fans and critics alike.

Thorgan welcome to Nefarious Supply! To get this interview started tell us about yourself who is Thorgan? 

Hey! Thank you for giving me the opportunity to express myself! I am an upcoming Dark Alternative R&B/Pop artist, producer and songwriter currently living in south of France. I would describe my style as Dark, Romantic and Melancholic.

Can you tell us about any particular artists or musicians who have influenced your music and style?

It all started around 2016, when I discovered the new wave of dark R&B that emerged from Toronto, artists like The Weeknd, J Soul, and Partynextdoor created music I could finally resonate with on a new level, something I had never heard before.

How do you see yourself fitting into the current music landscape, and what do you hope to bring to the industry?

I feel like I am bringing something new to the table, doing things In a different way, and I’m not afraid to do so. I hope I can create a new movement in this industry and show that creativity and imagination has no limits once you break the barriers.

Your debut album, TENEBRIS, accumulated over 3 million total streams. How did you approach creating your second album, Beauty of Chaos, after experiencing this level of success?

Tenebris was a definitely a crazy journey… it was my first attempt at creating a story that reflected what was going through my mind at the time, I could finally transform my thoughts and emotions into sound, while taking into consideration what the world was going through. Before starting  Beauty of Chaos, I needed some time to experience more life, work with new people, and grown as an artist, and after creating over two thousand demo’s in the last year and a half, working with new people who share my vision while maintaining their own set of skills, I think I’m at a point where I can finally translate my vision into the music exactly as it flows through my head.

The album features a range of genres, including Alternative R&B, rock, and electronic music. Can you tell us about how you went about blending these genres together to create the unique sound of Beauty of Chaos?

In my opinion, a lot of artists restrain themselves to a single genre, and that is the way the industry is set up… I listen to a huge variety of music anywhere from Neo Soul to classical and I always wonder why more of these sounds aren’t blended together, because when they do, it creates something new and beautiful for Innocence for example, we decided to blend Hard Metal sonorities with R&B, once you stop limiting yourself to a traditional sound, you can do a lot more, I want people to remember the song, not the genre.

The album is being released in four different chapters throughout 2023. Can you tell us about the decision to release the album in this way, and how each chapter will differ from the last?

After Tenebris, a lot of songs got left in the dark, songs that meant a lot to me. For beauty of Chaos I want every track to sink in, and give the listener the time to process each part. Every Chapter will have its own role in creating the full story, with different moods, sounds and emotions.

The album has a very introspective and personal feel to it. Can you tell us about the emotions and experiences that inspired the songs on the album?

Of course this album is from the deepest parts of my soul, but it isn’t only about me. It’s about what all of us go through, the hardships the heartbreak, and when everything is dark, there is always a way to find the beauty in it.

This album features a guest appearance from Jordyne. Can you tell us about how you collaborated with them, and how their contributions shaped the final product? In addition, who was on the production team for the project. 

I have always admired Jordyne for his artistry and unique sound, I always wanted us to collaborate but, it was never the right song, however when innocence was created Jordyne seemed like the perfect fit, his verse was exactly what the song was missing. I think we were both a little taken out of our comfort zones with the fast bpm and rock feel but to me , in order to innovate you can never be too comfortable. I teamed up with metal producer Abare for this song and we decided to incorporate a lot of live instruments, something I had never done before,. We really wanted to take things to the next level.

The album features a lot of non-traditional sounds and instruments. Can you tell us about the process of incorporating these elements into your music, and how you ensure that they work together to create a cohesive album?

To me, it’s all about finding the perfect balance, I wanted every song to be unique and have its own identity. Abare And I would spend nights on zoom calls trying to find ideas, and to create something different. We really wanted to break the barrier of R&B and incorporate risky sounds, I don’t want to create the same song over and over again, and the traditional sound of alternative R&B no longer resonated with me, we really wanted to spice things up. When I listen to an album I want to be taken places, and be able to listen to different types of music from the same artist. I feel like a complete album has to have songs that match every mood and has to be a rollercoaster. To constantly keep the listener absorbed.

The album has a very cinematic feel to it. Can you tell us about any particular films or visual mediums that influenced the sound of the album?

When I create, I always need visual stimulation, why limit yourself to your ears when your eyes have so much to offer ? I would say my best songs have always been created after watching a movie that really moved me, I created Die For you after watching Shindler’s list. I like the epic side of things, and that’s exactly what film score music does to me. That’s the sound that makes me feel like a movie character.

You've described the album as a dark and melancholic collection of songs. Can you tell us about the process of creating a mood and atmosphere in your music, and how you achieve this with your lyrics, vocals, and instrumentation?

I think that no matter the beat, or vibes the songs give out, there has to be hidden layers and a common thread. To me creating darkness comes naturally, when I get on the keyboard that’s just what flows. If the beat sounds joyful I want the lyrics to have the saddest hidden meaning.

Can you tell us about a specific moment or experience that inspired one of the songs on the album, and how you transformed that into a musical composition?

It’s difficult to state one specific moment. For me, a song is usually born as a result of many accumulating experiences, leading up to me being in a certain zone or mindset. I would say the transformation comes naturally, if I have lived through a series of certain events recently, that’s what’s going to translate into the track. 

The album is part of your overall artistic vision. Can you tell us about the vision you have for your music, and how Beauty of Chaos fits into that?

An overall artistic vision is difficult to pinpoint, as an artist I feel like I’m always growing, and the overall vision is in a constant evolution. But, I would say my work is about exploring emotions and sense of being & the dark that lies within. 

You've built a dedicated fanbase over the past few years. How do you balance creating music that resonates with your fans while also pushing yourself artistically?

The fans are what keep me going, they motivate me to always be better and to push myself further, and to always bring something new to the table. I think creating music that really resonates with myself, always has the potential to resonate just as much with others. 

The album features a range of vocal styles and techniques. How do you approach incorporating these different vocal elements into your songs, and how do you decide which techniques to use for each song?

I started off in a boy choir so originally I am classically trained, in my younger teen years I then joined a rock band as the lead singer, I now incorporate the different techniques and melodies I learned through my lifetime experiences, every song needs it’s own identity, and it gives me much more freedom melody wise and with the vocal range. Which lets me adapt the voice to any Instrumental.

Lastly, what do you hope listeners take away from Beauty of Chaos, and how do you hope your music impacts your audience?

I hope the listeners can take my message and  can resonate with the songs in they’r own way. No matter what each individual is going through I hope that they can find the beauty amidst all the chaos because it’s always there, you just need to search for it and find it in your own way. Create your own vision, and be your own character in my story, and in your own story.

This article was written with the assistance of ChatGPT, a large language model developed by OpenAI.

5 Effective Ways for Artists to Stay Inspired Creatively

As an artist, staying inspired creatively can be a challenging task. Whether you are a musician, a painter, a writer, or any other type of artist, finding new sources of inspiration and motivation is crucial for maintaining a productive and fulfilling artistic practice. In this article, we will explore some of the most effective ways that artists can stay inspired creatively, from seeking out new experiences to embracing failure and experimentation.

Seek Out New Experiences

One of the most effective ways to stay inspired creatively is to seek out new experiences. As an artist, it's important to expose yourself to new and unfamiliar stimuli, challenge your preconceived notions, and push yourself out of your comfort zone.

For musicians, this might involve attending concerts or music festivals, collaborating with other artists, or experimenting with new instruments or production techniques. For visual artists, this might involve visiting museums and galleries, attending art shows, or experimenting with new mediums or techniques. Regardless of your medium, seeking out new experiences can help you gain fresh perspectives and find new sources of inspiration.

Embrace Failure and Experimentation

Another important aspect of staying inspired creatively is to embrace failure and experimentation. It can be tempting to stick to what is familiar and comfortable, but doing so can quickly lead to stagnation and creative block. Instead, allow yourself to take risks and try new things, even if they do not work out as you had hoped.

For musicians, this might involve writing songs in new styles or genres, experimenting with unconventional chord progressions, or incorporating unexpected elements into your music. For visual artists, this might involve trying new techniques or mediums, experimenting with unconventional materials, or pushing the boundaries of your chosen medium. By embracing failure and experimentation, you can free yourself from creative constraints and open yourself up to new possibilities.

Collaborate with Other Artists

Collaboration can be an incredibly effective way to stay inspired creatively. Working with other artists can help you gain new perspectives and approaches to your work, as well as providing a source of motivation and accountability. Collaborating can also help you develop new skills and techniques, as well as helping you build new relationships and networks within your artistic community.

For musicians, collaboration might involve writing and performing with other musicians, producing tracks for other artists, or collaborating with visual artists to create music videos or album art. For visual artists, collaboration might involve working with other artists on joint exhibitions, collaborating with writers or poets on illustrated books or graphic novels, or working with musicians to create album art or stage designs. Regardless of your medium, collaboration can be a powerful tool for staying inspired and motivated.

Take Breaks and Practice Self-Care

While it is important to stay motivated and productive as an artist, it is equally important to take breaks and practice self-care. Burnout and creative block can quickly set in if you do not take time to rest and recharge. This might involve taking a day off to do something fun and relaxing, engaging in activities outside of your artistic practice, or simply taking a break from social media and other distractions.

Taking care of your physical and mental health is also crucial for maintaining a productive and fulfilling artistic practice. This might involve getting enough sleep, eating a healthy diet, exercising regularly, and practicing mindfulness or meditation. By taking care of yourself, you can ensure that you have the energy and focus to stay inspired and motivated over the long term.

Stay Connected to Your Community

Finally, staying connected to your artistic community can be a powerful source of inspiration and motivation. This might involve attending events and shows, participating in online forums and social media groups, or joining artist collectives and organizations. By staying connected to your community, you can gain new insights and perspectives on your work, receive support and encouragement, and stay up-to-date with the latest trends and developments

This article was written with the assistance of ChatGPT, a large language model developed by OpenAI.

Autmn Rains - You Know I Can’t Stay

Autumn Rains is a rising underground musical artist whose career trajectory is on the upswing, thanks to her exceptional songwriting, unique vocal style, and soulful delivery. Her impressive body of work includes several acclaimed albums, including "Run2u" and "Safehouse," which have earned her a dedicated fanbase.

Most recently, Autumn Rains released her newest album, "You Know I Can't Stay," which features eight tracks that showcase her artistic growth and emotional depth. The album is a testament to her artistry and ability to craft deeply personal and moving music that resonates with listeners.

The album's standout tracks include "Without You," "Stay," and "Running Away," which highlight her vocal versatility and her ability to convey raw emotions with power and nuance. The production on the album is also noteworthy, with contributions from talented producers such as DV$TPH, Tokiowahl, and Cyclope Beatz, who bring a fresh and innovative approach to Autumn Rains' sound.

Autumn Rains' music has a way of drawing in listeners and creating a connection that is both personal and universal. Her lyrics are relatable, and her voice conveys a sense of vulnerability that invites listeners to share in her experiences. Her ability to capture the complexities of human emotions is what sets her apart and makes her a standout in the underground music scene.

Overall, Autumn Rains is an artist to watch, and her latest album, "You Know I Can't Stay," is a testament to her creative prowess and her commitment to delivering honest and impactful music. She is poised to take the music world and establish herself as a force to be reckoned with in the industry.

Autmn welcome back to Nefarious Supply. To date this is our third feature with you and we are more than excited to have you back on. To get this interview started give us a brief update on what’s new with you, how was 2022 for you and how has the new year been so far?

Thank you so much for having me back! I appreciate how much Nefarious Supply has supported me since my very first EP a couple years ago now. I went into 2022 with the intention of having music out towards the beginning of the year, however, I experienced some personal setbacks last year which unfortunately delayed my music until the end of the year. When I reflect now, it probably worked out best because I wouldn’t have been able to deliver the music that came out. The new year has started off good I think because I am more open to riding the waves of life now. 

Since our last interview, what are some things you’ve learned about yourself, the overall industry, and what is a big goal you have for yourself for 2023? 

I’ve learnt that I actually operate better when I take my time and avoid rushing the music processes. I think it’s really easy to get caught up in feeling behind in the music industry because there’s always so much happening. I’ve come to realize that everyone’s timing is different depending on their own path. Sometimes things are just meant to take time and being frustrated only hinders your own progress. For me personally, you can’t help but always feel you aren't doing enough in the industry. I feel I've shifted my mindset in what success looks like to me now. I also learnt to take better care of myself including my physical and mental health. Giving myself permission to take breaks without feeling guilty has helped me with being able to sustain all the things I want to do as this career is a long game. I want to start working on some of my own production this year and I’m looking forward to exploring this, even if I don’t end up producing for myself I think it will expand my creative process either way. 

So let’s get into your new project You Know, I Can’t Stay. Walk us through the project including the meaning behind the name, what inspired the overall project, and what was the creative process like putting it together? 

With all of my projects I usually try to remain open to what I am being guided to do and what the body of work wants to be named. A lot of the time the projects are about my own life and what I am experiencing. I don’t intentionally plan to do this though it’s almost like the theme comes to me, I make the songs, put the whole thing together and then usually leading up to the release is when I actually feel I go through those situations in my life. It’s hard to experience this but I know it’s needed. It’s like I have to feel the whole thing myself before it’s shared with the world. 

