Tomboy Records

Chris Chand - Shine

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With 2020 finally behind us and the new year finally here we are excited to bring to you our first interview of 2021 by featuring Toronto based artist Chris Chand. A signee to start up label Tom Boy Records, rising artist Chris Chand continues the labels trend of high quality artists who produce nothing but high quality music. An artists who’s work ethic speaks for its self Chris Chand is definitely on his way to success in the industry, and is one of the artists who should be on your radar for underground talent. Only 21-years-old the artist through his creative process is able to bend-the-boundaries of the Alternative R&B/Pop scene. From collectively captivating the Toronto streets, to rejuvenating a classic sound, the multi-talented instrumentalist has only just tasted the sample of what is to come.


Chris Chand, what's up bro! We’re excited to finally feature you on Nefarious Supply! To get the interview started tell us a little about yourself and your background? What made you want to be a musician?

Thank you for having me bro, I appreciate it! My name is Chris Chand, I’m a 21- year old multi-faceted creator and I grew up in Pickering, ON. I grew up in a musically oriented family and I feel like a lot of them had a big influence on me. My little brother Victor, my uncle Sanjay and I would have little performances in front of the family and we’d always jam with each other. My parents and grandparents actually played live shows when I was younger as well and I think being around that kind of creative energy really played a big role in me wanting to become a musician/artist.

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How long have you been making music? Since your debut, what are some things you have learned during your career?

I’ve been making music for about 3 years now and since my debut, I’ve learned. At the end of the day, it’s your art/work so don’t get too caught up into what other people say/think and do it for yourself first.  Shoot your shot, you never know what’s going to happen because in the 3 years that I’ve been making music, I’ve met and come across so many talented and lovely people and I don’t that would’ve happened if I was just sitting and waiting around.

What artists have influenced you, your sound, and your creative process, and which artists are your top five at the moment?

The artists that come to mind when it comes to the influence on me, my sound and my creative process and they are: Childish Gambino, Marvin Gaye, Tyler, the Creator, Steve Lacy, JMSN, Thundercat, Omar Apollo & Blood Orange

My top 5 artists at the moment are: Men I Trust, Q, Yellow Days, Brent Faiyaz and Hiatus Kaiyote

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So you're based out of Toronto--which is a big hub for emerging artists-- so tell us about your experience in the area? As you've been growing in your career what are some skills you've picked up?

So far I can’t complain, I’d say I’ve had a good experience in the area. Collaborating and meeting new people/creatives is always fun and it’s something I’d love to keep doing. It’s unfortunate that we’re in a pandemic but it’s good that we’re able to work around it with Zoom/Facetime calls.

In my career, I feel like I’ve been getting better with the skill of networking/connecting with others. There’s definitely more for me to learn but I feel like I’ve made a lot of progress compared to 18-year old Chris. I also feel like I’m getting more comfortable when it comes to producing for others. When I first started releasing music, I always wanted to know how to make beats but I was way too anxious about it but as I got older, I would keep trying out different things that I thought sounded cool and I think it eventually worked out for the better. 

\We've had both of your label mates on the platform before and it was very intriguing learning how they got signed to the company. So tell us your story: how did you and Tom Boy Records get on each other's radar and what made you sign with them?

I actually dm’d Cass who started up Tomboy Records. We both went to Durham College together and after finding out that she was behind the label and that Amaka and Elyssa were the artists she was working with, I really wanted to be a part of the roster and see what could happen. After checking out my music, Cass got back to me and gave the good news and I’ve been with Tomboy Records ever since!

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Now getting into your music you have three solid songs out right now; ‘For Nothing’, ‘Summertime’  featuring 0 Hype,  and ‘Circles’. Tell us about each of these songs. What inspired them and how they came together?

For Nothing was something I made with a friend of mine who goes by the name of Rarely the Student. I remember Rarely sent me a beat pack with all of these crazy sounds and I was trying to write to all of them, even if whatever I was writing wasn’t good. When I got to the original beat for For Nothing, I remember hearing it and instantly vibing to what I was writing. I hit up Rarely and told him that I think I might have something. Next thing you know, we got the song recorded and dropped it as soon as we could. 

