BROCKHAMPTON'S ALBUMS RANKED

@channeltwotwotwo

Now we know love for the hardest working boyband in America is ample over here at Nefarious Supply, but now we want to test our listening capacity when it comes to one of our favorite groups in the rap game so far. BROCKHAMPTON has been a fan favorite for many since that explosive year of 2017. Since then the boyband has grown and lived their lives in many different ways, with these new experiences comes growth and

Here is our ranked list of the BROCKHAMPTON discography! Enjoy!

#7 - All-American Trash

All-American Trash saw the boys first coming up within the music industry under the name BROCKHAMPTON. Though most of the band members had been in the game prior to the group forming and also knew about each other much longer before that, the chemistry between each member and the connection to the music was simply just in the beginning stages, and these loose ties can be heard in every track on the album.

With softer beats and more intimate lyrics, the hidden treasure chest is full of gems. However, their luster pales in comparison to what the group achieves in their later years.

#6 - SATURATION II

Though SATURATION II has two of our favorite BROCKHAMPTON songs of all time in TOKYO and FIGHT, the album falls short of the other two in our opinion, only due to how incredibly raw and volatile the first and last albums were. SATURATION II takes a nice slow jog as opposed to SAT I’s explosively creative energy and SAT III’s entrance into the maturity of their ingenuity and sound.

SAT II will always have a place in our hearts though. Please listen to the greatest vibe check in the world above.

#5 - SATURATION I

Now SAT I was what started it all. As soon as the album starts you’re grabbed by ears by their sound and they don’t even let go till maybe about SKIT 1. HEAT, GOLD, and STAR set the tone for what isn’t just a body of work but an experience woven together to become the first incredibly anthemic piece to a trilogy. SATURATION I was BROCKHAMPTON at its most raw in its new sound. Hard-hitting, raw, emotional, groovy, head-bopping greatness. They’d just put iron to fire with this project but it was one that undoubtedly set the tone for the rest of their discography.

In honor of the OG SATURATION, we gotta put up one of the classics! Have a listen and don’t lie in the comments about the face you make when that beat comes in!

#4 - SATURATION III

SATURATION III was the culmination of hard work and effort the boys have put into their sound since All-American Trash, and these new heights are thoroughly showcased in tracks like BOOGIE, LIQUID, BLEACH, HOTTIE, SISTER/NATION, and RENTAL. Romil, Jabari, and Kiko, the central helm of BROCKHAMPTON’s production shine like the angels they are all over this project with their bodacious and outstanding landscapes they paint with their sounds for the vocalists to play around into their heart’s content.

This album also has the most cohesive writing of the SAT trilogy lyricism-wise! Check out our fan favorite above!

#3 - iridescence

iridescence is BROCKHAMPTON’s hard-left from their usual hard-lefts. This album came at a point in time where the boyband was dealing with a very tumultuous situation in Ameer Vann’s departure. This raw repositioning of the group in their career and life came through in the extreme experimentalism and emotional pull of iridescence. Tracks like J’OUVERT, DISTRICT, and VIVID make you throw your head back and forth in tandem with the infectious grimey beats, there are also tracks such as SAN MARCOS, TONYA, and FABRIC that remind you that this is a multifaceted machine of talent.

iridescene takes their already-established sound and punts it through the glass ceiling, making it our number three! Our favorite DISTRICT is floating around above, go ahead and bump it!

#2 - GINGER

GINGER takes the boyband and thrusts them to heights unknown by even the fans themselves.

With an extremely soul-baring yet grounded take on the events that took over their lives the past three or so years. On GINGER they’re coming more deliberate and more introspective, with tracks like NO HALO beautifully setting the tone of the entire album, searching within ones own mind and heart, battling with religion, making amends with yourself, and learning that in order to grow healthily there needs to be separation and healing from that in which impedes your growth.

Not to say that GINGER doesn’t know how to have fun from time to time, with bangers such as BOY BYE and ST. PERCY sprinkled in the mix. This album is the boyband at its most centered and deserves the number 2 spot off subject matter alone!

If you haven’t listened to LOVE ME FOR LIFE yet I honestly have no idea what’s going on in your world right now. And even if you have, listen above! Again!

#1 - ROADRUNNER: NEW LIGHT, NEW MACHINE

ROADRUNNER… whew.