With You Know, I Can’t Stay, I remember going on a trip to the snow (which is where I recorded some of the Spotify canvas videos just for random content) and on the way back I was thinking about how sometimes we feel obligated to be in relationships that don’t benefit us and in order to grow sometimes we have to leave even though we don’t want to. I was experiencing this with general relationships in my life lately. And the name “You Know, I Can’t Stay” just felt right. As soon as I wrote it down in that way I knew that was it. I usually structure my projects intentionally to tell a story through the track list order and this one was no different. And so with that theme in mind I decided to start with the intro “Different” to set the scene which shares that the person feels there are underlying issues within the relationship. Though after that it’s almost like we're going back in time as I am now beginning to tell the story where two people are starting their relationship and so “I Just Want You” is the first official record to start the story. “Cartier” is where the good vibes are continuing. With “LA” the person is basically saying they see the potential in the relationship and being vulnerable about this. “Meeting in my Bedroom” is kind of self explanatory. “Last One” is where the arguments are starting to begin and they’re questioning the status of the relationship. “Responsible” is the ultimate end where they’re describing what the other person has been doing to them. As we get towards the end of the project with “Change” as the outro we learn that after everything, although the person wants to stay, they can’t because life is pulling them in another direction. It then loops back around to “Different” seamlessly. 

In terms of the creative process, I had been sitting on the second last song “Responsible” for over a year though it was unfinished. I wasn’t sure if I was going to use it initially. Lxndxnave helped me a lot with the writing this time around and there were a few of his random demos that I ended up recording and we built on from there to align with the theme. We were really focused on having all of the beats work seamlessly together production wise, to the point where you don’t know where each song begins and ends. I was initially trying to make songs with a faster BPM to try something different though I felt it wasn’t me so I scratched a lot of them. I think we managed to get a balance of stepping up the craft while keeping it to what people are used to hearing from me. 

How was the creative process different for this new album vs Safehouse? 

With Safehouse a lot of the records we started, were finished and added to the project. This process was quite different. I recorded a lot more demo’s of full songs that didn’t end up making the project. We were also in a different space during the recording process so I think this was quite challenging because I had to push myself beyond my usual comfort zone. A lot of the demos were scratched as some of the recordings weren’t up to our usual standard because of the environment. I feel like I questioned myself more this time around as I felt some underlying pressure to raise the standard as Safehouse did really well. I didn’t feel as much pressure with Safehouse because I was still getting my name out there and experimenting with the sound. Despite the challenges I am happy with how it ended up coming together. 

Who was the production team behind You Know, I Can’t Stay? 

Lxndxnave executively produced the project and we had additional production by DV$TPH, Tokiowahl and Cyclope Beatz. 

How do you push yourself and evolve as an artist?

I think for me I have always had an innate fire to constantly improve with every project I do. I never want to look back and regret not trying my hardest at this and that's something I think about a lot and it fuels me. Mindset plays a huge role in this, doing the work to block out the negative thoughts and limiting beliefs is what I have to work on consistently. I think artists have such a unique way of viewing the world and so I try to do a lot of different things to broaden my perspective so that I am always growing in the way I write and sing. It’s important for artists to look after themselves because this can impact their ability to create, it requires a lot of focus and energy to do this. So I try to do things I enjoy such as explore different areas often, read books about things I’m interested in that don’t necessarily relate to music, watching random things, working out really challenges my mind and I guess just living life but taking notice of the subtle things around me, letting it inspire me to put into the music. Discipline and dedication to the craft is also super important, there are definitely periods where I am not actively making music though I am still contemplating about it all the time and what I can do next. 

So in terms of being an artist how has your experience been so far, and if you could go back in time and give yourself advice from when you first started what would it be? 

It’s taken a lot of hard work and I feel very blessed to be where I am. There are definitely ups and downs though I feel I have achieved more than I thought I could so far. I am so thankful to have people who I don’t know, genuinely enjoy the music and can relate to me and my message. It’s surreal at times. I hope I've been able to inspire people who are in places that I used to be mentally. If I could go back in time I would tell myself to stop doubting and that I don’t need anyone to believe in me but myself. 

For an R&B artist that is just getting started, what is some advice you would give them?

I would recommend finding someone to team up with for example a producer/engineer who you can build your sound with. You really need someone you trust to be in your corner who sees the vision and can also be honest with you along the way. This journey is extremely difficult, you will have many days where you will want to quit and give it all up. So having a support like that to keep you on track when it gets hard is crucial. 

So what’s next for you in 2023, where do you hope to be before the end of this year? 

I’ll be starting to work on my next project very soon. I am not sure what it’s going to look like just yet but I’m excited to try out some new sounds and vocal techniques. Hoping to have this one out by the end of the year. I’ve also been coaching new artists with vocal lessons and overall development so that’s an exciting thing I want to continue to do alongside my own music journey.

Shout some people out who should we feature next on NS? 

If you’re open to featuring producers! Lxndxnave, DV$TPH, Tokiowahl and Cyclope Beatz. 

Any last words? 

I really appreciate Nefarious Supply always supporting me and everything I do! The community you guys have created for independent artists is unmatched. I appreciate the opportunity you provide artists to share their story and the creative process behind the art. It's always therapeutic for me to write about my projects in this level of detail.

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This article was written with the assistance of ChatGPT, a large language model developed by OpenAI.

Bailey Straughn

Bailey welcome to Nefarious Supply, to get this interview started tell us about yourself who is Bailey Straughn, and how long have you been a musician? 

Imma 25 year old blue collar bandit. Was born in Baltimore and lived in Pasadena/Baltimore County for most of my life. I’ve been doing music since I was about 8 but I was 12 when I recorded my first song.

What artists would you say have inspired you on your journey as an artist, and what albums have been in your daily rotation? 

If we’re talking from the beginning it was Outkast, Mobb Deep, Lady Gaga, Eminem, Wayne and whatever else was around it’s really so much to pull from. As far as my current rotation: Valee, MIKE, this salsa playlist I found on YouTube, all my friends stuff they made recently and Ice Spice (Sorry Cadeem).

Tell us about your experience as an artist within the DMV, what’s the area like for underground and emerging artists in the area, who are some of the biggest artists making waves, and what artists you hope to work with within the area. 

It’s probably the most complex area for any industry if we’re being honest. I’ve been consistently active in the space for about 6 years. It feels like everyone is emerging rite now in their own ways whether its numbers wise, live shows, quality of music or marketing. It feels like everyday somebody breaks through and successfully translates what they were always trying to express.. Right now I'm perfectly fine with working with my friends. They are probably the most talented people I know and I'm proud to be a part of this shit with them.

Right now you have two albums “Sadaboutit” and “Onedayatatime.” tell us about both including the meaning behind the names, what inspired both projects, and what the creative process was like around both?

Not to be cringe but Sadaboutit. was made during the most important point of my life. I really had no drive to make music before, it felt like I was in a work sleep cycle. I locked in with Luke Herold one of the best engineers in the world and pretty much made a biography about the last 2 years of my life with extreme vulnerability. Onedayatatime. doubles down on that with better beats, mixing, verses and is just overall the best thing I’ve ever made that’s been released so far. (By the way RIP BBE Chinaman he was on  Onedayatatime. He passed away about 2 years ago and I really think the DMV missed out on one of their most talented artists and aside from the music just a truly authentic/genuine human being.)

What is your favorite thing about being an artist and since your start what are some things you’ve learned on your journey? 

The creating/recording process is always the best part. I learned you gotta be comfortable with yourself and remain composed while trying to achieve the insane goal of making music your full time job. 

If you could go back in time and give yourself some advice from when you first started what would you say? 

After the bar closes GO HOME! 

So what’s next for you in 2023 where do you hope to be by the end of this year, and where do you want your career to be? 

Well for starters last month I dropped a song/video “Whenthehomieslink.” Shot by Jarett Loeffler and produced by Cadeem LaMarr. I’m just putting out stuff randomly for the first half of the year and then I’ll work on dropping another album in the fall. I can tell you that I got a EP coming in the spring with me and Lil Paq that we just recently put together and that project is groovy as hell, real Saturday Night Fever vibes.

Any last words?

BE SAFE KEEP PACE (I know it’s cliche to say drink more water but seriously… do it.)

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SoundCloud Gems - February 21, 2023

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47NEGUS

We’ll start this list with a brand-new vibe we found not even three days ago! 47Negus is an insanely capable artist, and we mean this in more ways than just his incredibly versatile flow. But actually, no. Let’s talk about it. 47 is an incredible lyricist. We counted more than 5 different flow changes on his new track “I COUNT GUAP”, all while weaving together various creative storytelling elements to create an amazing piece. We want to see more from 47Negus all 2023! Check out his new EP as well, “drafts”.

BABEBEE

Babebee is an artist we’ve been meaning to talk about for a while, and with the collaboration between her and simon m coming out with her new EP “tainted in her memories” her spot on this list was solidified! Babebee helms a soft, yet affirming vocal tone that allows her lyricism, to gently guide through the concepts she’s conveying. Her voice almost sounds haunting, as if she’s singing to you from a world you can’t reach, one where only she thrives, and it’s a beautiful display every time. 

RIPTONY

Riptony. What else is there to say? Well if you haven’t heard about this artist yet, let us be the first to let you know, you’ve been missing out. We first saw his efforts on his track “COLLECT ME” with chanelfather and caponeti, and since then he’s never missed once, evidence of this being. With immaculate vocal mixing, infectious beat selection, and amazing animation skills, we’re excited to see what he does next.

MUSA

Musa is a generational talent, and we do not say that lightly. They do everything, from production and engineering to singing and songwriting. Musa has this ability to really form their art around the heart of a concept, and give it a new light. The track “pessimistic” on their new project “111” encompasses this point, with them asking why their partner is so pessimistic, while also confessing how their own pessimism towards themselves didn’t help whatever this could have been in the long run. We love Musa, and we hope they make music forever! 

JAUNTSEN 

Jauntsen is a powerhouse of an artist. With her incredibly passionate tone and insane vocal range, she is able to give the listener an anthemic experience that you really don’t hear that often anymore. Her straightforward and cathartic writing allows us to relate to her on a level that people are sometimes too scared to reach, and this is what makes Jauntsen so amazing. She’s an evocative songwriter and an even more fearless vocalist. Listen to her new EP “one day 2” (which she made in 24 hours by the way!)

T1GERSTAR

When you listen to Tigerstar you feel like a pretty pop girl in the early 2000s, she has such a unique main character energy on tracks that you can’t help but fall deeper into her discography. The song that really got us into her music was her track “metalstar”. When we say the energy blew us off our feet, our bodies started levitating and we simultaneously reached nirvana as we gently glided up to Valhalla (none of this happened). Tigerstar is something of a wildcard, where you really don’t know what song she’ll do next. It can be pop, digicore, metal, or something completely left-field. In any of those scenarios, however, you know one will always be true, she’s gonna kill it. 

SWAZY

Swazy just dropped his new song “crashout*” and we knew it was time more people were talking about him. Swazy can give you any vibe you want, but it will always make you bump your head, from insanely hard production and even heavier-hitting lyricism (check out his song “been it*” with riptony), to heartfelt ballads over expressive guitar melodies and creative drum patterns. Swazy is also an amazing songwriter, from tracks like “painful song about mother*” where he talks about how how the tragic event of his mother’s passing has affected him, to his braggadocio-bleeding anthem “stop it*”. The man is definitely next up, and we’ll be seated at every moment.

TSUYUNOSHI

Every time we listen to a Tsuyunoshi song we feel like it’s the last day of school right on the cusp of summer. That festive, deep breath of fresh air that has you knowing the next few moments of your life is gonna be okay, fun even. Tsuyunoshi has a skill for tackling heavy romantic subjects within a light-hearted atmosphere. On songs like “head in the clouds” where he begs for peace of mind and time away from someone in order to focus on himself and his vision, and “house of cards” where he’s battling a version of himself he doesn’t like, Tsuyunoshi will have you dancing in your living room one moment, and thinking introspectively the next. He is one to definitely look out for this year. 

VAI5000

Vai5000 is a really unique artist for us because she is our first Vocaloid producer! Yes, you heard it here first folks, Vai5000 is actually a multifaceted creative, delving into gfx, vfx, animation, and illustration, all to create a brand new world for her music to live in, and she does that masterfully. With well-placed features, insanely cool art styles that almost tell a story, and extensive musical prowess, Vai5000 is here to stay, and we’re stamping that. Check out her newest release “replicant” with i9bonsai today!

VALBERRIE

Valberrie is a newer artist to us as we only began listening to her a few months ago, but every song she releases is a bop, and we mean that in the purest of forms. You just can’t help getting fully invested in the atmosphere of her tracks, and her use of vocal mixing allows her voice to sound ethereal and comforting to first-time listeners. She has very relatable lyrics and her features always seem to enter her world and amplify the story behind the tracks, very good placements on her end. Valberrie is a fun and entertaining artist we think should be on everybody’s playlist! Check out her new song with rans0m, “peace”. 

Sincere Hunte - Roadman

Sincere Hunte is a rising star in the music industry, hailing from Nashville, Tennessee. An artist that has thoughtfully crafted his own unique style of hip hop. Sincere Hunte has quickly become a force to be reckoned with in the music world, and like many of the artists coming out of Nashville he is becoming a favorite of our team. Always striving for growth Sincere Hunte has consisttly released amazing bodies of work and his new project ROADMAN is no different.

