Amaka Queenette

TOMBOY Records - Underground Label Start Up

IMG-6373.jpg

Tomboy Records first things first thank you for reaching out to us we we’re really excited to interview Amaka, and now it's even more exciting to interview the actual label behind this talented artist! So just to get the interview started tell us about Tomboy Records, how did it start, who contributed to its start, and what is the meaning behind the name?

Thank you, I really enjoyed reading that interview. I started Tomboy Records in 2018 after finishing my freshman year in college for Music Business. I always knew I wanted to do something in music like be a musician or producer, but I never thought about being on the business side. My friend I met in college helped contribute to its start by helping me pay to register my business. Pretty much if it wasn’t for that I wouldn’t have started this label when I did. The name is an acknowledgment of growing up as a ’tomboy’, being into stuff like sports and my dad's favorite type of music. The choice of name is a representation of who I was and grew up to be. 

Cass_Keia2.jpg

Where is the label based out of, and how would you say this area is a hub for underground and emerging artists if so why?

The label is based out of Scarborough, which has so many talented, underground, and emerging artists in many genres it’s actually insane. Lots of artists are on their come up like LOONY, as well as Dejuan. What's so amazing though is it’s not just Scarborough but also the cities that are more east. These artists are so focused on making it to the downtown scene but from our personal experience a lot of the talent that go to these events or have their shows downtown are from the suburbs outside the downtown core. The east I feel is overlooked even though it has such a strong hub for upcoming artists of all types of genres. 

Who is currently on Tomboy Record’s creative team, how do each of you bring something to the label to help it grow as a brand and business, and talk us through the daily day to day of being a start up label?

Cass_Keia3.png

C: We’re our own creative team pretty much every idea we bounce off of each other until it’s perfect to go through with. I deal with all the business and Kéia helps me execute every idea. She’s the creative behind this all. She’s created show flyers, our logo, music cover art, and much more content, which has helped the label grow as a brand in ways I couldn’t have done by myself. Our daily day to day consists of reading a lot of emails, checking in with artists to see what they’ve been up to which includes music they’re working on, artist development, and everyday things. Our day to day also consists of planning content to create and post, staying updated on the industry, and creating connections with people. All while managing and overseeing the music and numbers. 

K: Before the pandemic, another part of our days was the networking events and finding shows for our artists to perform at my personal favorite part of the job. As far as creating content, figuring out how to design the artwork for singles and albums is extremely collaborative making sure that the artists are completely pleased and execute their vision. 

What would you say is the number one hardest thing about being a start up label and why?

Making a name for yourself in the industry is super hard. Trying to build the connections within the industry or the music scene, it’s complicated, hoping companies will take you seriously, hoping you’re reaching out to the right people. You need that endurance, this is really a marathon. It's easy to feel helpless especially if we get caught up comparing ourselves or counting the times our emails are ignored. All about patience though, and showing respect to those who laid out some stepping stones for us to even be where we’re at and do what we do. 

Cass_Keia7.jpg

So as of now you have three artists signed to your roster including Amaka Queenette, Elyssa Plaza, and Chris Chand. How did the label and the artists get together and what led to the formal business relationship being established between each of them?

I reached out to Amaka after Kéia showed me her Instagram. I sent her a DM telling her that I was interested in working with her and after some time she pitched an idea to me about wanting to organize an artist showcase. We ended up putting on Gestalt: A Showcase in August 2019 at Lee’s Palace together and it created a good working and trusting relationship between us. I met Elyssa through Instagram and also sent a DM about wanting to work on releasing a project. She was the first artist I reached out to, her voice was what I was looking for to represent the label and niche. We’ve had a couple shows and gone to many events together which has helped us as a brand and artist. Chris and I actually met at college until he dropped out of the program. This year he reached out to me about working together and we’ve created a very good and open working relationship. We have very similar goals which is great because it creates a friendlier relationship rather than a business one where we’re able to talk about any idea or plan. 

With the artists you have signed so far how would you say all of them fit into the label as a whole, and how does their music as well as their overall presentation add to the image of Tomboy Records?

As a whole, they all represent what the label is. I stand by working and creating an environment that is 100% transparent and in favor of the artist, not myself personally or the brand, and they all reciprocate this towards me. Tomboy Records is not a genre specific label even though our roster right now creates all different R&B subgenres. However this does add to the overall presentation to our image because I want to show that all music is different and you do not have to commit to just one sound. 

In addition to being a start up label you guys also announced a collaborative business venture with  R&B Radar called Talent over Clout. What led to this collaboration and what are some of the long term goals you hope the partnership will achieve?

We actually connected because Tommy, the founder of R&B Radar, showed high interest in our roster. We have similar goals of helping artists and views of the industry so we decided to work together and create a super team to achieve our goals. The long term goals I hope our partnership will achieve is creating a community in our industry that is truly about the artist and music rather than money. 

What’s next for the label? What are some big goals as a team you guys hope to accomplish before the year is over?