What a journey this album was, from the eclectic and JUNKY-esque anthem that was Kevin’s verse on BUZZCUT to the stone-cold Texas grime of WINDOWS, featuring the New York legend himself, A$AP Ferg, as well as Video Store’s SoGoneSoFlexy, to the whimsical and pop-infused summer hits in COUNT ON ME and I’LL TAKE YOU ON, and the absolutely devastating dual parts of THE LIGHT, this album saw them in a light like no other. JOBA absolutely shined on this project and brought a thought to my mind.

This album was an actual form of therapy for the member, from the light poppy tracks to the heavy and deeply emotional ones, this is a love letter to JOBA’s heart in the wake of his father’s passing, as well as an album worthy of every Grammy imaginable. The boys are at their cleanest production-wise and the most focused they’ve been topic-wise since GINGER.

Above is the absolute dance anthem of the year. Enjoy!

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BROCKHAMPTON - ROADRUNNER: NEW LIGHT, NEW MACHINE

Our boys are back.

The ever-evolving, bodaciously introspective boyband has sped back onto the scene once again with their newest official project since their 2019 effort, GINGER. In their previous works, the band of brothers were healing their wounds from numerous fronts, and it showed in their lyricism and production. The band was in flux, but that wasn’t necessarily a bad thing, at least not for their music. iridescence, the project before GINGER carried a sense of raw energy and experimentalism that we had yet to see from the boys, it was as if they’d taken their sound and shot a rocket launcher at it, all to see the beauty of the explosion. However, on ROADRUNNER, the boy are indeed back.

Reaching back into themselves to find the happy spark that gave their music not just the therapeutic aspects it had mastered, but also the fun, curious, exploratory boisterous sound that made us fall in love with them in the first place. This was where the perfect balance was struck, no need for a rocket launcher, just a light, a road, and your brothers.

Have fun reading our review of ROADRUNNER: New Light, New Machine! 😈

BUZZCUT (ft. Danny Brown)

Buzzcut strikes with the power of BOOGIE, and yet retains the boys’ GINGER era. With heavy 808s and a weird sounding siren, Kevin takes off on the opening verse, with memorable bar after memorable bar about worrying for his mother who came to visit him, almost getting jumped into a Latino gang for protection, and how platinum-selling, award-winning records will never take away the very real fact that he is a man of color in America, and he is not safe.

Running straight into the chorus after taking final aim at the justice system for having locked up his cousin for selling dime bags of weed, critiquing the marijuana laws of the country. Danny Brown cruises right in after the infamous “NOW GET THE F*CK OUT MY RIDE” and absolutely smashes his verse, sparing no time calling out the boys with accusations of normalcy and involuntary celibacy, before directly quoting and interpolating Nas’s verse, featured on Rawkwon’s 1995 track “Verbal Intercourse”.

Overall an incredibly solid track.

CHAIN ON (ft. JPEGMAFIA)

Chain On is as JPEGMAFIA x BROCKHAMPTON as it gets. To the point you could probably search up this same “type-beat” on Youtube and you wouldn’t find anything too far off. Nonetheless, no one does it better than the original, and boy do they do it. The DMV maestro Peggy spits an incredible verse caked with topics such as police brutality, and a desire for equality and unity. Dom Mclennon shines brightly after the Abstract led hook, speaking about social unrest centered around the treatment of African American individuals in America.

Fun fact this was paired with the track “fishbone” in a one-week release from the boyband’s Techincal Difficulties series.

COUNT ON ME (ft. A$AP Rocky, Ryan Beatty, & Shawn Mendes

Count On Me is an incredibly catchy and feel-good song, and that could literally be the end of the review for this song. However, despite the beautiful BROCKHAMPTON-standard production, the real beauty of this song comes from the lyrical emphasis and amazing hook.

Sung by band-favorite collaborator Ryan Beatty and Shawn Mendes. Yes, that Shawn Mendes. What makes this entire thing as insane as it should stem from a Kevin Abstract shout-out on the track “STAR” from the boys’ SATURATION III album.

“I don’t fuck with no white boys unless that nigga Shawn Mendes.” - Kevin Abstract, STAR - SAT III

BANKROLL (ft. A$AP ROCKY & A$AP FERG)

Whew, BANKROLL.