ROADMAN, is Hunte’s latest addition to his growing discography, which includes “SO FAR SO GOOD” which was dropped in 2021, and The Genesis, which dropped last year. This new album features guest appearances from some of the biggest underground artists in Nashville, including Ronin Black, Georgie Zaven, Mike Floss, $avvy, and Devin. Creating a new body of work for an artists that takes their work seriously is never easy and the creative journey behind ROADMAN was a long and challenging one, as Hunt faced numerous obstacles along the way. However, despite the difficulties, he was determined to bring his vision to life and create an album that would truly represent his artistry and connect with his fans.

A big challenge that Hunte faced during the creation of “ROADMAN” was balancing his artistic vision with the expectations of his fans. He wanted to push the boundaries of what was possible with his music, while still maintaining the style and sound that his fans had come to know and love. To achieve this, he worked closely with his production team to craft a sound that was both innovative and accessible, and that would truly showcase his skills as a rapper and a producer. Taking those risks paid off because not only does this album feature some of the best music we’ve heard in a while, anyone that has listened to his previous work can hear the growth and that is exciting.

When working with other artists to create music espcially an album there is balancing act that place, and with ROADMAN, Hunte was able to do so perfectly. The guest features on ROADMAN played a significant role in the creation of the album, as each of the artists brought their own unique style and perspective to the project. Some of the best songs on the album come from his collaboration with members of the Nashville based collective Dadabase. Including Carried Away 4(U) & Right By Your side with Georgie Zaven, as wella as DJ Girl with Savvy (Another favirote artist of the NS Team). The collaborations on ROADMAN are truly a testament to the depth and diversity of the hip-hop genre, and show just how much Hunt is pushing the boundaries of what is possible in the genre.

The production aspect of ROADMAN was a collaborative effort between Hunte and his production team which included Jayyun, Enxgma, & Lloyd Flannel, this team creativity was a key factor in the success of the album. The beats, samples, and overall sound of the album were carefully crafted to create a cohesive and engaging listening experience, and to showcase the wide range of Hunt's musical abilities. The end result is an album that is both innovative and classic, and that truly showcases Hunte's artistry as a rapper and producer.

Hunt's lyrics on ROADMAN are deeply personal and introspective, and showcase his growth as an artist and a person. He explores a wide range of themes, and conveys his message with a unique perspective and a powerful voice. Through his music, Hunt hopes to connect with his fans on a deeper level and to inspire them to think critically about the world around them.

ROADMAN is a continuation of Hunt's growing discography, and showcases his growth and development as an artist. We are excited to see his growth as an artists and more than enjoyed his new album. Read our interview with him below to learn more about Roadman.

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Can you discuss the creative journey you took while creating ROADMAN? What was the biggest challenge you faced, and how did you overcome it?

The journey was a long one, a few of the verses are years old as well as some of the hooks I had spread out over other beats. A huge challenge which I feel is the most important thing when making a project is making it cohesive and conveying a message but also keeping it ‘me’, in a sense. I feel like there’s a few songs like ‘Carried Away’ with Georgie or ‘ROADMAN’ where I kind of strayed away from what I’m used to, another part of the journey was accepting the evolution in that, which feels to me like a big step.

What was your initial vision for ROADMAN and how did it evolve over the course of creating the album? Can you walk us through the process of bringing this vision to life?

My initial vision for ROADMAN was completely different from what it came to be. Originally, it was supposed to be an EP titled ‘Between The World & Me’ but that felt like something I had already done before, I had a shift in style not only inward but also outwardly. My beat selection changed, subject matter, even the way I dressed. I started delving through UK street culture and that’s really when my friends started calling me Roadman, and then, I actually made the song ROADMAN and was like “Okay I can get behind this”.

Can you talk about the guest features on ROADMAN, specifically Ronin Black, Georgie Zaven, Mike Floss, $avvy, and Devin? How did these collaborations come about and how did each of these artists contribute to the final product?

AH YES! The features are my favorite parts of the project. Everyone did their thing! I made ‘TIL THE END’ during the ‘So Far So Good’ sessions but even then, before I had formally met him, I knew I wanted Floss on it. It worked out better than I could have possibly imagined. As far as Sav and Georgie, being in a collective with those boys and knowing what they can do, I usually just give them the ball and get the hell out of the way. I produced ‘BY YOUR SIDE’( with the help of Enxgma, GK, & Jayyun), ‘CARRIED AWAY’ (alongside Jayyun) & ‘DJ Girl’ knowing I wanted their help on those 3, I actually wrote ‘Carried Away’ for Georgie but something happened along the way and he didn’t take it so I put him on the hook.

‘BY YOUR SIDE’ was one of those early morning cook ups and I figured G would sound good on it too. ‘DJ GIRL’ came about when I played the beat for Sav he instantly said he wanted to get on it, had no idea what he was gonna do on it but then it came about and was like “Fuck it, it’s his song” I loved it instantly. Devin was also another no-brainer. I heard his tape ‘Hood Tears and Doldrums’ and DM’d him right after, it was mutual respect, we chopped it up, sent him a few beats Jayyun had ready, he sent it back like two days later. BODIED. ‘EXOSHAPER’ was an interesting one because, for the longest, I wanted to throw it away. Then I heard a Ronin song which sounds nothing like ‘EXOSHAPER’ but it had the same feeling, so I sent it to him, a few weeks later, he played it for me outside the club, I knew I made the right choice instantly.

Can you delve deeper into the production aspect of ROADMAN? Who did you work with on production and how did they help bring your vision to life? How did you approach the beats, samples, and overall sound of the album?

There’s 4 main producers on the album, Me, Jayyun, Enxgma, & Lloyd Flannel. Not only do I consider them my friends but they are also super talented and they just get what I go for when I’m locked in. We weren't going for anything too specific as far as sampling, I was more so focused on the drums, making sure that they were chunky and full, every kick feels like a kick to the chest, and every pattern isn’t the classic boom bap but keeping the same feeling. I’m already very selective when it comes to beats, so I approached this production and sequencing differently, I let the drums lead and built around those. I wanted to keep my previous sound from before but let it evolve, I’d like to think I succeeded.

The album cover for ROADMAN is intriguing and thought-provoking. Can you discuss the concept behind the cover and how it relates to the overall theme of the album?

Honestly, there was no major concept for the cover, I just think it looks cool and every project I try to do a logo with it. As far as relating to the overall theme of the album ‘ROADMAN’ is new to this city, running from past mistakes it feels like an ID picture at the DMV almost.

Your lyrics on ROADMAN are very introspective and personal. Can you share more about the inspiration behind the lyrics, and what you hope to convey to your listeners through your music?

All of my lyrics are feelings, even if you haven't been through what I’ve been through, you can still feel what I felt. That type of shit can’t be imitated, that’s what I feel makes good music good. I hope to inspire, I feel like everyone has been dealt a hand and no matter what, you can be expected to lose or be fucked up about something. You’ll make it through, nothing lasts forever.

How do you feel ROADMAN fits into your overall discography and showcases your growth as an artist? Can you discuss the differences and similarities between ROADMAN and your previous work?

As far as growth, I feel like I finally have good hooks and my bars keep improving at a rapid pace. I listen to old verses like ball players watch plays, seeing what I could’ve done better but truth be told, I give all proof of growth to God. I think ‘ROADMAN’ is a good mix between ‘The Genesis’ and ‘So Far So Good’. It’s the more mature bars from ‘The Genesis’ and sonically a more polished ‘So Far So Good’, it fits well like the previous works are 1 + 1 and ROADMAN is the answer, 2. 

Can you talk about the role that personal experiences play in your music and how you use them to connect with your listeners? How do you balance the personal with the universal in your music?

Personal experiences are everything to me. It makes up almost all of my music. I think music is mainly personal when created, it only becomes universal when the consumer interprets it. It all comes from the soul if it’s done right. 

In your opinion, what is the current state of hip hop and how do you see ROADMAN fitting into the genre?

Me personally, I feel Hip-Hop is exactly where it needs to be, I mean, of course it’s few instances where people are not putting their soul in to fully but it’s still what it has always been, I have so much love for it and for that same reason i feel ROADMAN fits well, it’s raw expression through poetry.

Can you discuss the creative choices you made when producing ROADMAN, such as the incorporation of different styles and sounds, and why you made those choices?

When making the songs, I wanted to explore other styles while still keeping it ‘me’ that's how songs like ‘CARRIED AWAY’ came about, it’s the same formula just with a different flavor or even ‘ROADMAN’ it’s the same thing, It’s still me just a little more of something else in the pot.

What do you consider to be the standout tracks on ROADMAN and why? How do these tracks represent the essence of the album as a whole?

I feel like every track could be looked at as a standout track depending on where you're standing, I’ve tried asking my friends the same question, it’s always a toss up with very valid points. If I had to pick though, I’d say, ‘EXOSHAPER’, ‘ROADMAN’, ‘CARRIED AWAY’, ISITREAL’, then a toss up between ‘TIL THE END’ and ‘BY YOUR SIDE’. These songs embody the whole project, all different perspectives on the same life through a different scope.

How do you approach your live performances, and how do you feel ROADMAN will translate to your live shows?

I made these songs with the hope of more crowd engagement. I feel like at my shows before it was a lot to digest all at once with the deep raps so with this one I wanted to give the same messages with a different type of energy behind it. Some head banging, some dancing, maybe even moshing .. One song I really want to perform is ‘TIL THE END’, in my head it already looks crazy.

Lastly, what do you hope listeners take away from ROADMAN, and what message do you hope to convey with this album? How do you hope this album will impact the world and your fans?

The message is and has always been, there’s many roads to get to where you want to go. There’s no right or wrong way to do anything as far as goals, you do what you are comfortable with. What makes sense. Keep God with you and you’ll be straight. I honestly just look to inspire like the ones before me did for me, I’m no role model but hopefully people can take something from this that makes them better in some way.

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Artist of the Month January 2023 - JYou

Underground musical artist JYou has recently released his new album "Living on The Edge", a body of work that showcases his artistic growth and maturity. The album title perfectly encapsulates JYou's state of mind during its creation. It speaks to the inner turmoil he experienced, grappling with the complexities of life and the challenges that come with it. JYou bravely tackles the struggles of coming of age, the pressure of societal expectations, and the impact of systemic racism in America, all while attempting to find purpose, peace and progress in life.

JYou’s journey of self-discovery is evident in each track on the album, as he collaborates with a talented group of artists including Nobody’s Home, KON, WowJus7in, Chuck iNDigo, and Ashley EMJ. Each song serves as a testament to his raw and emotional lyrical style, and the production showcases his ability to craft a sound that is both authentic and innovative.

One of the standout tracks on the album is "Can’t Believe", a song that reflects JYou's disbelief in the world and its injustices, while also exploring his personal journey of self-discovery. "Broke Boi" featuring KON, is a tribute to the hustle and grind required to make a name for oneself in the music industry, while "Handle" delves into the pressure of life and the emotional weight it can bring. Finally, "Backkk" with Chuck iNDigo, speaks to JYou's journey of shedding past trauma and moving forward in life.

JYou’s unique approach to music has earned him a dedicated fanbase, and with "Living on The Edge", he is sure to gain even more recognition. He believes that this album has the potential to reach a wider audience, and that its themes will resonate with listeners for years to come. With its captivating sound, raw emotion and thought-provoking lyrics, "Living on The Edge" is truly a standout album, one that should not be missed.

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JYou, it’s been some time since we had you on Nefarious Supply, and we are excited to have you back to get this interview started. Give us an update on what's been going in with you since out last interview with you?

So much it’s truly been a blessing. I’ve been working on music of course, that’s 24/7. Expanding my knowledge and skills in all areas, performing and shit. My bros and I decided to launch our creative collective Inner Circle, so that’s been really exciting as well. 

All the musicians out of Nashville have been going crazy and you’re no different. How is the area now for underground music? Has there been more musicians coming onto the scene?

It’s really beautiful, I can’t speak on how things were before I’ve come around the scene but I see a lot of folks now really being unafraid to be unapologetic themselves. I think that inspires everyone to do more and push us all forward. The sense of support in the community has been the best I’ve felt. And it’s so many new people moving here too, so that's really grown our creative space.

Who are some of your favorite artists right now, and what albums have been in your current rotation?

I have so much music in my rotation that things change by the month. I’ve been heavy on that yatchy album which is a beautiful listening experience. Jordan Ward, Kaycee, LAYA, and of course myself have been the main rotation these past couple weeks. 

Last we talked you had just put out your new single “G.L.C” since that time, how have you grown as an artist and what are some things you’ve learned about yourself, the industry, as well as being an artist since then?

I feel like I’ve grown in so many ways since. I was having a conversation with a friend and we were talking about finding my sound. And I can’t say I’ve found it, but I think now I’m not necessarily looking for it. I love making music and I've learned to be more free flowing in my process of making it. One big thing I’ve learned is just be you! Do what makes you happy, don’t function by an algorithm. 

Following up on “G.L.C.” you released two songs in 2022 with Casein “Soberimwitchu”, & “Addict” walk us through both songs including what inspired them, what was it like making both, and what was the creative process like working with Casein?

Casein is a great producer! He hit me up earlier in the year to work and we made a couple tracks. I believe he sent me a few beats and I wrote to them and recorded. We are supposed to collaborate again so stay tuned for that! 