Summertime was something I made with my friends 0 hype and Sachin B. It’s always a great time working on music with them because the chemistry and the energy is always right whenever we link up. We met up at Rudi’s and started chilling/listening to Kevin Abstract and throughout the night, Sachin and I would lay down instrumental layers and Rudi would be writing to whatever we had going on. At some point during the night and I forget when but I remember I started writing to the song as well. Rudi and I both recorded whatever we liked from our notes and next thing we knew, we all had a song to release for the summer and for people to enjoy. 

Circles was actually something I made on a whim with my buddy Bailey. I remember I was a bit indecisive about the original idea/lyrics of the song at first but I really really wanted to make something that sounded like Arctic Monkeys and Cage the Elephant. I recorded the vocal arrangement on my phone’s voice memos and wrote the music over that. When I brought the idea to Bailey and he loved it. We ended up recording the song at his house and released it as soon as we could.

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You also just dropped your newest song titled ‘Shine’ which is a vibe. Tell us about this song and what inspired this one as well?

Shine was something I started working on last year around March. I remember thinking I wanted to make something that had a lot of people on it. After listening to the Revenge of the Dreamers III project and seeing all of the talented artists on it, I was really influenced by that and wanted to atleast make a song that had a lot of talented artists on it, didn’t necessarily have to be a big project. In terms of the sound, I was actually listening to a lot of The Internet and Marvin Gaye around the time I was working on the song and I think they influenced the sound behind it in some way.

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You worked with a lot of people including; label mates Amaka Queentte and Elyssa Plaza to produce ‘Shine’ together and the result is AMAZING. So tell us about the creative process of putting this song together and how was the experience working with other people rather than solo?

The creative process was actually kind of a fun learning experience to go through. At first, I didn't know that I’d have this many people on the song but I knew that whatever was going to be recorded, it had to feel as live as possible and as if we were all in the studio together. 

When it came to working with other artists rather than solo, I genuinely had a great time. It was my first time collaborating with all of these other artists and although we weren’t able to get into a room/the studio together, I’m glad we were still able to work from home and get the song done. 

Big thank you to Elyssa, Amaka, SAAKB, Bubby, Kev, Josh & James for being a part of the song, I couldn’t have done it without you guys.

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So your singles are great but I would love to hear a whole project by you. Is there a chance you will be dropping one this year?

I’m actually planning on releasing a 7 song EP this year! My team and I are hoping to release sometime in April but we’ll see what happens just because I don’t wanna rush anything. In my opinion, it is close to being done but I think it just needs some final touch ups/revisions and it’ll be ready for everyone to experience.

What’s next for you in 2021 and where do you hope to be by the end of the year?

I want to be better than I was the year before. As a multifaceted creator, I wanna explore the different fields within the art industry and I wanna keep building on the skills I’ve developed throughout the years/during quarantine (music, photography, graphic design etc). Aside from that, I hope to release an EP and a short film with some friends of mine and I hope to keep growing/working on myself as an artist/person.

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Shout some friends out!

Not in order and also my bad if I forget to mention you, I still love you but I want to give a shout out to: Cass, Tejas, Hennigar, Emrys, Knudsen, Rudi, Sachin, Duran, Mooks & James

I also want to shout out my family because they’re hella supportive and it genuinely means a lot.

Any last words?

I wanna thank you for having me. Secondly, I hope you all have a great year, trust me we all deserve it after getting through 2020 and last but not least, give Shine a listen and let me know what you think of it:)

Elyssa Plaza - Is it Really Love

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Elyssa Plaza first things first thank you for interviewing with Nefarious Supply, to get the interview started tell us about yourself and what made you choose the career path of music? 

I am an R&B/Alternative singer/songwriter from Scarborough, Ontario and I’m currently in school at the University of Toronto. Growing up I would always be singing. Throughout elementary school, I would see so many artists being discovered on Youtube, and seeing that inspired me to keep going with singing and getting myself out there. By high school, I would be performing at coffee shops, school talent shows, and school choirs, it was always something I enjoyed doing. By then I knew singing was something I wanted to continue in the future, however, I was too scared to solely focus on music after I graduated high school. After I graduated high school, I went to the University of Toronto to study Math, Religion, and Statistics. Throughout my time in university, I realized pursuing music is something I would want to continue in the future. So during my time in university, I would be writing songs and working towards releasing new music. Growing up, singing was something I enjoyed doing, and by the time I got into high school and university I knew it was something I was very passionate about and something I wanted to focus on in the long-term.