Let’s talk about BANKROLL, haha. This track has been in the boyband’s archives since their iridescence era, after having popped up in a promotional video for their iridescence album, originally featuring A$AP Rocky and Merlyn only. As the years passed, fans of the boys couldn’t get the infectious sample out of their head, and even went as far as to create their own renditions and iterations of the prolific teaser. BANKROLL also serves as the first collaboration between A$AP Mob and BROCKHAMPTON.

It wasn’t until the boyband’s 2020 Technical Difficulties run that fans would even get a glimpse of news about any form of a release on the band’s May Twitch live stream. This version of BANKROLL is much cleaner than the snippet and uses a more in-depth version of its predecessor’s production, with the inclusion of a smooth new half of the hook from Matt Champion, Merlyn gaining an entire new verse, and the most suprising of them all a hard opener from none other than A$AP Ferg.

Jabari also shines on the tail end of this track, utilizing his unique presets around his voice to give off a smooth finisher.

THE LIGHT

The Light is the fourth song on the album’s playlist and is without a doubt the heaviest track on the album, second only to its second half at the end of the project. With only JOBA and Kevin Abstract on the vocals, guitar-heavy production, and a lot to say, the two members take on very personal topics.

JOBA viscerally speaks about the unfortunate passing of his father at the hands of suicide and his subsequent mental health, as Kevin speaks about his strained family relationships and looks back on his childhood in Texas.

WINDOWS (ft. SoGone SoFlexy)

Our second favorite track on the LP, BROCKHAMPTON shine like no other on this track, being the first and only song in which every sngle vocal member is present. There are also uncredited vocals from Ryan Beatty on this track, as well as an amazing opener from SoGone SoFlexy a childhood friend of Kevin turned new signee to Video Store records, a label created by Abstract and BROCKHAMPTON engineer, Romil The ending by Bearface is a beautiful bow on the amazing gift this track is to the ears.

Ooh, and Jabari’s hook.

I’LL TAKE YOU ON (ft. Charlie Wilson)

I’LL TAKE YOU ON is an amazing pop song that showcases the band’s ability to pull off the other side of their chosen genre with almost masterful nostalgia. Charlie Wilson, an R&B godfather, is featured on the latter half of the song, reigning in a cozy, yet upbeat rollercoaster ride of a track. Below Romil speaks on how he was able to snag a feature from the legend in an interview with MTF Fresh Out

“It was a surreal moment […] My friend had been working with him, and I just asked him. Can you introduce me to Charlie Wilson? And he was kinda wanting to do it, so we sent him a song and he loved it, did his Charlie Wilson thing on it and it’s one my favorite songs in the album now. So awesome.” - Romil Hemnani, MTV Fresh Out

OLD NEWS (ft. Baird)

OLD NEWS features multi-instrumentalist and a Baltimore native, Baird. Jabari takes a more prominent role in this track and though it isn’t high up on our list of favorites it is still a solid body of work, with an infectious hook and a versatile array of verses from JOBA, Matt, and Merlyn, tackling issues ranging from failed relationships to lamented pasts.

WHAT’S THE OCCASION

When we played WHAT’S THE OCCASION, Eminem’s early discography came to mind. The boys really came out of their shell for this album, which makes sense considering they took two years on this one, a stark change in their form album-making with the likes of the SATURATION series being churned out within months of each other, and the eclectic iridescence being recorded, mixed, and mastered in only ten days. The ending of this track is absolutely amazing, as is most of the outros on ROADRUNNER.

WHEN I BALL

When I Ball is a feel good, get out of your house and take a drive type of song, with nostalgic and reminiscent verses from Dom about how incarceration affected his family and the conversations he would have with his mother in order for him to avoid anything of the sort, and from Matt who raps about his relationship with his family and how each individual one has affected him. Rex Orange County and Chad Hugo of The Neptunes are enlisted for the beautiful instrumental.

DON’T SHOOT UP THE PARTY

Our favorite. An absolute banger of a track, DON’T SHOOT UP THE PARTY invites that dark, playful G-Funk vibe BROCKHAMPTON has capitalized on in the past, with just a dash of maturity in the lyricism and tone of their current mindset. Kevin starts out with a callback to Miserable America in his ear-catching almost anthemic verse as well as the overall tone of the song. Lines addressing homophobia, racism, and gun violence seem to be his main focus on the track, with Matt and JOBA assist with their tumultuous additions, speaking on paranoia.