Bro your new album is crazy! Walk us through the album including the meaning behind the name, the overall creative process behind it, and what this album means for you as well as your career?

Thank you so much! This album is like a baby to me, I’m just now presenting it to the world. I made the first song (backkk) in early 2021 and the last song (nest) in November of that year. It was hella organic, we had a bunch of sessions over a couple months. We listened back to them midway in the year and found like 5-6 songs that were in that same vibe.

Living on the Edge, the title relates to how I was feeling at the time when making it. The tug of war in feelings and actions, the questioning of purpose and faith, the overwhelming pressure that life can put on you along with the horrors of being black in America. I want to feel better and be better for myself but what does that look like for me? The album talks about all that, and my struggle with coming of age and having to shed past trauma while still progressing and elevating in life. I feel like this album really is money, like it could be charted or something with the right eyes on it. I believe it’ll be one of those projects that’ll age really well. 

Talk us through the production of the album including who you worked with?

Nobody’s Home (the trio of Greg Walton, Jackson Thatcher and Jack Keller) the goats man! We got like a catalog full of songs together. It's crazy! They produced every song except one (handle). Super fire group, I had reference tracks and a few demos for some of the songs, and they really brought that shit to life. If you’re an artist and you are reading this, go book them boys mane! Handle was produced by KON and WowJus7in. It was actually KON’s beat he was going to make a song too. I heard it in a session with Justin and fell in love with it. I wrote the verse in like 10 minutes lmao. It just felt right 

So front to back we love the entire album but our favorite songs on the project include the opening song “Can’t Believe”, “Broke Boi” with KON, “Handle”, and “”Backkk” with Chuck iNDigo, walk us through each of these songs?

“Can’t believe” was a true tug of war. Picture that guy that thinks he’s good but his actions never follow suit. Very vulnerable song, and the keys+drums+bass combo hits your soul. “Brokeboi” like a lot of these songs was written in one session. I remember being in the studio with Nobody’s Home and KON, Jackson was playing the rift and I immediately made the chorus. Told bro the theme and we got to writing. We replaced all the “I’s” with “He” to make it feel more story-like and relatable. “Backkk” was originally from a YouTube beat, it was way darker. S/o to Nobody’s Home for creating a more of upbeat rendition. I showed Cole (@mixedbycole) an early version and he suggested to get Chuck on the hook.

On this new project you featured KON, Chuck iNDigo, and Ashley EMJ, what was it like working with each of them?

It’s amazing, they’re all very talented individuals that inspire me. I’ve worked with KON since the beginning so it’s amazing to see our growth. Imma fan of Chuck’s music so it’s always dope when we can collab. And last but certainly not least Ashley EMJ is so wonderful to work with! Incredible writer and vocalist, it’s so seamless anytime we are in the studio together. We got a couple of crazy unreleased tracks, hopefully y’all will get to hear those too. 

So what’s next for you in 2023, where do you want to be by the end of this year, and where do you want your career to be by the end of this year?

INNER CIRCLE! We got a bunch of things planned this year so follow our socials @inn.circle and stay up to date! Personally imma drop more this year too. I have a bunch of unreleased songs so I'll be back on heads before the summer for sure. 

For an artist just getting started right now what is some advice you would give them?

Work everyday! However long you need to on each day , just work on your craft. A little bit goes a long way and days stack on each other. Don’t push it off until tomorrow, do it right now! 

What artists should we interview out of Nashville in 2023?

Ashley EMJ 

Any last words?

Love y’all 

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This article was written with the assistance of ChatGPT, a large language model developed by OpenAI.

Success for Underground Artists: A Guide to Building a Sustainable Music Career

Starting a music career can be exciting, but it can also be tough, especially if you're an underground artist. It's a competitive industry, and burnout is a common pitfall for young artists. However, with the right mindset and strategies, you can grow your career consistently and avoid burnout. In this article, we'll explore some tips and strategies to help you build a successful music career.

Focus on developing your unique sound and style

The music industry is saturated with talented artists, so it's essential to stand out from the crowd. To do this, you need to focus on developing your unique sound and style. Find your niche and focus on honing your skills and creating music that sets you apart from the rest. This could involve experimenting with different genres, incorporating different instruments, or exploring different production techniques.

Build a strong online presence

In today's digital age, a strong online presence is crucial for any artist looking to grow their career. Make sure to have a professional website and active social media accounts where you can share your music, connect with fans, and promote your events and releases. Platforms like SoundCloud, Bandcamp, and YouTube are great places to share your music and reach a wider audience.

Network with other artists and industry professionals

Networking is crucial in any industry, and the music industry is no exception. Attend concerts, music events, and festivals, and take advantage of opportunities to meet and connect with other artists and industry professionals. Building relationships and collaborating with other artists can lead to new opportunities and exposure for your music.

Collaborate with other artists

Collaborating with other artists can be a great way to gain new exposure, learn from others, and expand your musical horizons. Find artists whose music you admire and reach out to see if they're interested in collaborating. This could lead to a new sound, new fans, and new opportunities for your music career.

Focus on your mental and physical health

As a young artist, it's important to take care of yourself, both mentally and physically. Touring and recording can be demanding and stressful, and it's essential to prioritize your health to avoid burnout. Make sure to take breaks, exercise regularly, and engage in activities that bring you joy and relaxation. Also, consider seeking support from a therapist or counselor if you need it.

Be consistent and focused

Consistency is key when it comes to growing your music career. Make sure to release new music regularly and maintain a steady presence on social media. This will keep your fans engaged and interested in your music. Additionally, stay focused on your goals and never lose sight of what you want to achieve in your career.

Utilize digital marketing strategies

Finally, utilizing digital marketing strategies can help you reach new fans and grow your music career. Consider investing in online advertising, such as social media ads and Google AdWords campaigns, to promote your music and reach new fans. You can also use email marketing to keep in touch with your fans and let them know about your latest releases and events. Partnering with music blogs and websites is another great way to gain exposure and reach a new audience.

In conclusion, starting a music career as a young underground artist can be a journey full of challenges, but with the right approach, you can grow your career consistently and avoid burnout. By focusing on developing your unique sound and style, building a strong online presence, networking with other artists and industry professionals, collaborating with other artists, taking care of your mental and physical health, being consistent and focused, and utilizing digital marketing strategies, you'll be well on your way to building a successful and sustainable music career.

Remember, the key to success in the music industry is to stay true to yourself and never give up on your dreams. It's a challenging journey, but with persistence and hard work, you can achieve your goals and make a lasting impact on the music world.

Sources:

• "The Importance of Networking in the Music Industry" by Alex Baker, Sonicbids (https://www.sonicbids.com/blog/the-importance-of-networking-in-the-music-industry)

• "Music Marketing Strategies for Independent Artists" by Jey Han Lew, Hubspot (https://blog.hubspot.com/marketing/music-marketing-strategies-independent-artists)

• "10 Ways to Stay Motivated and Avoid Burnout in Your Music Career" by Mike Levine, Sonicbids (https://www.sonicbids.com/blog/10-ways-to-stay-motivated-and-avoid-burnout-in-your-music-career)

This article was written with the assistance of ChatGPT, a large language model developed by OpenAI.

Xabiel Lucia

Xabiel Lucia, welcome to Nefarious Supply we are excited to finally feature you on the platform for 2023. To get the interview started tell us about yourself, who is Xabiel Lucia, what experiences have influenced you as an artist, and how has your experience been so far as an underground artist?

Hello i am Xabiel Lucia, an up & coming artist from the beautiful city of New Orleans. I am the everyday person, I am as normal as a random guy walking passed you on the streets, the one thing that separates me would have to be my art such as my music, the sounds that i put out into the world. 

I’ve been inspired by many, coming from the islands I first fell in love with my native music which is Bachata & other melodies with guitars, drums, & other instruments that just make you want to dance or cry lol depending on how it makes ya feel. Coming to the states at a young age was very important for my family & in the long run it was also important for me because it allowed me to change it made me into who I am today. Many american artists have touched my heart like Michael Jackson,Lil wayne, Travy McCoy, Kanye West, Kendrick Lamar, Ole Dirty Bastard, MF DOOM so on so force, other artist that aren’t from the states but did exactly what im doing like M.I.A., Rihanna, & others that I can’t quite remember atm.  My experience as an underground artist isn’t so bad, I’m in my beginning stages, is a little ruff yeah sometimes I feel like quitting off course, I never really have the balls to do it I don’t know why something just doesn’t want me to stop I guess. I love it all. 

NOLA seems like a bedrock of talent, we've featured a number of artists from the area including Lango and Three65 and they've had nothing but positive things to say about the area. So tell us about your experience in NOLA, what the underground scene is like out there, and how this area influenced you and your sound? 

The city’s amazing, the culture is so fascinating, i like it. I hate the people, the underground scene is filled with ZOMBIES, walking copies of the same person. The love/support is kept for a specific group of people, I’m not in the list. Is okay. That’s all i have to say.

What artists would you say have had the biggest influence on you and your sound, and what artists have you been listening to?

Kendrick Lamar Kendrick Lamar Kendrick fookin Lamar. The man is a different breed of human a different artist when he touches the mic, i can fanboy all day but i wont. Let me keep it short he’s helped me in ways no one has ever done. He truly is a special person to me and his music will always live with me for now and then. 

What are some of your favorite albums right now?

Mr.Morale & The Big Steppers, ANTI (Rihanna), I Rest My Case (Youngboy Never Broke Again)

Xabiel it's insane how good your production is! Walk us through your creative process from beginning to end, and how do you know when you have something you're ready to share with fans?

Thank you, nowadays is a little bit harder for me to find inspiration just because I’ve been doing it for a while so it’s not like how it used to be where I could listen to a beat and I’m instantly hard for music. No it’s not like that anymore. Oh, I have to truly feel a certain way with myself and with the environment and with everything, I can’t just get on any beat nowadays. Don’t get it wrong though I’m still working a lot. 

I know exactly when something is ready to be shared with my friends/fans whenever I put my headphones down and walk away from my microphone and I hit play and I start fookin dancing to what I just made. That’s when I know I’m ready to share.

Right now you have three projects out that we've really enjoyed; "Ush Up World", “Iheart×l”, and” l'm Home”. Tell us about these projects including what inspired them, the creative process and timeline behind each, and out of the three which project is your favorite.

Thank you for tuning in, Ush Up World comes from a happy & exciting place, it truly  is a masterpiece & one day it’ll see the light of day. IheartXl was made simply bc i can, i have the privilege to do so, GOD gave me the tools so im utilizing them, simple as that. I’M HOME is a special peace to me, the backstory behind it is kinda personal so i won’t speak on it. Thank you. 

There’s no favorites. 

Across your discography you've worked with a number of talented artists including Mdmlil1, Staxx, Lango, Mvddmvcc, and more. How does your creative process change when collabing with other artists, and what's your favorite aspect about working with other artists?

Whenever i work with peopll, the first few words are thank you for the honors, are you ready to make music, that implies that we are about to kill it in ways that will get us locked up for life. Everyone has shown a different side of themselves when it comes to working with me & i love it. Never box yourself in.

If you could go back in time to when you first started your journey, what's one piece of advice you would tell your self? 

Keep your ears open & your mouth chirping.   

Shout some friends out you think we should feature on here.  

Neno Fresh, neno is like the older brother i never had, he actually inspired me to start recording music, i use to write poetry. Saudii, saudii is also another dominican aritst who stands out so much, & he’s in connections with a very important person who I won’t say much about. Last but not least my brother Bebe Static, my day one, a true talent sent from idk where lol.  

So what's next for 2023? 

Im definitely making it.  

Any last words?

Music lives, you don’t. -xL

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Artists to Look Out - January 2023

Leastfavorite

Leastfavorite, also known as lfav, is an upcoming multi-faceted underground artist, who provides vocals, production, and imagery to her music all on her own accord. Breaking out with her newest project, isomorph, the young artist has shown that she is able to create beautiful art that will stand the test of time! Her sound delves more into electronic spaces with hints of many other genres, such as alt-rock, rap, and pop mixed within! Trust me, once you’ve listened to her, she’ll be on your playlist.

Corefish

Corefish is an artist that caught our ear off the first listen to his debut album, “SPLIT”. His sultry, energetic, and wanting vocal tones, mixed with fantastic production and engineering put you in another world entirely. Corefish talks about love, self-actualization, coming into your own in an unknown world, and ultimately trying your best to be okay, even when you don’t know how. He’s an amazing talent and is definitely on our radar this year. 

Kurtis

Kurtis has been on fire since mid-2022 with the release of his tracks “walking in the fog” and “brittle bones”. The latter, specifically, would land him a longtime collaborative relationship with producer, grayskies, who would go on to make the groundwork for Kurtis’s other big hits like hide n seek with Rouri404, arsonist, and his newest release, inertia. Kurtis helms a haunting yet powerful voice and his unique tone of voice gives adds itself as a perfect device for his great storytelling.

Leyton

We found Leyton on Soundcloud through listening to Leastfavorite and found her music to be cathartic and her lyrics infectiously deep. Leyton has been in an ongoing collaboration with producer typhoon, who has laid the groundwork for her last five singles, and this duo’s ability to create a catchy, endearing, yet heavy-hitting piece of music is astonishing and captivating. Please listen to more Leyton this year! We promise you won’t be disappointed!