How long have you been making and since your start what are some things you have learned?

I started making music probably back in 2018. 2018 was when I started writing songs and by 2019 I released my first single “Getting Over You”. Something I learned that stood out to me the most is being patient. There were times I was frustrated with myself that I wasn’t able to reach specific dates of when I wanted to get things done musically, but at the end of the day, I realized there’s so much time and there's no need to feel pressured. I learned that taking your time can get things done properly and carefully instead of it being rushed.

Where are you from and how would you say this area has influenced you, and your sound?

I’m from Scarborough, Ontario, and being able to see the Toronto local music scene is very inspiring. So many unique voices and amazing talent! It is inspiring to see Toronto artists grow and making it bigger into the music scene because it is something I strive to do as well. The Toronto music scene has inspired me to be myself and experiment with my sound.

In addition to you influencing your sound, how is the area for creatives would you say it is still an emerging area or a hub, and have you worked with any artists from the area?

I feel like Toronto is still an emerging hub. There are so many amazing talents I have to see that go unnoticed and I feel like there should be more recognition for the talented artists in Toronto. I haven’t worked with other singers yet but I have worked with many great producers in Toronto.

Who are some of your favorite artists that you grew up listening to and as of right now what are the 5 albums and artists you currently have in your rotation?

My favorite artists I grew up listening to would be Lauryn Hill, Alicia Keys, Mariah Carey, and Beyonce. As of right now, the artists I have on rotation would be Snoh Alegra, Giveon, Frank Ocean, Lee Fields & The Expressions, and The Beegees.

So right now you’re currently with the startup Tomboy Records which is pretty cool, how did you  meet them and what led to you formally signing to them?

I met Tomboy Records through social media. Casandra reached out to me on Instagram and told me about Tomboy Records. I was busy with school at the time so by the summer I gave it some thought and decided to sign with them. It was the greatest decision made! I decided to sign with them because I knew we both had similar end goals. With our similar ambitions, I knew that we would both work hard to achieve them.

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 So let’s get into your music. You just recently released your new song “Is It Really Love” tell us about this new song,  and what inspired it?

I started working on the production on "Is It Really Love" back in March/April. This song has been something I had for probably about 2 years and was never released. When I first wrote it, I wrote it based on my family experiences and the misinterpretations of love language. From my experiences, this song questions if these actions are supposed to express love or if it's toxic. It took me some time to release it because it was something pretty personal. I also wanted the production to do the song justice and I never really knew what I wanted. I’ve only played this song live twice and it’s been with a live band. This year I finally decided to work on the production of the song and I’m very happy with how it turned out.

Last year you also released a Small EP titled EP, tell us about this project, what inspired it, and who are some of the people that helped you put it together in production?

This project was very fun to make. This was inspired by my personal experiences, specifically my experience with relationships, how I felt in the moment, and the way I dealt with things. "Forever", is probably one of my favorites from the album. High Rize Beatz helped put the production together along with mixing/mastering.

So going into 2021 what are some things you want to accomplish before the end of 2020, and what are some of your biggest goals in 2021?

Releasing “Is it Really Love” was a big accomplishment for 2020. By 2021, I plan on releasing more music and hopefully perform (whether it be in person or online)!

Any last words? 

Thanks so much for having me!


Thank you to Elyssa Plaza, and Tom-Boy Records for giving us a chance to feature them on Nefarious Supply. Be sure to check out TomBoy Records as well as Elyssa Plaza on Instagram and check out the full labels music available on all streaming platforms!

If you want to stay up to date with news and content coming from Nefarious Supply you can find us on Instagram, and Twitter. We also just dropped out newest line of merch NSW Season 2 which is avaluble here! Use discoue code NEFARIOUSSUPPLY2 to get freeshipping on your first order!