C: We‘re hoping to push out some more music and finish projects we’re working on with our artists. As a team, before the year is over we want to keep building relationships with others in the industry and gaining more opportunities. 

K: Hopefully some more shows depending on how COVID goes over and some more music videos.

Cass_Keia6.jpg

Who would you guys recommended we interview next on Nefarious Supply

C: Middle Men

K: Deshaun Hamilton, he’s an upcoming rapper dope stuff.

Any last words?

C:This was dope, I’m grateful for this opportunity and I hope to be able to meet up soon and have y’all come out to future shows! 

K: Thank you for your time and this opportunity. To the readers remember to always support your hometown artists.


Big shout out to Tomboy Records for interviewing with Nefarious Supply its really exciting to see start ups like this coming up and changing the current music scene. If you enjoyed this interview and want to stay up to date with Tomboy Records you can follow them on Instagram and be sure to follow the labels roster as well!

If you want to stay up to date with news and content coming from Nefarious Supply you can find us on Instagram, and Twitter. We also recently opened the Nefarious Supply Store and we are doing a free giveaway so if you want to support you can show some love here!

Amaka Quenette - Ceilings

“It’s a fine night to feel infinite, but we’re infinitely finite”

These are turbulent times of social, political, and ethical strife within America, and the continuous revealing of the terrible deeds this country has dealt to its citizens time and time again, especially towards the black community. Black women are left disrespected and unprotected on all fronts, these individuals being the same ones on the front line, fighting for justice. Our black men are being lynched right in front of our very eyes, and no one is doing anything.

We’re in a trying time right now. But there is no fault in slowing down, if only a little. Amaka Queenette allows us to do just that, with her track, Ceilings.

Amaka wraps up the explanation of her track, Ceilings, beautifully within the chorus, stating that though it is a fine night to feel infinite, we’re still infinitely finite, our mortality and beautiful identity as humans brings will always ground us in our realities, and keep our minds clear on the path ahead, whether its to love, happiness, or justice.

The reason I believe this song is necessary, is to remind us who the real enemy is, as well as who we need to protect, and support. Let’s ground ourselves and shield our black women, let’s come together, and let’s push towards an infinitely brighter future.

song written by: Chiamaka Queenette Azubuike

Amaka Queenette - Tomboy Records Muse

Copy of Front Cover.png

Hey Amaka Queenette first things first I wanted to thank you for agreeing to interview with Nefarious Supply. Just to get started, introduce yourself to the audience who is Amaka Queenette, and what events led up to you taking up a career as a musician? 

Visual EP Still 4.jpeg

I just always gravitated towards music. I was born in Nigeria and most of my memories there involve music; early morning worship, church, school events. My parents would always play music on a Sunday morning as we got ready for church as well. Music has just always been there. And it's never felt like a choice, just like why wouldn't I continue to want it around? Addition though, as I work to make music a career, I am also in nursing school as well. Was on a year off from school this past year to finish off a few music projects though. I'm trying to have it all; best of both lives.

Being currently based in Pickering, Ontario how would you say this area has had an influence on you as well as your music?

As much as I know I want to see the world, my safe little suburban slice of Pickering is such a home to me. My house is surrounded by a stream, a park and a forest so I always have places to hide when I need to. I think because I can be considered "comfortable" where I am, it gives me mental space and capacity to dive deeper into the intricacies of my experiences and how they affect my emotional and mental well-being. Being where I am has surrounded me with some amazing East end talent without feeling too suffocated- which I do tend to feel when in Toronto. I love the idea of having to hop on a GO train to get downtown. It makes the city such a novelty. More romantic and wistful that way.

Visual EP Still 6.jpeg

What artists would you say have had the biggest influence on you, and how have they done so? 

Musically I don't know that I have too many influences. But I do try to chase the feeling an artist gives me. Kanye's confidence and way-paving, makes me want to be braver. Erykah's uniqueness and claiming "I may not be ____ but I'm clever" really resonated with me. I think I'm so clever and like she taught me it's okay to think that about yourself. Frank Ocean of course makes me want to make music people can cry to as they think about their first experiences with love or any unrequited loves.

Tell us about Tomboy Records and how did you end up getting signed to them as an artist? 

So I met Cassandra, my current manager and one of the founders of Tomboy Records when she DM'ed me at the end of 2018. Cass had seen one of my covers and apparently really liked it and thought my voice was unique. We also had a mutual friend who kind of helped make that connection. Then we started talking and I mentioned a concert I wanted to curate in August 2019. They really had my back every step of that process. They helped make it possible and we've been together since! 

Visual EP Still 11.jpeg

Since you’ve started your career what are some important lessons you have learned, and what is some advice you would give to new artists? 

I still 100% consider myself a new artist. But what I've learned is that there will always be people who think like you. The doubt will come, second guessing your ideas will happen. But trusting your instincts is a must or you'll just find yourself floating. Or find yourself performing songs live that you don't even like or really believe in. Another thing I learned is that a team is important. It's not everything and we as humans can accomplish so much alone, especially when we have to. But I say, if you have the option of working with people you like and trust with your ideas, please do. It makes the process much sweeter and this way, you have someone to panic to at 3am the day before a release.