Visions

Visions has been a big part of the underground community for a while now, having originated under the now-disbanded collective, gunrange, Vision’s soon took the underground by storm with his collaboration track give up, with vizzi, before following it up with the even more popular “replay” with rans0m! Vision’s uses heavy voice processing and a high-pitched, melodic flow that cuts through the heavy 808s surrounding his production. Visions is on the rise and should be on your playlist today!

Thrml

Thrml has an incredibly deep tone of voice which makes his style of singing that much more enveloping. With his husky delivery and the bounce and levity his beat choices, Thrml constructs a sturdy field for his vocals to play on. He writes amazing music and should be on everyone’s radar in the new year. Listen to his new track “ticking away” featuring himiko and sqeffy!

Drama Trial

Drama Trial is a newcomer to the scene that broke out doing something radical by today’s standards. They would release a song every single day. No joke, every day. The beauty of this was that every song was completely unrecognizable from the last, and the production quality of each was immensely impressive. Their song (re)percussions hit like no other in its second half, leaving you in shock and awe, from its incredibly weighted 808s and basslines, to Drama Trial’s beautifully distorted vocal style. Definitely an artist we’re excited to see more from!

Tokimi

Tokimi provides a breath of fresh air to fans of pop and alternative music. A newcomer in the scene, Tokimi has a unique sound that can’t really be described in many words. The ones that do come to mind are usually “experimental”, “breathtaking”, and “pretty”. From his incredible layers to his anthemic and aesthetically pleasing production, Tokimi is a heavy hitter that needs more attention this year!

Noozi - Losing

Noozi welcome to Nefarious Supply, to get this interview started tell us about your self. Who is Noozi, how long have you been an artist and how has your experience been so far?

Thank you so much! I’m so happy we get to do this. So, a little about me… I’m an R&B singer-songwriter, born and raised in Florida. I’m from Jacksonville, Florida and moved to Nashville, Tennessee about 2 years ago. I have been singing my whole life, but really I say I’ve been an artist for 2 years now. That is when I put everything else aside and started to pursue music as a career.

My artist experience so far, truthfully, has been a challenging but beautiful one. There are two sides to being an artist. I have felt a lot of frustration. I have had to do a lot of inner work and grow a ton in order to get to this current release. I can be super hard on myself, and as an artist there is a lot of pain that comes along with creating. However, it has been so fulfilling and enjoyable at the same time. I have learned so much about music and about myself. Seeing all the hard work pay off is always worth it. I am getting to work with so many talented people and experience so much because of it. I wouldn’t trade it for anything else.

How’d you come up with the name Noozi?

Noozi comes from my last name. My friend came up with it when we were in highschool and since then it has just stuck. The name just feels like me. Before I started using it as my artist name it was a nickname my closest friends used for me, and I thought that was really cool. It was like the people that knew me the best would call me Noozi and the rest would call me by my government. With music being the most authentic version of myself, it only felt right to use that as my artist name.

Where are you based out of and how’s the underground music scene in the area?

I’m currently based out of Nashville, TN. The underground music scene here is so rich. The reason I moved here is because of all the talent I saw developing here, especially in the Hip-Hop and R&B scene. It’s crazy. It is definitely beginning to gain some attention, and it is well-deserved. I have met some of my best friends here and am amongst the most talented creatives, musicians, artists, photographers, all that. I feel really blessed to be a part of it at this moment in time. It feels like we’re making history.

What’s your favorite aspect of being an artist?

The therapeutic role it plays in my life. I have a real tough time feeling centered sometimes and music can really get me there. When I am writing and creating, often alone, is when I feel most connected to life and the universe and myself. It’s healing. Then, taking that and being able to do that with people is even crazier. Creating with people in the studio or connecting to people on stage can be one of the most energizing experiences for me. It is two very different feelings, but they both feel like they just give me life.

Which artists would you say have had the biggest influence on you and your music, and if you could name three must listen albums what would they be?

Some of the artists that have had the biggest influence on me and my music, in no particular order, are Erykah Badu, India Arie, Frank Ocean, Lauryn Hill, Jennifer Hudson, Jazmine Sullivan, Rihanna, Aaliyah, Otis Redding, Sza, Solange, and J. Cole. The main thing I love about all of these artists is how soulful they are. They have developed the skill of telling a story and really making you feel it. 

Ooo, three must-listen albums is a tough question for me… I’ll say Channel Orange, Miseducation of Lauryn Hill, and A Seat at the Table.

Tell us about your new song “Losing”, what inspired it, who helped you with production, and more on the creative process around it.

“Losing” is my first release ever. It’s crazy to say. I didn’t plan on waiting this long, but I’m glad I took my time and love how it’s all playing out. “Losing” was in the works for a while. I wrote it about a year after I moved to Nashville. Just me in my little bedroom studio, in my feels. The song is about a toxic relationship and how difficult it can be to let go. It encapsulates the frustration, pain, and epiphany moment that comes along with a toxic heartbreak. Trying to get through to someone and wishing they would change, but then finally realizing it isn’t on them to change, it’s on you to stop putting up with it. That is what “Losing” is. It is that realization that the relationship you're in is just “L” after “L” after “L” and you deserve better. It hurts, but it’s just as freeing as it is painful, deciding to finally let go.

At the time of writing “Losing”, I still didn’t know anyone in Nashville, especially in music. So I was stuck with this really rough demo and had no idea of how to get it to a final product. It wasn’t until I started meeting people at Jack Vinoy’s first writing camp (shoutout Jack!) in February of 2022 that I finally started to be able to get it into the proper hands. I ended up working with SCiFY and Pete Eddins on it, who are now two of my favorite people to work with. SCiFY produced the track and Pete mixed and mastered it. My next couple releases are with them. I feel so grateful to have found such a great team to work with.

I wanted to do a visual along with the release. It being my first release, this was also my first music video. I was mad nervous because it was totally new territory for me and way out of my comfort zone, but it ended up being such a dope experience. BlackStarVisions produced the video and it was really just me and him the whole way through. Thank goodness for his patience with me, because it definitely took me a second to get comfortable in front of the camera. I am so glad I did it, though. I love the way it turned out, and I really enjoyed the experience. Definitely check out the video if you haven’t!

Tell us about your overall creative process from beginning to end, what steps do you take to get you in the zone, and how do you know when you have a song you really like?

My favorite way to write my music is alone in my studio with a lot of time to kill. It takes me a few minutes to get into a flow, but once I do I’m in there for hours. It’s the best. Oftentimes, it can be hard for me to open up or sort out my thoughts and feelings. When I hear certain chords or tracks, it’s like a key that unlocks all of that and allows my emotions to just pour out into these lyrics and melodies. It’s so therapeutic for me. To find the right track to write to, I like to just take a couple splice loops and make a really quick beat from there. That will be the foundation for the song. It’s almost always the beat or a nice chord progression first, then I freestyle melodies and lyrics over it. From there, I’ll just keep building on it. Then, once I have recorded the vocals and decided I like the song enough, I’ll take it to a producer to help me pull it all together.

I usually know right away if it is a song I like based on the feeling I get. It’s tough to explain. It’s just a vibe, really. If I am not overthinking and I am just letting the music pour out of me without trying to control it too much, those are almost always the best songs. The feeling is there the whole time, so I don’t have to really think about it or question anything.

So what’s next for you in 2023, what are some big goals you hope to accomplish before the end of the year?

This year feels like the very beginning. This is all new territory for me, so I don’t exactly know what to expect from 2023 yet. My goal is to stay locked in and be in a position to seize every opportunity as it comes. I have a ton to learn, so my main intentions for this year are to really focus on refining my skills musically and artistically and continue to write and create. I would really like to release a few more songs before the year ends. I have two in particular I am currently really excited about. That, and my focus is on performing a lot more. Live shows, 2023!!

For brand new singers looking to get started in 2023 what’s some advice you would give?

Hmm… I guess I would say to trust your gut, because that will guide you in the right direction. If you’re ever confused or not sure of what to do next, you always have that internal compass you can turn to that’ll never steer you wrong. That, and know why you are creating and why you want to sing, and remind yourself of that “why” each day. Create for that reason. It is easy to get swept up in everything else, so try to stay rooted in that. That way you’ll be able to keep pushing through all the tough shit that comes along with being an artist. Your “why” will also allow you to push yourself outside of your comfort zone, which is a huge key to seizing opportunity and your growth as a singer/artist. So, trust your gut and remember your “why.”

Any last words?

Thank you so much for taking the time to get to know me a bit. “Losing” is out everywhere now!! Go stream it and watch the music video! & More music is on the way. ;)

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Scotty Apex - Data Bend

Scotty, welcome back to Nefarious Supply to date this is our third time featuring you and we couldn't be more excited to have you on again. To get this interview started give us an update on what’s been going on with you, how was 2022, and how is the new year so far? 

Wait, 2022 is over already? Haha. I feel like 2022 went by so fast for me. These last few years honestly have zoomed by, but this was another year I found a lot of growth, creatively, spiritually, internally, experienced a lot and learned more. Very thankful I was able to release my album DATA BEND towards the end of the year, been releasing videos from the project each week carrying into 2023. So this new year has been off to a good start, already been able to connect with more people, releasing work that i feel very proud of, and I'm thankful for the people in my life. I’m ready to approach this year with a positive perspective and hopefully reach the goals I've set out for myself.

Since we last featured you, what are some things  you’ve learned on your artistic journey, what has the overall experience been like in the industry, and what are you most looking forward to? 

Over time, I think I’ve always found new ground as an artist, new landscapes to explore and experiment with. I listen to a lot of music, and incorporate influence from many places, even visually from film. So I’ve thankfully been able to keep myself from feeling stagnant and it always feels like there is evolution occurring whenever I begin my next creative venture. Some things I’ve learned as of recently are the power of confidence in yourself, and how that can push you so much further into the light you want to shine with. Second guessing your instinct will deter you from the authentic reflection of what you know you can do within. Trust that feeling inside more, follow your intuitive creative nature, and let it guide you like an internal compass. Trust yourself more as an artist, know your ideas are great, and stand on them proudly. 

I’m most looking forward to continuing to grow with good people around me. I also have some more videos I am working on that I am extremely excited about and proud of, so just can’t wait for people to continue to be able to see the worlds I want to create. I love when people finally have access to these ideas of mine because then I get the sense of fulfillment knowing that people can enjoy the escapism that comes from the work that goes out.

Let’s get into your new project Data Bend, break it down for us what inspired it, what your overall creative process was like putting this together, and what are your favorite songs on the album? 

DATA BEND to me is the representation of a shift in understanding, perspective, and approach. That’s why the sonics have a theme of genre bending elements, because I wanted to infuse as many of my influences as possible to show the art of everything creative that I love being able to exist cohesively. The fusion of both earth’s nature or natural state merging with technology and the advancements we see as a species was a big inspiration while creating this, how the old can feel new and modernized, and how the new can reflect the positive nostalgic bits that we cherish. Fitting to that theme, the process of putting this album together utilized the technology we have at our hands right now.

For the majority of what made the album, VVD SOUND and I locked in through countless virtual discord sessions, where he would share his screen, we would go back and forth on ideas, influence, and construct these sonic worlds fitting the vision we both had in mind. A few records off of the album started out in other ways though, which is also fitting to the theme of merging different techniques together to find something great. I can remember one of the initial songs we made was “I Don’t Belong Here”. VVD was visiting my house in Los Angeles, his first time on the west coast, and I had Sammy the Producer over as well, we pulled the recording equipment into the living room. We began messing around with ideas over a loop Sam put together, VVD started adding the original drum structure, and I started blurting out melody ideas to which would later be finalized into “SO MUCH OUT MY CONTROL I CAN’T BREATH, SINCE I CAME HERE NO I DON’T WANT TO LEAVE” (the hook of IDBH). We knew this felt special, and what validated even more that this was meant to be was an accidental bottle flip that landed inside of a spare pair of shoes we had on the ground haha.

We even took a picture with the bottle in the shoe to go back and remember that moment as we all agreed in that moment, this was the start of something special, and that was our sign that we were on the right path. “Heart Shaped Bullets” came together from a fun session as well where PnkBlnkt came over to my place in the valley at the time, we setup in my room, Pnk had a mutual friend from back home in Indiana with him as well, so the vibes were there, we started toying with a few initial ideas, and then I remember Pnk started going through skeletons of ideas he had already put mostly together, and he hit play on the beat that was the idea that would become HSB, and I knew immediately that I wanted to do something crazy for it. I locked myself in a spare room for about 15 minutes, came back in the room and told everyone I had something that I thought felt really special and sentimental, recorded the vocals, and we were all loving it, it was an incredible experience and moment. Later on VVD and I added some additional things to it through discord sessions.

My personal favorite songs off of the album would have to be either “Heart Shaped Bullets”, “Girls Like You Never Light Their Own Cigarettes”, “Down Under”, or “I Don’t Belong Here”, which is a lot to list, but honestly the whole album is just so good, and I’m so proud of it and everyone who added their touch to it, this album as a whole is my favorite piece of work to date. It feels like the most authentic reflection so far of what I have always intended to create and represent.

Scotty Apex · DATA BEND

“Since LoveSick 2” you’ve consistently had amazing album covers and Data bend is no different who helped put together the cover art for this album? 