DEAR LORD

DEAR LORD is simple, and beautiful and BROCKHAMPTON’s first take at a purely gospel-esque song. Helmed by the collective’s in-house crooner, Bearface, the track follows as he literally prays over his friend [JOBA] following the suicide of his father. There are multiple singers on this track but Bearface is the main vocalist and shines like no other in his request to the lord.

THE LIGHT PT. II

THE LIGHT PT. II is the final song of the album’s main tracklist and serves as a second-half to its predecessor, THE LIGHT, above. This track is by far the heaviest of any other in their discography to date, with the only exception being DEARLY DEPARTED on their GINGER effort.

The song features only JOBA and Kevin once more, with Kevin opening this time. reminiscing introspectively about his childhood in Texas. JOBA comes through with one more soul-searching, and honestly heart-wrenching verse about his father, addressing him directly and questioning his choice to commit suicide, as well as reflecting on the impact it has had on him in life and death. An amazing and raw outro, fitting for an LP that mirrors its very essence to the core.

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If you enjoyed this album and want to stay up to date with BROCKHAMPTON you can find them on Instagram, Twitter, and SoundCloud and be sure to listen to ROADRUNNER, NEW LIGHT, NEW MACHINE and let us know what you think. If you want to stay up to date with news and content coming from Nefarious Supply you can find us on Instagram, Twitter, and for our news letter you can sign up below.

BROCKHAMPTON - TECHNICAL DIFFICULTIES

The boys are back yet again, with seemingly another season of aesthetics, vibes, and underlying themes for their fans to eat up and pass around. The self-proclaimed hardest working boyband in America, BROCKHAMPTON, has released four new singles on their Youtube channel in the last four weeks. The four tracks (so far), as with most of these pre-album drops, came without any warning, and at odd times of the night.

However, with collaborations from long-time friends, such as Ryan Beatty, and newcomers to the universe of our favorite boyband, like Christian Alexander, Brockhampton seems to be back in full creative swing!

Below we run through the various artworks for each song as well as the meanings behind the lyricism heard on each track, specifically from the band’s leader, Kevin Abstract, and fellow member, Matt Champion, who we feel snapped especially.

N.S.T

The first track, “N.S.T” (standing for N*ggas Stay Tellin) starts off with the titular tag, originally from the beginning of an unreleased 10-minute freestyle by New York rappers Jay-Z and Big-L before being led into the intro which is helmed, surprisingly, by Jabari Manwa, a member of Brockhampton’s sub-group, Q3 and a main producer for the band.

The band is in a state of paranoia and wariness on this track, speaking on subjects of skepticism and underlying motives are explored as the boys wonder if those around them are true and genuine to who they are when it comes to the band’s fame and success, or if they are simply using them to prop themselves up.

The artwork for the track is listed below, and the picture used depicts Arnav Gupta, a man who set himself on fire in May 29, 2019, near the White House. He later died of his injuries.

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things can’t stay the same

The second track, which released on the same day, is named “things can’t stay the same”. This release only features Kevin Abstract and Matt Champion from the band and the two make sure to solidify themselves as lyrical powerhouses of their own. Speaking on themes of nostalgia and reminiscence, the two become contemplative of their life back in Texas, where Brockhampton started.

The previous artwork for the track was a painting, created by Jenna Gribbon. However, she stated that the band did not ask for her permission to use the artwork. After being called on it, the boyband took down the artwork and video altogether, replacing it with a new picture, portraying the HD SMPTE color bars usually seen in television test patterns, and re-uploading it.

However what you see below still holds true to the current artwork, courtesy of the band’s art director, HK.

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twisted

Part of the second wave of BROCKHAMPTON’s quarantine dual releases, “twisted” starts out the gate with another powerful verse from Kevin, bridged into a shared chorus between him and band vocalist, Bearface. As if we couldn’t be blessed enough, yet another Jabari feature appears, the producer editing and warping his vocals to sound almost sapient and insightful as he flows through the second verse, before handing it off to newcomer Christian Alexander to slay that last leg of the track.

Throughout the song, it seems as though the band is conveying their melancholy through their production and lyrics, as well as their loathing for how their words are twisted and their meanings are manipulated, leaving them to come off as untrustworthy.

The cassette-like artwork of HK listed below is accompanied by a picture of a sky with the sun setting with what is presumed to be blurry power cables of an electricity pylon. The source of this photo is currently unknown.