TOMBOY Records - Underground Label Start Up

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Tomboy Records first things first thank you for reaching out to us we we’re really excited to interview Amaka, and now it's even more exciting to interview the actual label behind this talented artist! So just to get the interview started tell us about Tomboy Records, how did it start, who contributed to its start, and what is the meaning behind the name?

Thank you, I really enjoyed reading that interview. I started Tomboy Records in 2018 after finishing my freshman year in college for Music Business. I always knew I wanted to do something in music like be a musician or producer, but I never thought about being on the business side. My friend I met in college helped contribute to its start by helping me pay to register my business. Pretty much if it wasn’t for that I wouldn’t have started this label when I did. The name is an acknowledgment of growing up as a ’tomboy’, being into stuff like sports and my dad's favorite type of music. The choice of name is a representation of who I was and grew up to be. 

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Where is the label based out of, and how would you say this area is a hub for underground and emerging artists if so why?

The label is based out of Scarborough, which has so many talented, underground, and emerging artists in many genres it’s actually insane. Lots of artists are on their come up like LOONY, as well as Dejuan. What's so amazing though is it’s not just Scarborough but also the cities that are more east. These artists are so focused on making it to the downtown scene but from our personal experience a lot of the talent that go to these events or have their shows downtown are from the suburbs outside the downtown core. The east I feel is overlooked even though it has such a strong hub for upcoming artists of all types of genres. 

Who is currently on Tomboy Record’s creative team, how do each of you bring something to the label to help it grow as a brand and business, and talk us through the daily day to day of being a start up label?

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C: We’re our own creative team pretty much every idea we bounce off of each other until it’s perfect to go through with. I deal with all the business and Kéia helps me execute every idea. She’s the creative behind this all. She’s created show flyers, our logo, music cover art, and much more content, which has helped the label grow as a brand in ways I couldn’t have done by myself. Our daily day to day consists of reading a lot of emails, checking in with artists to see what they’ve been up to which includes music they’re working on, artist development, and everyday things. Our day to day also consists of planning content to create and post, staying updated on the industry, and creating connections with people. All while managing and overseeing the music and numbers. 

K: Before the pandemic, another part of our days was the networking events and finding shows for our artists to perform at my personal favorite part of the job. As far as creating content, figuring out how to design the artwork for singles and albums is extremely collaborative making sure that the artists are completely pleased and execute their vision. 

What would you say is the number one hardest thing about being a start up label and why?

Making a name for yourself in the industry is super hard. Trying to build the connections within the industry or the music scene, it’s complicated, hoping companies will take you seriously, hoping you’re reaching out to the right people. You need that endurance, this is really a marathon. It's easy to feel helpless especially if we get caught up comparing ourselves or counting the times our emails are ignored. All about patience though, and showing respect to those who laid out some stepping stones for us to even be where we’re at and do what we do. 

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So as of now you have three artists signed to your roster including Amaka Queenette, Elyssa Plaza, and Chris Chand. How did the label and the artists get together and what led to the formal business relationship being established between each of them?

I reached out to Amaka after Kéia showed me her Instagram. I sent her a DM telling her that I was interested in working with her and after some time she pitched an idea to me about wanting to organize an artist showcase. We ended up putting on Gestalt: A Showcase in August 2019 at Lee’s Palace together and it created a good working and trusting relationship between us. I met Elyssa through Instagram and also sent a DM about wanting to work on releasing a project. She was the first artist I reached out to, her voice was what I was looking for to represent the label and niche. We’ve had a couple shows and gone to many events together which has helped us as a brand and artist. Chris and I actually met at college until he dropped out of the program. This year he reached out to me about working together and we’ve created a very good and open working relationship. We have very similar goals which is great because it creates a friendlier relationship rather than a business one where we’re able to talk about any idea or plan. 

With the artists you have signed so far how would you say all of them fit into the label as a whole, and how does their music as well as their overall presentation add to the image of Tomboy Records?

As a whole, they all represent what the label is. I stand by working and creating an environment that is 100% transparent and in favor of the artist, not myself personally or the brand, and they all reciprocate this towards me. Tomboy Records is not a genre specific label even though our roster right now creates all different R&B subgenres. However this does add to the overall presentation to our image because I want to show that all music is different and you do not have to commit to just one sound. 