Thank you! That means a lot, I am very passionate about the visual aspects of any of my work, so to hear a compliment like this is very valued. There’s actually a continuous story throughout each cover where you can see the timeline continue to play out as each album is released, and that’s something I plan to continue to do. The DATA BEND cover was done by Jay Gonzalez, who also did the cover for STARLIGHT. He is so creative, so talented, and it’s always a blessing as well as pleasure working with him. The LOVESICK 1 & 2 covers were done by Tyshon Rosewood, so shout out to bro too!

STARLIGHT and DATABEND have two different vibes to them. How did your creative process change from STARLIGHT to  DATABEND? 

When I begin the process for an album, it always starts with a general guideline in mind of an overall feeling that I want to execute, visual components that I can envision, and direction of sound. STARLIGHT had more producers involved, it was mostly made when I first moved to Los Angeles, which was early 2020, and then polished throughout the main moments of the pandemic. So there was a lot of chaos in the world, and I was hibernating in my room just working on the album, trying to make it feel atmospheric and otherworldly, pulling in ideas from a range of my producer friends. That album leaned mostly into R&B, hip hop at the core, and I think that’s one of the main differences of STARLIGHT vs. DATA BEND.

DATA BEND was a smaller creative circle, a more understood pinpoint of direction I had in mind, and I also experimented with other influences of mine, so you hear more influence of alternative rock, pop, mixed in with the R&B, some hip hop moments still, but just has more guitar, piano, and acoustic sounds incorporated. Elements that I think previous work hadn’t yet highlighted or showcased this side of me.

In terms of production, who did you work with to put DATABEND together? 

VVD SOUND did the majority of production on DATA BEND, he was the executive producer, and had his touch on every single song. That’s a reflection of the creative trust I have for him. He is able to bring what I envision to life so well, and I am beyond thankful for the countless hours he put in with me to create something as special as this project is. He sat with me day after day, night after night, hour after hour, helping me bring what I wanted to create into full fruition.

There’s a few records that began with other producers, PnkBlknt for “Heart Shaped Bullets”, bended on the guitar for that as well, and VVD added some additional layers once we had the main structure. Sammy the Producer on “Down Under” as well as “GIRLS LIKE YOU NEVER LIGHT THEIR OWN CIGARETTES”, which VVD again added additional productional layers after we had the main structure. Kami Osha did some additional Guitar on “Down Under”, and Ack had his hand in “Any Other World” with VVD polishing the rest of the record.

One of the things we really like about you is your ability to push boundaries and consistently grow as an artist. How do you push yourself to new heights, and for new artists that are afraid to go against the grain what is some advice you would give them? 

Well thank you! It is deeply appreciated that you give me that credit and acknowledge what I intend to do, which is that push of boundary, so thank you! Truly. I think for me, I am always reminded of why I do what I do. I deeply love music. I am so passionate about my art, it’s a direct reflection of my actual life, trials, and stories. Joe Talbot from the band IDLES had a quote in an interview that stuck with me, it was along the lines of “if you are interested, you will be interesting. If you are bored, you will be boring.” which to me, means if you have something you are truly passionate about, truly love, the greatest gift that you can give back to yourself and to the people who support you is to be so dedicated to your craft, so thankful for the people who enjoy your craft, your way of repayment to the audience and yourself is to continue to push yourself to those next advancements, to evolve, and to keep things refreshing and enjoyable. You as the artist find growth through that approach, not only creatively, but spiritually with yourself, and your audience gets to benefit from that by getting to now visually see the growth, hear it, and pull inspiration for themselves to evolve in their own life. 

Going against the grain can be scary and I see how it causes fear in an artist, it is not meant to be comfortable though, that is where true growth comes from, putting yourself into something that is out of routine, it may initially feel unnatural, but eventually you will find that there’s a whole new realm of capabilities you have within yourself that would have not ever had the chance to shine if you hadn’t at least given it a try. The key here too is to remove the fear of failure or judgment. There is no room for judgment in the process of creating something that is truly unique, new, and boundary pushing. You have to have an open mind to trial and error, try seven ideas, and then choose what you like, and learn from what you don’t like. I think what would help more artists is to consume more pieces of art outside of your typical consumption. Listen to genres that you wouldn’t typically listen to, go to a museum and look at art that you don’t know how to make, watch films that are respected as boundary pushing films, pull influence from the entire spectrum of art. Art is the only thing in this world that is forever. Learn from the work that we have at our display, and turn that inspiration into a special curation of work that is authentic to you. 

It’s been about four years since  you’ve released LOVESICK, since that time what’s the most important thing you’ve learned? 

Wow, it’s crazy to think it’s been four years since then. In that time span, I feel like I have learned so much about myself, the world, just everything in my life has found new perspectives over and over again. So I think with me even reflecting upon that, there is an important lesson there that I have learned. We truly have the power within all of us, to create the impact that we want to make. We all have purpose, and an internal compass reminding us of the direction we need to go. Trust that feeling, choose a positive goal of action, and go do it. Remove those self doubts within, and dedicate yourself to achieving whatever it is that you have in mind to go do, because it is very possible. The point is, through all of that effort, you will find growth. Continue to grow, evolve, and that to me is what life is about. Evolving, becoming better, and leaving behind a positive impact inside of a legacy that you can be proud of.

So what’s next in 2023 and beyond? 

More music is on the way, very excited to showcase that. More videos are on the way, already filmed a very special video that you will see surface in the upcoming span of this early section of the year. I want to do more clothes, and lifestyle items like furniture, or small appliances that make your daily life better. Hopefully in the bigger picture, I can also act in more movies, finish writing the scripts of the movie ideas I have, and can leave an impact in that space of creation as well. I really love film and want to have a few respected roles under my belt

Any last words?

To close off this moment of time, I would like to say thank you from the core of my soul to anyone out there that even acknowledges my existence, listens to my work, and gives attention to my art. To have your support for my art means the world to me, and makes me feel like my sacrifices are worth it, and it gives me that reassurance that I truly need to keep going and feeling like I am valued. So thank you to those who make me feel cared about.  Love more. Try more, and don’t be afraid of failure. Moving on, becoming better, and learning is the art of life. Believe in yourself, trust your intuitive feelings, and let it guide you to where you are meant to go. Anything that you want to achieve can be achieved, it will not always be easy, but that is the beauty of trying and failing, you can always try again. 

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Jackson Grey

Jackson thanks for coming on and interviewing with Nefarious Supply, to get this interview started, tell us about yourself, who is Jack$on Grey? 

First Off I’m Excited to Have this opportunity I would like to thank everyone at Nefarious that’s putting this in motion my name is Jack$on Grey I’m 22 yrs old & I’m from Central, Florida. I started off producing/engineering & which soon turned into me dedicating countless hours to actually creating songs and from that point, I haven’t looked back!

What made you get into music? What did you listen to growing up that inspired you / inspires you to make music today?

Growing up I have always been around music and always liked the idea of creating it. My mom loved to listen to 80s music and my dad was a mix between country, hip hop, & rock so I listened to a whole spectrum of music. I think I express a lot of different types of influences I've heard growing up into the music I make today! To date, I still listen to throwback 80s, Country, and Rock, and of course, I listen to Rap all the way from up-and-coming artists to mainstream artists.

If you had to pick one artist to collaborate with, alive or dead, who would you pick and why?

If I had to Pick an Artist that I could collaborate with. I would probably say, Drake. I know he appreciates the craft as much as I do. I also believe he’s one of the most versatile artists in the game!

For you, how does the musical process flow? Are you constantly thinking about new lyrics and sounds or do you have dedicated time to do your work? and how does that translate into the music you put out?

The creating process for me is simple I catch inspiration from something, establish some sort of flow, and then I add lyrics through the next few months, I make sure the mix is right and fix anything that I think needs fixing and then put it out. That’s all there is to it!

With your first release being only back in 2020, how do you plan to really break into the scene post-pandemic? Additionally, what do you look forward to with the possibilities of live shows now?

So when I came into the scene during the pandemic everything was shut down. I knew that all I could do was just keep working and create the best music I possibly could and hope something stuck. As of now post pandemic I’m super excited to drop some of the music I’ve been sitting on and start to do some live shows.

“Round 4 Round” is credited as being your first single released to the public, and features fellow artist Tsuname on it. While having collaborated with artists like Tsuname and Koi, how have you found the creative process when making a song solo as opposed to having a feature?

Tsuname & Koi are both great artists and I appreciate the opportunity I had to work with them. As far as if a song has a different appeal when there’s a featured artist, I would say yes! It provides a space where you bounce ideas off each other as well as the anticipation of creating something that people can relate to.

All of your music has a very light and lively feel to it, which gives it a very unique sound. This I feel is much needed in the industry. How did you develop your sound?

Developing my sound has taken years to get to where I am today. Just like anything it takes practice, and that is what I’ve been doing every day since I started. I’m still developing my sound! I feel that once u stop developing that sound u lose that IT factor about you. So In my opinion Im nowhere close to where I want to be but I’m just glad people enjoy it right now for what it’s worth!

Your newest release “Gravity” is a fantastic track that displays your sound and great lyricism. Is this the type of sound we can expect from you for upcoming projects and singles for the rest of the year?

Gravity is one of my all-time favorites produced by a good friend of mine “Trap$upafly” I feel like it’s a great stepping stone track to some of the even better stuff I have planned to drop this year!

Are there any plans in the works for a project like an EP or other single releases set to come out soon? Anything we can get a small sneak peek into?

So I have some plans to drop lots of music in 2023, starting off with my recently released Ep “Back To Where We Started” and a single that I just put out called “Taking Half” which is one of my favorites.

Is there anything you would like to say in closing? Anything you would like to say to your fans and fans to come?

Just want to say to the readers that I feel extremely blessed to be able to create and bring an idea to reality through music. To anyone that’s ever supported me, Just know that it means more to me than you will ever know, and to any new fans as well I appreciated every single one of you & Big thanks again to Nefarious Supply for having me! Jack$on Grey

SoundCloud Gems - January 18, 2023

Soundcloud has bloomed over the past few years with a new generation of artists taking the world by storm and lighting a path for young creators of all backgrounds to make a start. In this episode, we’ll highlight new releases from newcomers to the scene, such as reef and JSSR with their anthemic ballad, “austin.”. Reef’s creative lyricism and addictive flow allow listeners to melt into the song and ride along to the electric JSSR feature. The composition is also amazing, even more so with the knowledge that reef produced it himself.

Next, we have kuriosity with “xin fu.”, a large and in-your-face tune that leaves your face scrunched up and ear’s wanting more. From kuriosity’s insane wordplay to his energized adlibs, the young artist will keep you on your feet till the beat ends. Xin Fu is also an Earth Bender from Avatar: The Last Airbender, so extra points across the board!

Aftrr’s “toxic” is an amazing synth-heavy, high-spirited track that makes you feel like you’re simultaneously in 1st Place in the Grand Prix and somehow on a beach, waves crashing against your feet while the sun sets and you reminisce. Toxic is a perfect example of aftrr’s ability to mesh genres and find a suitable sound that balances satisfaction with deprivation.

Rans0m’s track “advantage”, features both kuriosity and aftrr and as soon as we reached the 30-second mark we knew we needed to hear more from these three. The one thing that sets rans0m apart from most others is his creativity with his production. A self-producing artist himself, rans0m will somehow find a way to create the perfect beat for whatever topic he’s trying to convey and/or feature he wants on. His verses are also incredibly infectious.

”in my head” by etterna1 is a song that turned our heads immediately. From xaev’s amazing production to etterna1 incredibly smooth tone and bouncy flow, the song only needed aftrr’s amazing feature for it to be complete. I do wish we could hear aftrr’s vocals a bit more, however, I myself cannot wait to hear more collabs between these two, the song is amazing.

oncite is a new favorite of ours! His voice has a dusty sound to it that adds to the versatility of his lyrics and flow. His track “back in a month” is a beautiful example of the type of music he makes, heavy 808s, an amazing bassline, and finally a melody you can’t get out of your head. oncite is one to look out for in 2023.

DPF’s “target” hits with intensity off the first lyric and doesn’t let its foot off the gas till it's finished with the listener. Produced by ransom, DPF’s skill level with his ability to switch flows and make the production truly his is unmatched. The young artist brings main character energy to whatever track he’s on.

Next we have Staggy with “dirty”, produced by jxyln, and from previous Staggy entries, you’ll know this is a different vibe for the Connecticut-based artist. Over a bouncy, dark, and atmospheric track, with funky kicks and hi-hats that accentuate the incredibly fun hooks and verses Staggy presents.

Mina, also known by his more popular alias, 4cf, came out with a three-song EP, and “ur dumb” in particular stood out to us, simply due to how in-your-face the production is. The track grabs you from the start and your head starts bobbing immediately thanks to feardorian and mental’s collaboration, allowing the effortless flows of 4cf to fit right in.

Funeral and mental came together for a mini EP as well, one that gifted us with the beautiful entry, “one day, someday” in which funeral pines for the moment he will be able to get the girl of his dreams. Mental’s smooth and bouncy production style allows Funeral to get straight into his bag flow-wise. And the lyricism? Well, if you’ve heard his previous albums, you’ll easily pick up the lethality of some of his verses mixed in, funeral’s great of that.