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M.O.B

The final track so far and the latest track of the TECHNICAL DIFFICULTIES quarantine tracklist, “M.O.B” holds a similar title design to N.S.T, and also is an acronym, standing for “Money Over B*tches”. The track holds the second-largest amount features of all four releases, with band members Kevin Abstract, Dom Mclennon, Matt Champion, and Bearface collaborating.

The track explores themes of unity and loyalty, from Kevin claiming “These my dawgs for life”, to Dom confidently stating “Holdin my dogs down to the right and I got my baby to the left”, the boys are riding for each other through thick and thin it seems with this track, and as Champion so eloquently puts it, hopefully with the coming of a new album, Brockhampton is going to “Fuck around, leave your jaw down”

The track’s artwork follows HK’s usual cassette-like design, as seen below. The picture accompanying the art portrays the hands of a person holding a stack of cash. However, as it is with “twisted”, the source of this image is unknown.

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Let us know in your comments what you favorite song from them is. To stay to date with Brockhampton and their new releases you can follow them on Instagram as well as Twitter. If you want to stay up to date with news and content coming from Nefarious Supply you can find us on Instagram, and Twitter. We also recently opened the Nefarious Supply shop so if you want to support you can show some love here!

BROCKHAMPTON Heals Old Wounds with GINGER

BROCKHAMPTON is an American rap collective based out of San Marcos, Texas. The self-proclaimed boyband reached stardom through the release of their SATURATION trilogy back in 2017, where the group released three full-length LPs within months of each other, all of them dense with potent lyricism, incredible production, and even some semblance of lore and world-building.

By the time the band released SATURATION III , they’d cultivated a dedicated, almost cult-ish fan base, with millions of views on their music videos and live shows that were sold out to the nosebleeds. There seemed to be no way the boys could stop their forward momentum. They’d even signed a million dollar deal with recording label, RCA Records.

And then, the news of Ameer Vann caught fire.

BROCKHAMPTON had a fourth album in the works titled Puppy, however the project was soon delayed due to allegations of sexual misconduct and emotional trauma, levied against ex-member, Ameer Vann. When these allegations turned out to be true, the boyband addressed them in a Twitter post (to the left), stating that Ameer was no longer apart of the group, and that they had been lied to.

This decision, though in line with the band’s brand and cultural sensitivity, as well as their own personal morals, divided their fan base. Fans that were happy about the decision and praised them for sticking to their standards, no matter who it may have been, clashed with those who thought their verdict was unfair and completely out of left field.

This, plus the obvious pain and confusion the members themselves felt towards the situation, drove them to cancel the remaining dates of their tour, as well as stop the production of Puppy all-together, due to Vann’s heavy presence and influence on the project.

During these few months, the band went on hiatus, in order to regroup and recover from the incident.

On August 26, 2018, after the release of various tracks, listed under the the boyband dropped their fourth official studio album, iridescence. The album was a drastic difference to their earlier projects, and even though it was received fairly well, even reaching number one on the US Billboard 200, making it the group’s first chart-topping album, it seemed as though the band hadn’t fully come to grips with who they were as artists after their departure from Ameer.

The band themselves seemed to empathize with the way their fans felt, and took another hiatus after their i’ll be there tour, bleeding up into the next year, where vocalist Kevin Abstract dropped his second album, Arizona Baby in April. Soon after, he announced on an Instagram story that BROCKHAMPTON were working on their fifth studio album, GINGER.

When the album finally dropped just this past week, the response was undeniably positive. On this album, BROCKHAMPTON seems to have reached a state of maturity and introspection that could only come from the experiences and lessons they’d learned throughout this entire ordeal. If iridescence was the representation of the boys’ ambivalence, then GINGER is definitely their direct response to everything that has happened in their lives in the past year and a half.

The opening track NO HALO, which feature rising artist Deb Never, thrusts listeners into the center of GINGER’s theme, going back to your roots, without forgetting just how far you’ve come. The track takes on themes of imperfection, failed relationships, breakups, substance abuse and mental health, which bolsters the somber ripeness of the band’s sound.