In addition to being a start up label you guys also announced a collaborative business venture with  R&B Radar called Talent over Clout. What led to this collaboration and what are some of the long term goals you hope the partnership will achieve?

We actually connected because Tommy, the founder of R&B Radar, showed high interest in our roster. We have similar goals of helping artists and views of the industry so we decided to work together and create a super team to achieve our goals. The long term goals I hope our partnership will achieve is creating a community in our industry that is truly about the artist and music rather than money. 

What’s next for the label? What are some big goals as a team you guys hope to accomplish before the year is over?

C: We‘re hoping to push out some more music and finish projects we’re working on with our artists. As a team, before the year is over we want to keep building relationships with others in the industry and gaining more opportunities. 

K: Hopefully some more shows depending on how COVID goes over and some more music videos.

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Who would you guys recommended we interview next on Nefarious Supply

C: Middle Men

K: Deshaun Hamilton, he’s an upcoming rapper dope stuff.

Any last words?

C:This was dope, I’m grateful for this opportunity and I hope to be able to meet up soon and have y’all come out to future shows! 

K: Thank you for your time and this opportunity. To the readers remember to always support your hometown artists.


Big shout out to Tomboy Records for interviewing with Nefarious Supply its really exciting to see start ups like this coming up and changing the current music scene. If you enjoyed this interview and want to stay up to date with Tomboy Records you can follow them on Instagram and be sure to follow the labels roster as well!

If you want to stay up to date with news and content coming from Nefarious Supply you can find us on Instagram, and Twitter. We also recently opened the Nefarious Supply Store and we are doing a free giveaway so if you want to support you can show some love here!

Amaka Queenette - Tomboy Records Muse

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Hey Amaka Queenette first things first I wanted to thank you for agreeing to interview with Nefarious Supply. Just to get started, introduce yourself to the audience who is Amaka Queenette, and what events led up to you taking up a career as a musician? 

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I just always gravitated towards music. I was born in Nigeria and most of my memories there involve music; early morning worship, church, school events. My parents would always play music on a Sunday morning as we got ready for church as well. Music has just always been there. And it's never felt like a choice, just like why wouldn't I continue to want it around? Addition though, as I work to make music a career, I am also in nursing school as well. Was on a year off from school this past year to finish off a few music projects though. I'm trying to have it all; best of both lives.

Being currently based in Pickering, Ontario how would you say this area has had an influence on you as well as your music?

As much as I know I want to see the world, my safe little suburban slice of Pickering is such a home to me. My house is surrounded by a stream, a park and a forest so I always have places to hide when I need to. I think because I can be considered "comfortable" where I am, it gives me mental space and capacity to dive deeper into the intricacies of my experiences and how they affect my emotional and mental well-being. Being where I am has surrounded me with some amazing East end talent without feeling too suffocated- which I do tend to feel when in Toronto. I love the idea of having to hop on a GO train to get downtown. It makes the city such a novelty. More romantic and wistful that way.

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What artists would you say have had the biggest influence on you, and how have they done so? 

Musically I don't know that I have too many influences. But I do try to chase the feeling an artist gives me. Kanye's confidence and way-paving, makes me want to be braver. Erykah's uniqueness and claiming "I may not be ____ but I'm clever" really resonated with me. I think I'm so clever and like she taught me it's okay to think that about yourself. Frank Ocean of course makes me want to make music people can cry to as they think about their first experiences with love or any unrequited loves.

Tell us about Tomboy Records and how did you end up getting signed to them as an artist? 

So I met Cassandra, my current manager and one of the founders of Tomboy Records when she DM'ed me at the end of 2018. Cass had seen one of my covers and apparently really liked it and thought my voice was unique. We also had a mutual friend who kind of helped make that connection. Then we started talking and I mentioned a concert I wanted to curate in August 2019. They really had my back every step of that process. They helped make it possible and we've been together since! 

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Since you’ve started your career what are some important lessons you have learned, and what is some advice you would give to new artists? 