Helper’s track “note to self” showcases his rapping ability which funnily enough he thinks isn’t the best, because we think it’s probably one of the freshest flows and introspective lyrics we’ve heard in a while. Helper has been in his own lane since he first started.

Ryen is an artist we hadn’t listened to before this song, but after hearing “MIA” for the first time, we knew we had to check out the rest of his discography. Ryen is one of the most expressive artists we’ve ever had the opportunity of covering in the Soundcloud scene, and his storytelling abilities as well as his way of capturing a topic and making it his own is a big strength of his. Also thank you typhoon for the amazing production.

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Simon M

Give us a general description of you as an artist. What cultures and experiences cultivate this persona or identity of yours?

Hello! I’m Simon, I’m a music producer/composer/songwriter from Canada. I work on my own music as a creative director and producer, and on other artists’ records as just a producer. The main artists I currently work with are Babebee, DPF, and Kurtis, but I’ve also got some really interesting placements coming up. I released an album called “poisonedcheeto.com” late last year, which I directed, produced, mixed, and got some of my amazing artist friends to do vocals on.

I’ve been told by Jerome (my manager and good friend that has supervised my creative decisions since we were in high school) that my music is ‘eclectic’ and I feel like that’s a good descriptor. I was raised on the internet, as a lot of us were, my attention span isn’t the greatest, and my goal is always to make something I would enjoy listening to, so I often revel in excess.

Frequently adding elements, changing progressions, and structuring beats in an off-kilter way. In composition and texture, I’m definitely inspired by the 2010s electro-pop/EDM I grew up on, especially old deadmau5, everything he tapped into melodically I see as super influential. Also, JC Foster’s music was a really big influence on the album specifically. He released a tape called 109 900 earlier last year and it really opened my brain to how to make an album live inside its own world diegetically.

How has your experience in the industry been thus far?

Very mixed, to say the least. I wouldn’t say I’m in the music industry cause I haven’t interacted with labels or distributors that much, but the one time I was in talks with one was very strange. A lot of label execs and non-musical creatives in the scene spend more time romanticizing their own success and what it means for their self-image than actually working and I think that’s an extremely toxic and narcissistic mindset.

Underground labels are cool, though. I’ve worked with Lauren Records on a project, and they’ve been fantastic and extremely considerate. Also, let’s be real here, the SoundCloud scene is a really scary place to be a part of a lot of the time. I’ve met some truly amazing people like Keelan, Kurtis, Cricket, Branden, and Alisynn but it’s always a gamble associating with people cause you never know who’s morally bankrupt. I had to cut some musician friends off recently because they were being really weird to my manager on Instagram.

Do you have an outstanding moment since you got into the music industry that makes you realize how important it is to make music like this? If so what would that be?

I dropped a song called “settle” on SoundCloud last summer. It was a song I wrote as part of an album I scrapped, and I didn’t realize it when dropping it but it was the first time I had released a solo song that was entirely written by me, as everything else I had on my page was remixes. And I was scared to release it both because I personally don’t like my own vocals and because it’s a pretty ugly and toxic song, and it also happened to be insanely personal.

I wanted to release it just to put it out there, I didn’t even make a post about it. But it did better than anything I had done before and I got a lot of new listeners because of it. I played it in a set I did for Goop House last year and people were saying in the chat that they loved the song and especially the lyrics, which was really cool to me. I just hope the people who like the song recognize that it was born out of obtuse pessimism and that you really shouldn’t think like this.

What do you think personally sets you apart from the rest of your peers in the music industry? What do you bring to the industry that you believe no one else has the ability to bring?

I think I’m more songwriting-focused than other producers in the scene. I’ve been told by producers I work with that the way I structure my beats is dynamic and that I know how to really flesh out a song, and that’s really cool to hear cause one of the main things I stress about is constantly giving the listener stimuli so that they never get bored.

I’m not super good at sound design or mixing, my priority in music is to compose a track that is solid at its core, and then add some quirk to it. I record all my instruments, I don’t use loops, and I try to have as much control over the finished product as possible. No disrespect to more sound design-based producers, as I believe it’s a much more skillful art and I really admire them, I just prioritize composition in my own creative work.

Is there any one song that you’ve made that stands out from the rest? Any songs that people should listen to that will get people hooked?

It’s definitely “LET THE SPEAKERS BLOW”. I love that one so much. And I was really happy to finally get a song out with IKTL and alt and IAMDEAD, we’ve been friends for a while and we’re all really happy with how insane the song turned out. Other than that, I’d say marionette by miind, SOS by cybertrash and reef, and NAUSEOUS with liza, blaise, kurtis, and aftrr from my album. Also stranded by babebee, which also has an incredible music video.

What keeps your current audience listening and why should people start listening?

I don’t have a super large audience but a lot of people keep coming back to my album, which is really cool. I guess there aren’t a lot of concept albums in the scene. Also not to toot my own horn but I think it’s paced really intensely and doesn’t waste much time, so it’s probably a fun listen for people every once in a while. And people should start listening cause I’m just a silly little guy who loves to have a little bit of fun.

Who do you listen to on a regular basis?

Jane Remover is an inspiration for most people in the scene but her music is extremely close to me personally and she’s made like 5 of my favorite songs ever. Quadeca, Brakence, The Weeknd, and Quinn have also had amazing records this year, especially Quinn, I love how she structures and conceptualizes her projects.

Other than that, a ton of Bladee, I think he’s one of the most satisfying vocalists ever and his songwriting is just so goofily charming and has a real optimistic beauty to it. If we’re talking about the scene, Viizzi is probably my favorite artist ever. He’s made some of the most amazing bangers I’ve ever heard: suicidefreestyle, Murder For Hire, Monster, Faker, Save Me, all incredible songs, and I’m blessed to have him as a friend. Reef is also extremely promising and already has a great EP under his belt.

Are these the same people who inspire your sound? Or are there other factors that come into play?

These people all influence my sound and my creative process.

What do you think is the most important aspect of music as a concept, personally and objectively?

Personally, I feel like the emotion displayed by a song is its most defining aspect. More than any skill displayed or compositional prowess, what’s going to stick with you after a song is done playing is the feeling it left you with. I try to go into every track I work on with a feeling or general vibe I wanna capture, over any tangible melody or progression. And a lot of the time an artist I’m working with will let me know the emotion they want to capture and I have to make sure I’m on target when I compose and record.

What was the main inspiration for poisonedcheeto.com?

When I decided I wanted to make an album, I had a lot of demos of songs I made with artists that they didn’t want to upload. The songs make me bleed, darkness, one dance, and undead were basically done and just needed features (in the case of undead, it was originally a remix of zombie by rouri404 and Vaeo so I needed new vocals altogether).

I was working at a grocery store at the time, just pushing shopping carts and tasks of the like, so I had a lot of time to think about a way to get these songs out. I always loved album titles with digital handles or domain names on them, just cause I thought they looked cool. From there I decided I wanted a really over-the-top announcer voice like there would be on sites like audiojungle and traktrain but way more ridiculous, and creepypasta-adjacent implied lore about the artist who made the website.

After that, I worked out that I wanted the record to have a breakneck pace, and for the announcer tags to represent the producer basically venting through his work, while still being majoritarily comedic. I then started working on new songs for the album, starting with Let The Speakers Blow, then Nauseous, then 2nd Place, then For Your Mind. True Religion was added at the last minute because I bought one of Viizzi’s opens on impulse one day and ended up making something way better than I expected.

Getting everyone’s vocals on time was really tough because I set myself a deadline for the record (I have a bad habit of letting records stay on the back burner until I stop caring about them) but I really didn’t want to rush anyone. I really loved working with everyone on this record, all of the vocalists on here are amazing artists and people in their own right and I’m super grateful to have crossed paths with them.

My manager Jerome helped me a lot with the visual identity of the record. All the pictures I had up on social media in the lead-up for the record were taken by him. We have a very similar sense of humor, and we both understood what type of character we wanted to create. He and his friends helped set up fake poisonedcheeto missing posters around a local college, which was hilarious, and ended up returning a decent amount of pre-saves since we had the domain name printed on all of them. Speaking of the website, it was something I wanted to do in the lead-up to the album but I hadn’t coded html/css in years. Still, I was able to make the website, and I’m pretty proud of how it turned out, even if leastfavorite did the website promo thing way better than I ever could.

Also, massive props to Don Sharpe for the voice acting on the tags, he did an incredible job and followed my vision perfectly, and was overall really nice to work with. You can find him on fiverr here: Sharpvoiceovers | Fiverr

So yeah, it was basically just a recontextualized collection of unreleased songs that I overcomplicated and built on and somehow turned into a concept album.

What are your top 3 favorite songs from the album?

Number one would be Let The Speakers Blow, next would be Make Me Bleed, and then Nauseous. I mean it’s been months but I still can’t get over Grayson’s hook on Let The Speakers Blow, I definitely need to work with all of these guys a lot more in the future.

How long did this album take you to make?

I came up with the concept around July 2022 and finished it in October, one week before release. I can’t lie, it was a lot of effort, especially since I was in school at the same time. I would spend more hours on the album than on my schoolwork most weeks.

And trying to handle promo, the website, publishing, looking for features, mixing everything consistently track to track, and freelancing at the same time to cover expenses was pretty crazy. But I’m super proud of how it turned out and the wonderful people I’ve met through this project.

JC Foster’s interpretation of what he believes is a “poisoned cheeto” is probably the best explanation I’ve ever heard for such an eye-catching name. Do you believe this album will help those listening to try and question the difference in importance between commodity and reality?

Before I get into the explanation thing I just wanna say JC Foster is one of the coolest and most creative people working today and you owe it to yourself to check out his youtube channel, his work is hilarious, ambitious and deeply human. Both his sketches and music have been a huge inspiration in both my personal sense of humor and in the way I conceptualize projects. Here’s his channel, he did fantastic voicework on this album: JC Foster Takes It To The Moon - YouTube

Now I’m going to be completely honest. I wrote all of the skits, interludes and tags on the album, and the intermission was the very last thing I added, and it was basically only for one reason. Since the word “cheeto” is in the album title, I can technically get sued for misleading labeling if the work doesn’t reference the product. So I wrote this whole huge paragraph, bringing up modern politics and philosophy and the horrors of neo-liberal capitalism basically just as a bit to set up how the name means nothing and I just came up with it when I was 17 and really dumb.

Now I still agree with everything said in the interlude, rampant consumerism is ruining our ability to feel empathy and I really tried to hammer that point home in a more empathetic way in the outro. I just find it insanely funny how a ton of people reached out to me saying they found real insight on society at that point on the album when I just wanted to do some trolling. Also, one dude texted me saying he listened to the album on acid and that interlude made him start bad tripping. And I think that’s really funny but I still feel bad for the guy.

What features would like to see on your next project?

Definitely babebee. I didn’t know them when I started work on the record but I love everything we’ve worked on together and hope I can get them on a project soon. Also definitely Vaeo, she’s absolutely amazing in everything she makes. One of the best and most expressive vocalists working today. I’ve also been in contact with Glitch Gum and Jahhlu recently, really hoping to get a song out with both of them sometime.

Lastly, what advice or experiences would you like to share with your peers or anyone else who is up and coming in this industry?

Be humble. Put a priority on the finished product you make instead of indulging in the mentality of being an artist. Talk to as many people as possible and try to make a legitimate connection with them. Treat fellow artists like friends instead of seeing them as ways to grow your own success. Most of all, have fun. It’s important to remember most of us won’t make it or become super successful. If you’re in it for the money, you will realize you’re in the wrong business when you get your first Distrokid cheque. Make sure you’re doing music out of love for the art form and a fondness for the creative process. Thanks for interviewing me, sheku.

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KON

Trey welcome to Nefarious Supply, and thank you for agreeing to interview with us. To get this interview started tell us about yourself who is Trey and how did you get started in the music industry?

My real name is Trey Gibson but in the music world I go by the name K.O.N. I was born & raised in Nashville. I came up with the name when I was in high school but never actually planned on being a rapper at the time. I rapped a little bit in high school under the name T.Gibbs but It wasn’t anything serious. Music had been something that seemed unrealistic when I was younger. I started making music with one my childhood friends Jyou after our Sophomore year of college. It was honestly a big turning point because we had both been looking for people to take that next step into making music with and until then had been unsuccessful. After that we dropped a couple EPs. The rest is history.

So we’ve interviewed a bunch of artists from NASHVILLE already, and we love this area. Tell us about your experience in NASHVILLE so far, I was this area influence you in your music, what artist have you worked with from the area, and what’s the scene like here for underground artists?

I feel like a majority of my career so far in Nashville has been trying to make a name for myself. There’s so much noise going on in the music industry here that It can be hard to find a consistent footing especially when you’re starting from scratch, which most of us are. It’s inspiring though being around so many creatives because it makes me want to stay consistent and work through the noise. As a HipHop/ RnB artist it can be tough in this city because you really have to earn every opportunity. The beautiful thing about the Nashville Hip Hop Scene is that it’s so diverse and unique. Everyone has a unique way of approaching music composition. It’s hard not to wake up thinking about music because you know someone else in the city is. I’ve been blessed to work with some of the amazing artists in the city. Jyou , Ron Obasi , Yours Truly Jai, Demo, Jordan Xx , $hrames , Dimestate Don, Lina the list goes on. Extremely blessed.