The following track, SUGAR speaks to the band’s longing for love in the midst of drug obsessions and sleepless nights in empty beds. It’s an ode to the heart, a concept BROCKHAMPTON seems to have down to a tee. BOY BYE almost completely obliterates the last two somber tracks with a dark, yet poppy beat underneath smooth flows and double-edged, boastful lyricism. Every member shines on this track and it truly becomes an entire vibe. By the end of the track, your finger will already be hovering over the repeat button. In HEAVEN BELONGS TO YOU the band takes a step back and let’s rising artist Slowthai take the stage. The UK artist raps about his mental health and relationship with religion over Romil and Jabari classic BH production.

ST. PERCY mixes the energy of the SATURATION series with the intensity of iridescence, with incredible flows and lyrical twists lying on a heavy 808 driven, bass-boosted beat, assorted in a way only BROCKHAMPTON could to bring the entire track to life.

Feeding off the energetic energy of the last two tracks, the song IF YOU PRAY RIGHT continues this streak for the next five minutes, with very religious driven lyrics from the boys, each member tackles their own thoughts on religion as a whole and how the concept has taken root in their lives. Apparently a Jehovah’s witness had even visited the band’s house one day during the production of the album, which maybe started or bolstered the influence of this track.

However, with the song DEARLY DEPARTED, the album’s themes come to a head. This is easily the most emotional and vulnerable song that BROCKHAMPTON has made. With heartfelt and introspective performances from Kevin Abstract, JOBA, Matt Champion, and Dom McLennon. Dom shines on this track especially, with his verse seemingly revealing the reason behind the title of the track. It is in reference to ex-member Ameer Vann, who’s situation is explained above. In a since deleted tweet, McLennon revealed that Vann had allegedly set up an ambush for Dom’s friend to be robbed. The frustration and anger of not only that but also the lies and pain he had caused his friends shines through clearly on this track. The title odes to the end of an era and a final farewell to Ameer as a friend, bandmate, and reason for the group’s suffering.

Still in the trenches of the prior track, the band gets hype still with I BEEN BORN AGAIN. The track a stripped of major production, adding only a smooth dark beat, some well-timed chants, and glitched adlibs in the background. Every vocalist of the band comes dead center on this track, showcasing their lyrical abilities and re-welcoming their audience to the world of BROCKHAMPTON, this being the first single they released off of GINGER. Topics of drug abuse and their newfound fame

GINGER is the title track of the album and brings vibes similar to SUGAR, with the boys diving back into the vulnerable and melancholic themes the previous track have brought forth. This track is dual sided, producing a homely feeling for the ones listening, whilst also being far away, as if our lover/friend/family member is wishing us good luck and letting us know that there is always a home, a family, a friendship, and a romance to come home to. Taking inspiration of Ne-Yo and Jamie Foxx’s “She Got Her Own”, the band puts their own unique spin on it, making a summer track for the ages.

The song BIG BOY is another reminiscent track, looking back on where BROCKHAMPTON was, and the experiences they’ve undergone in order to become the artists they are now. The title of the track could also play on the stigma of masculinity in modern society, a topic the band has played around with on other tracks on the album, and other projects altogether. Growing up is a hard thing, but the group seems to have come out of the ashes, more mature and stronger than before, albeit a bit woeful.

By this point in the album, you can see a trend. The band has grown and healed wounds of past tribulations, yet learning from their mistakes and delving into that darkness. This is seen on LOVE ME FOR LIFE where themes of vampiric loneliness and coming from the “dirt” to the fame and fortune they have today.

The last track, VICTOR ROBERTS, features a completely new artist to the fold, by the same name. Subjects such as troubled family history, extreme drug obsession which leads to broken trust and betryal. Victor is one of Dom’s close friends and this is the first song he has ever recorded. VICTOR ROBERTS is easily the second heaviest on the album, and is swelled into an amazing finish by a mixture of Ryan Beatty’s and Bearface’s beautiful, anthemic chorus and bridge.

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At the end of this review, I’ve come to see that GINGER seems to be a form of catharsis and it does its job well to close a chapter in the band’s lives that they will always have access to, but choose to move forward from. BROCKHAMPTON delivers on everything their fans and they themselves were waiting for.

BROCKHAMPTON “GINGER” - 10/10

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Let us know in the comments what you think about the new album do you agree with our rating why or why not? Comment down below! And to stay up to date with news and content coming from Nefarious Supply you can sign up for our newsletter below and follow us on Instagram and Twitter, and like us on Facebook.