I still 100% consider myself a new artist. But what I've learned is that there will always be people who think like you. The doubt will come, second guessing your ideas will happen. But trusting your instincts is a must or you'll just find yourself floating. Or find yourself performing songs live that you don't even like or really believe in. Another thing I learned is that a team is important. It's not everything and we as humans can accomplish so much alone, especially when we have to. But I say, if you have the option of working with people you like and trust with your ideas, please do. It makes the process much sweeter and this way, you have someone to panic to at 3am the day before a release.

So let’s talk about your newest EP “Fleeting Inconsequential”, what inspired it?

Those 2 words in sequence came from the movie 'The Age of Adaline'. I love movies so much, and movies that are sentimental about the passing of time always get me. Time moving and us not being able to do anything about it is such a scary concept for me, but it's one that I force myself to sink into and fully feel because that's the reality of things and avoiding it would be unwise. 'Fleeting, Inconsequential' is a body of work that addresses loves and lives past. The title was inspired by that movie, but the concepts in it are ones that take up my mind a lot. The project is inspired by fear of the ever-changing and the seeming insignificance of a single human life.

Walk us through each of their songs and their meaning to you? 

'Suffocate' is about a love that doesn't exist on both sides anymore. It's strictly single sided now. It's about giving everything to a relationship and still ending up empty and without. It's not my exact personal experience because I've never been able to give 100% into any romantic relationship I've been in, there's a lot of fear there for me. So I guess I reached out to those around me who had fallen in love so completely and I lived vicariously through them. I collected and compiled their stories, I channeled the feeling I got when I thought about being completely in love and the output was 'Suffocate'. The song feels a little frantic and unsettling sometimes and there are random time signature changes here and there. All of this kinda reflects that discomfort I feel thinking about love and how it can come and go so fast, hence 'fleeting'.

'Ceilings' is then again about this idea of time moving faster than I'm ready for. I get tired thinking about all the things I've done and all that I still plan to do. And sometimes I just want to either live fully, taking in every beautiful moment. And other times I just want to sleep and pass my time alone. The line "it's a fine night to feel infinite but we're infinitely finite" really summarizes 'Ceilings'. It basically translates into: in this moment right now, I feel infinite (a paraphrased line from the movie 'Perks of Being a Wallflower'), life is beautiful, existence in itself is beautiful and is such a privilege, but I also can't shake the feeling that every moment is just a blip in the grand scheme of my life. Hence, 'inconsequential'.

So on the production end what producers as well as engineers did you work with for EP?

Executive Producer is Joshua Stanberry. That boy is such a rockstar. He produces everything I release. Sitting with me or over the phone, everything I do has him written all over it.  I also had a role in the production of those 2 songs as well. Although the term "producer" to me feels so broad. I never know all the title entails, but I played roles here and there in the composition. The mix engineer is the master, Adam Pondang. He is incredible; so patient with all my notes and so attentive to detail. He treats all my songs with respect. He mixes and produces for LOONY, and he's mixed everything I've released. Other credits on this EP are Justice Der on guitar, Stephen Bennett on drums, and Joshua Stanberry on bass (they are all music students at Humber college).

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So what’s next for you, what are some goals you want to achieve by the end of the year?

 So by the end of this year, I'd love to release one or two more singles. I definitely have stuff in the works and bigger projects in the far future, but for now a single or two here and there. The pandemic has set some things behind and definitely messed with my motivation levels, but I am still working and chipping away at projects. So a few singles should emerge by year's end. Then in September, I'm off to nursing school again! I actually wrote my entire first EP while in first year UNI so I always make time for music while I'm there. 

Any last words?

Nothing too exciting, just thank-you for caring about my music and what I'm up to. Appreciate your time and you amazing questions. I love music with my whole heart; it's the thing that cuts through the apathy and reminds me of the parts of myself I'm sometimes afraid to address in my day to day life. So I'm grateful to get to talk about it with you guys.


Big shout out to Amaka Queenette for coming on and interviewing with Nefarious Supply. If you enjoyed this interview and want to stay up to date with her you can follow her on Instagram and be sure to check out her newest EP “Fleeting Inconsequential” available on all streaming platforms now!

If you want to stay up to date with news and content coming from Nefarious Supply you can find us on Instagram, and  Twitter. We also recently opened the Nefarious Supply shop so if you want to support you can show some love  here!