In addition to your location what artists would you say have influenced you and your music and who are you currently listening to right now?

If you looked at my Spotify right now you would find a lot of Isaiah Rashad, Drake, Kanye, Smino, Deangelo, Mac Miller , and MF Doom. As a kid I listened to a lot of Kendrick Lamar, J Cole, Lil Wayne, and Big Sean though. Out of all those names I would probably say one of my biggest inspirations is Isaiah Rashad. It’s something about making “music for the vibers” that relates to me heavy. A long with that I’m highly inspired by the lyricism and flows of the likes of Andre 3000 & Kendrick Lamar. I always like to study their decisions when approaching composition.

So let’s talk about your music, what would you say is the most challenging thing about being an artist, what is your creative process like, and if you could give any new artist some advice what would it be?

One of the hardest things about being an artist is consistently believing in your art regardless of how the public responds to it especially when you’re first starting off. I find trying to be consistent as a big remedy for that because it’s something about knowing you’re always getting better that helps you remain confident. My creative process consists of finding or creating composition that I feel is moving and then laying down lyrics & Melodies that match the vibe. Writing a song can take anywhere from a hour to a week or two. I find letting ideas sit and coming back to them is what’s most efficient for me. I can usually tell within the first 20 seconds of a beat if I’m motivated to write to it.

Sometimes a beat will hit you differently depending on what you’re going through at the time. It can be a pretty emotional process. If I could give advice to new artist I would say simply find what you like, figure out why you like it, and apply it to your music to create your sound. Be kind to everyone and move with genuine intention. How people interpret you and your intentions are out of your control. Most importantly if you really love what you do practice it everyday.

Not too long ago you released Your new album Kids being Kids! So just tell us about this new album including what’s The meaning behind the title, how long have you been working on this project, and what was it like working with WowJus7in?

Kids Being Kids is a tape for all the groovy kids who love themselves and want to move their feet around . I feel like Kids being Kids was me taking a detour from my typical lyrically driven route and trying to just make fun music. I started working with WowJus7in last summer and it was one of those things where we kind of just clicked as far as music we liked and what we were aiming for. It only took the first few beats he showed me for me to know that our sounds would mesh. What was crazier was he’d only been making beats for about a year.

It wasn’t until October after a lot of crazy shit had happened in my life that we decided it was time to make a tape together. But by that time we already had chemistry and it was just a matter of making the music. His girlfriend Teresa, owner of No Use Market, played a huge role in putting everything together as far as visuals and everything that went with the music such as cover art and tracklist. I could go on a whole rant about everyone involved but just know it was a team effort. Starting and finishing things with people has a way of bringing everyone involved closer.

On your new album you got some amazing features from some Nashville natives including: Jyou, Demo, Dimestatedon, and Lina. how did you get them as features on your project, what was it like working with them, and who is your favorite artist to collab with on this project?

The main goal for Kids Being Kids was to have everyone on it Nashville based. Me and the team brainstormed who would sound good on what and hit up people to see if they’d be down. Amazing that folks came out to support me & the project. I honestly can’t pick a favorite. If I had to it would of course be jyou cause that’s my brother. But working with all of them was definitely an experience. Everyone was so extremely talented and you could tell from the energy that everyone came in with that they wanted to put their best foot forward which is ultimately reflected on the project. I don’t think anyone really knew off bat what they were signing up for.

So what’s next for you in 2022, where do you want to be by the end of this year, as well as the end of the decade. And what’s the biggest goal you have for your career?

By the end of the year by the grace off god I want to further increase my presence within the Nashville community and the surrounding areas and extend to other major cities while continuing to perfect my craft. What all we have in store I can’t tell you or it’d ruin the surprise. But if this was a book Kids being Kids is the prelude. Me & the team are aiming to crush all expectations, break all boundaries , and prove all doubters wrong in these next 10 years. The goal will always be to try and make timeless music and be expressive based on who we are.

And addition to New Goals are you planning on dropping any new music this year?

There is a great possibility that there will be more music dropping 2022. Just sit back relax and enjoy the show.

Who should we interview next on Nefarious Supply? Drop some friends below!

You all should definitely interview WowJus7in.

Any last words?

Thank you all for the interview. I very much enjoyed the intriguing questions you all presented. Go stream Kids being Kids its a great listen and follow me on Instagram.

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Join The Nefarious Supply Discord

At Nefarious Supply, we pride ourselves on our motto “For the Underground, By the Underground”. We take that mantra seriously and make sure that we put forth a platform for underground creatives in every aspect, so they have a voice to shine just as bright as others who may have a bit more help.

For this reason, and this reason alone is why we have decided to venture out into the realms of Discord. During this pandemic especially, Nefarious Supply has been ardently looking for different ways to become closer to the audience that we’ve acquired over the past few years within the community. What better way than directly, we asked? Enter, Discord!

Playlist Submissions

We would like to extend our hand to individual artists who would like to be featured on our Demon Discography playlist monthly. We will choose a winner to headline the monthly list based off community response,

Live Playlist Reactions

When these playlists are up we’ll start up live reactions to each submission that made it, as well as the many others who we thought, were amazing.

Community Topic Discussions

At some point, we will put up topics for discussion relating to the underground creative scene, whether it be talks on how we can make it better or the things we already love. Also things Nefarious Supply can do or introduce into the community to help in these endeavors.We also want to foster a tighter-knit community between creatives themselves, which leads to our last point.

Collaborations

Whether with us or other creatives, the sole and true purpose of this Discord community is to garner a symbiotic relationship between underground artists of all works and cultures. A healthy and steadily rising platform for those with incredible art, that just needs a little light shined on it. We hope you guys are in tune with this decision and will help support us through this journey, as our true goal is to do the exact same for you all, no matter what it may be! Join the Nefarious Supply Discord here.

24.

24 welcome back to Nefarious Supply and Happy New Year! To get the interview started give us an update from your self last year give up an update on what has changed from last year?

First and foremost, yo! Great to be back. Man last year was a year to discover myself truly and understand who I am, not only as an artist, but as a human overall. Took down time to endure life, lessons, etc. It’s now 2022 and despite the slow start, I’m blooming and understanding who I am, where I want to be. Lots of new music has been created, beautiful plans have been curated, and also life is beginning to get sunny again. So it’s overall been a huge change, but enjoying every bits of it all no matter what you know.

In the last year what has changed about Nashville regarding the underground scene in the area and what new artists or established artists have been coming out of the area?

I think it has bloomed bigger than ever, honestly. An eye is on us lowkey. With the continuous growth of long time artists like Ron Obasi, Brian Brown, Chuck Indigo, and the growth of “new coming” artists like $avvy, A.G. Sully, dmndstr, myself though I don't want to casually throw my name into the mix haha but you know... I think Nashville is in good hands. From artists to producers to songwriters, everything. 615 is becoming a beautiful mecca and it’s so lovely to not only witness but be apart of.

From last year to now what are some lessons you’ve learned about your self, being an underground artists, and if you could go back and give your self some advice what would it be?

I think as the artist I am now and the person I’m becoming, I’d let myself know to not only trust but remember that the sun shines in the end. What I deserve is coming, I just need to remain doing my part in the lovely becoming. Keep myself here, like within myself, and just keep at this shit.

For new artists looking to get started what advice would you give them about their starting their career?

Leave the doubt at the door. The thoughts come but remember your worth and who you are, for you are meant for this. You're meant to take this journey, you’re meant to touch past limits. So cred yourself at all costs.

What artists are you currently listening to right now and what are your favorite albums and songs from 2021?

Currently have been spinning a lot of Ambré, Lucky Daye, Orion Sun, older Brent Faiyaz, The Internet… Outkast and Raphael Saadiq has been heavily in rotation. As well as some Jimi Hendrix, Omar Apollo, some Mick Jenkins, Isaiah Rashad, some Pharcyde. I’ve been dabbling throughout the personal palette heavily. I think my personal favorite projects from 2021 were “THIB” by Isaiah Rashad, “Elephant In The Room” by Mick Jenkins, “Minus The B******t Life’s Great” by Nascent, “Lately I Feel Everything” by WILLOW, and “Mood Valiant” by Hiatus Kaiyote. Honestly have way more projects but those are the ones off the top of my head I could name. Singles, a lot of R&B artists, alternative artists, and rap artists were on crazy single runs last year so it’s really hard to choose my favorites but I can speak on “Over” by Lucky Daye. Was discussing with a friend about how that song holds longevity, could never get tired of it. One of my favorite single drops of 2021 for sure.

Let’s talk music, last year you released a double single titled “black notebook”, and followed up with “Can’t Stop” featuring Lina. Tell us about this new song including what inspired it, who helped on production, and how was your experience working with LINA?

What once began as a joke in the midst of studio chatting, goofing around about toxic relationships and lust, became me channeling in what was heard, what situations I may have endured, and just all tied. This is a story surrounded by lust, temptation, and emotional chaos. But it is being communicated in relatable ways for people to grasp and say “Hell yeah, it be like that.” yanno. The lyrics channel something fun yet serious, showing what goes through the head of one involved in a lustful situation with someone they shouldn’t be involved with despite what may be going on within other said relationship. I feel like the song just brings relation and felt by many.

To be transparent about something like this is something that touches. I appreciate having that goofy conversation with the producers and engineers that day, because this song probably wouldn’t have been created truthfully. That all lead to what “SO WHAT” is today. Shoutout to dmndstr, NOBODY’S HOME, and Enxgma on the production help, the most amazing set of guys ever. They are going to bloom and I’m always blessed to work with them, be in a room together per usual. Something beautiful always brews. My experience working with LINA was top tier. LINA is one of the most underrated, hardworking people I know within the Nashville music scene and beyond. Beautifully spirited and heavily talented. It was so amazing to work with them, the process was just so fun and pure. The 24./LINA link is something that’ll always turn into something memorable. Blessed to have them around for sure.

What artists should we interview next on Nefarious Supply?

NicholasLamar + Yung Steezee are one of the most fun artists I’ve truly came across. They both deserve to finally be talked about. LONÉ (Carlon A.) is another good artist, truly someone who loves the art and works hard behind the scenes. He also has music that deserves to be heard by many, the guy is talented. My guy Qualls, lastly, is one truly deserving. Was blessed to be on a song for his upcoming project, he’s truly full of potential and deserves the recognition.

Any last words?

“SO WHAT” is out now on all platforms, stream it. Dig it. This is the last, so much more in store going forward. More music, new project, new fest… Too much to say. Looking forward to the journey and bringing everyone along with me. Let’s swim… Love. 🤞🏾

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Our Favorite Albums Right Now - March 22, 2022

Duality - Luna Li

Luna Li brings a fresh take to alternative music with Duality. The Toronto artist creates atmospheric tracks that draw you into the universes your ears never knew they could envision. On songs such as Cherry Pit, Luna incorporates an incredible guitar solo after a mesmerizing hook and verse combination up until it’s halfway point. Luna’s voice is soothing yet her message is strong.

“You said you’d be my trust, but you didn’t even bother.” ; “And you planted all these roots, just to sit and watch them wither.” she sings on Flower, featuring Dreamer Isioma (with a lovely verse of their own). Luna is a beautiful vocalist and an even better songwriter, and Duality has proved that to us thirteen times over!

Subaru Boys: FINAL HEAVEN - Cruel Santino

Cruel Santino is one of our favorite artists, since Mandy & the Jungle. In this new world Santi brings us into Subaru Boys takes on a psychedelic, afro-powered, braggadocio-ridden sound that invigorates the listener with ever track.The whole 21-track album doesn't even truly feel its actual length due to Santi’s effortless flows, incredible production, and beautiful storytelling. Cannot wait to hear more from the Subaru Boys, and it would be a great idea to keep him on your radar all year!

To Whom Much Is Given - StashtheWave

Massachusetts has been absolutely on fire the past couple of years, with new artists emerging such as BIA and Van Buren Records, as well as amazing producers such as AziztheShake and others beginning to take the helm, it was only a matter of time before StashtheWave made his presence known. To Whom Much Is Given is a sobering, hard-hitting, trap-embed, journey into the mind of the upcoming MA artist, and on the three-track EP, featuring fellow upcoming artists Jiles, Donald Grunge, Clyde Black, Notebook P, and a few more! Go check it out, the man’s been heat since he arrived.

Goodnight Dreamer - Dreamer Isioma

Goodnight Dreamer is the first full-length LP from singer-songwriter Dreamer Isioma. The project consisted of four different chapters he’d put up prior to the release, featuring fellow Chicago artist, Hatesonny. The chapters in order: “who are you?” ; “what time is it?” ; “what do you choose?” ; and “always.” set us up for the world Dreamer wanted to bring us into, a groovy, introspective, and intricately woven introduction into who he who was, and who he has become, and who he will be.

Exquisite Pain - Convict Julie

Convict Julie is able to merge elements of the Weekend’s haunting vocals with the dark, melancholy, and extremely sobering production. Her lyrics are cold as ice, and yet yearning for the warmth that seems to be just out of her reach.On Exquisite Pain this side of her shines. On Dark Matter, she sings: “Let the lord be my witness, that I’ll make it out the storm.” showing the hope peaking through the dark, deep thunderclouds where her beautiful art exists. Exquisite Pain is an absolute gem and must be admired as such, please go stream today if possible!