So let’s talk about your newest EP “Fleeting Inconsequential”, what inspired it?

Those 2 words in sequence came from the movie 'The Age of Adaline'. I love movies so much, and movies that are sentimental about the passing of time always get me. Time moving and us not being able to do anything about it is such a scary concept for me, but it's one that I force myself to sink into and fully feel because that's the reality of things and avoiding it would be unwise. 'Fleeting, Inconsequential' is a body of work that addresses loves and lives past. The title was inspired by that movie, but the concepts in it are ones that take up my mind a lot. The project is inspired by fear of the ever-changing and the seeming insignificance of a single human life.

Walk us through each of their songs and their meaning to you? 

'Suffocate' is about a love that doesn't exist on both sides anymore. It's strictly single sided now. It's about giving everything to a relationship and still ending up empty and without. It's not my exact personal experience because I've never been able to give 100% into any romantic relationship I've been in, there's a lot of fear there for me. So I guess I reached out to those around me who had fallen in love so completely and I lived vicariously through them. I collected and compiled their stories, I channeled the feeling I got when I thought about being completely in love and the output was 'Suffocate'. The song feels a little frantic and unsettling sometimes and there are random time signature changes here and there. All of this kinda reflects that discomfort I feel thinking about love and how it can come and go so fast, hence 'fleeting'.

'Ceilings' is then again about this idea of time moving faster than I'm ready for. I get tired thinking about all the things I've done and all that I still plan to do. And sometimes I just want to either live fully, taking in every beautiful moment. And other times I just want to sleep and pass my time alone. The line "it's a fine night to feel infinite but we're infinitely finite" really summarizes 'Ceilings'. It basically translates into: in this moment right now, I feel infinite (a paraphrased line from the movie 'Perks of Being a Wallflower'), life is beautiful, existence in itself is beautiful and is such a privilege, but I also can't shake the feeling that every moment is just a blip in the grand scheme of my life. Hence, 'inconsequential'.

So on the production end what producers as well as engineers did you work with for EP?

Executive Producer is Joshua Stanberry. That boy is such a rockstar. He produces everything I release. Sitting with me or over the phone, everything I do has him written all over it.  I also had a role in the production of those 2 songs as well. Although the term "producer" to me feels so broad. I never know all the title entails, but I played roles here and there in the composition. The mix engineer is the master, Adam Pondang. He is incredible; so patient with all my notes and so attentive to detail. He treats all my songs with respect. He mixes and produces for LOONY, and he's mixed everything I've released. Other credits on this EP are Justice Der on guitar, Stephen Bennett on drums, and Joshua Stanberry on bass (they are all music students at Humber college).

Visual EP Still 9.jpeg

So what’s next for you, what are some goals you want to achieve by the end of the year?

 So by the end of this year, I'd love to release one or two more singles. I definitely have stuff in the works and bigger projects in the far future, but for now a single or two here and there. The pandemic has set some things behind and definitely messed with my motivation levels, but I am still working and chipping away at projects. So a few singles should emerge by year's end. Then in September, I'm off to nursing school again! I actually wrote my entire first EP while in first year UNI so I always make time for music while I'm there. 

Any last words?

Nothing too exciting, just thank-you for caring about my music and what I'm up to. Appreciate your time and you amazing questions. I love music with my whole heart; it's the thing that cuts through the apathy and reminds me of the parts of myself I'm sometimes afraid to address in my day to day life. So I'm grateful to get to talk about it with you guys.


Big shout out to Amaka Queenette for coming on and interviewing with Nefarious Supply. If you enjoyed this interview and want to stay up to date with her you can follow her on Instagram and be sure to check out her newest EP “Fleeting Inconsequential” available on all streaming platforms now!

If you want to stay up to date with news and content coming from Nefarious Supply you can find us on Instagram, and  Twitter. We also recently opened the Nefarious Supply shop so if you want to support you can show some love  here!

AMAKA QUEENETTE - "Fleeting, Inconsequential”

On August 9, 2019, Tomboy Records introduced alternative R&B artist Amaka Queenette to Toronto with an amazing live showcase, 'Gestalt' at Lee's Palace. Hailing from Pickering, Ontario, 20 year old Amaka Queenette's genre-defying style is a breath of fresh air. Her thoughtful lyrics and her textured vocals work together to evoke feelings of nostalgia. Amaka’s music reminds you that often melancholy and contentment come from the same source. Amaka Queenette is back to release her visually captivating EP, "Fleeting, Inconsequential”. This project is a follow-up to her debut EP, “Vacant” released in 2018. Teamed up with executive producer, Joshua Stanberry and with collaboration from contemporary R&B guitarist, Justice Der, Amaka has created a wistful, soulful soundscape that is in a lane of its own. Check out Amaka Queenette’s new newest body of work “Fleeting, Inconsequential” which is available now!